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Private Notes
A special concert for Easter from LSO St Luke's in London, performed by choir The Sixteen.
Simon Russell Beale continues his Sacred Music journey in this special celebration marking the 400th anniversary of the death of the great Spanish Renaissance composer Tomas Luis de Victoria.
Simon Russell Beale tells the story behind Allegri's Miserere, one of the most popular pieces of sacred music ever written. Features a full performance by the Sixteen.
Simon Russell Beale visits Notre Dame and finds the key to the development of polyphony.
Simon Russell Beale explores Renaissance Rome and the music of the enigmatic Palestrina.
Thomas Tallis and William Byrd were important composers in England's musical Renaissance.
How Martin Luther had a profound effect on the development of sacred music.
He travels to Germany and Austria to explore the work of two musical giants, Brahms and Bruckner. With Harry Christophers and his choir The Sixteen, Simon discovers how Bruckner approached his sacred music as a devout Catholic, while Brahms found himself unable to believe in anything but his music.
Simon Russell Beale travels through the urban and rural landscapes of France to explore the story behind Faure's Requiem, one of the best-loved pieces of sacred music ever written.
Simon Russell Beale visits Poland and Estonia to discover why the sacred music of the two highly spiritual composers Gorecki and Part strikes such a chord in today's noisy and fast-moving world.
Simon Russell Beale returns to the UK to explore how three very different musical approaches to Christian music have captured the spiritual imagination of the nation. The composers James MacMillan, Sir John Tavener and John Rutter give a special insight into the challenges and rewards of writing sacred music for the 21st century. Music is performed by Harry Christophers and The Sixteen.
Simon Russell Beale visits Italy, Britain, Germany and Austria to see how the sound of Christmas has evolved in response to changing ideas about the Nativity.
Simon Russell Beale introduces a programme of choral music for Christmas from St Augustine's church in Kilburn, including works by Bach and Herbert Howells.
