I just want for everyone who makes Annie suffer to PAY!
I don't like A-Train.
He's so mess up.
Hughie is going to explode sooner or later and he's the one whos gonna suffer.
I like that they let Kripke use great songs like the first seasons of Supernatural
[7.7/10] Well, the image of some scantily clad superhero crushing somebody’s skull mid-orgasm is going to be with me for a while. Yikes. That was tough to watch. I don’t blanche easy, and that one got to me as something pretty fucked up.
All that aside, I dug this episode. I appreciate how the Anti-Supe Squad is coming together. For one thing, they have a new member. I like Mother’s Milk’s introduction. He seems slightly more down to earth and noble than the rest of the crew, and I particularly like his dynamic with Hughey. His warning that there's a price to all of this, recognizing that this kid is a babe in the woods and not just a tool to get what they want, makes him seem decent. That said, given how things on this show go, that probably means he’s secretly the worst of them all or something.
That said, Hughey proves himself useful, leveraging his electronics store cred to get into Popclaw’s apartment, hack her devices, and give his crew a de facto spycam. His continuing anger issues and asserting himself with his dad make for good character development.
Things also progress in terms of pure plot. We learn what “v-compound” is -- some type of superhero performance enhancer that gets them all coked up in addition to heightening their powers. We learn that A-Train was high on it when he ran through Hughey’s girlfriend, and Popclaw’s poor landlord is the second normie victim to suffer from a supe who lost control of themselves under its influence. The Anti-Supe Squad working to get a sample and figure out what it is and what it does advance the “Us vs. Heroes” plot of the season in a well-paced fashion.
We also learn a little more about A-Train. He doesn’t exactly become likable. In fact, he seems like that much more of a jerk for lying to his girlfriend about Vought rubber-stamping them going public as a couple and hiding his drug-use from his brother by invoking the idea that he’s infused with his dead mother’s spirit. But he at least seems more human here, if you’ll pardon the expression, fretting that he’ll be out if he loses the race against another speedster and being as much at the whims of his corporate masters as anyone.
Annie continues to feel those same limitations. While she ultimately earns plaudits for stopping the rapists in the last episode, she’s forced into one of those barely-there superhero costumes that female characters are poured into time and time again in comic book stories. It’s a good commentary on the sexualized expectation around them, and the canards about how it’s empowering and so forth. Annie’s continued disgust with the distance between what she imagined being a hero would be, and what’s actually expected of her is a good continuing storyline as well.
At the same time, I’m glad that she reunites with Hughey. Sure, it’s ostensibly just to buy the Anti-Supe Squad some extra time while Frenchy rummages through A-Trian’s stuff. But the two seem like they have a genuine connection. Ultimately, both are disgusted with The Seven and the superhero industrial complex, and I’m interested to see where it goes. They have good chemistry together and with all the tumult happening, it feels like each is the only other person the other can be real with amid all of this.
We also get another glimpse of Homelander’s shittiness, particularly in regards to Queen Maeve, who gets some extra development here too. There's a brutality to him, in the way he punches through a shooter rather than at least giving him a quick death. There's a sliminess when he fires the man’s weapon toward his partner so they can claim he shot first. And there's a creepy, emotionally abusive quality to him toward Maeve, nabbing her collar, stealing the spotlight from her, and taking on the role of abusive ex when he basically says he’d go crazy if she ever dated anyone else.
Maeve’s an interesting player in all of this. She, more than anyone, seems to take this as just a job, recognizing when she has to read the script and play her part. She knows how to handle Homelander for the most part, deflecting his advances without angering him in a way that comes off chillingly practiced. I’m curious to know more about her backstory and how she came to an admittedly cynical equilibrium, but one that seems to have left her more well-adjusted than the other supes.
We also get hints at some history or animosity between Homelander and Billy. The zinc- (not lead) lined box filled with Translucent’s remains are almost a taunt, and combined with the fleeting staredown at the stadium between them, there's clearly more afoot than we know.
Oh, and contrary to my supposition last week, Stillwell isn’t in charge of Vought. There's some other head honcho, one who even Homelander will take orders from, who’s in charge and otherwise unseen to this point. It’s a good hook, especially coming alongside other hints that Homelander is tired of being on someone else’s leash.
Overall, another good episode that advances the stories of the protagonists and the key mysteries and plotting of the season, while also adding new ones and giving new shading to others.
The worst thing about this show is having Simon Pegg playing the "dad" part. What next? Kevin Smith as the funky uncle?
Homelander behaviour with Stillwell is so weird, I don't know if he wants to kill her or fuck her.
Oi
Oi
Oi
Oi
Oi
The kiss on the phone with funny as hell :joy: I’ve literally been in that situation before
I like how no one thought to record the cameras when they started talking about CompoundV?
Man i hate that woman’s assistant damn shes a b!+<:pound_symbol:
I would say not a bad way to go for the landlord but im not sure about that statement lol im conflicted. Ill go with not woman’s fromt is worth dying like that gessh.
“Coming for you” on the box was a good touch
Frenchie: "One night, when I was ten, he tried to smother me with a Hello Kitty duvet."
Hughie: "When I had the detonator in my hand, I felt, like, a... I felt, like, a rush."
MM: "I get it."
Hughie: "Like I felt alive."
MM: "But that rush, Hughie, is no different than the shit A-Train shoots up. Everything comes with a price."
Hughie: "Do I call you, or do I just commit a crime?"
Annie: "Probably committing a crime would get me to you quicker, so..."
Butcher: "You still ain't twigged the one weakness they all got. Their reputations."
Annie must really, really want to be in the Seven/one of the Seven. Sure, her new costume looks great and all but she preferred her old one more. Not only that, she was subtly threatened into going along with it because she'd no longer be one of the Seven if she didn't. Something even worse than what The Deep did to her has to happen for her to no longer care whether or not she's one of the Seven. I'm just not sure whether that something will happen.
So we do go for a bigger game here, which is bringing down Vought as a whole. I kinda like how this is going, and Mother’s Milk is a good addition to the cast.
Where ate my check marks for shows I've watched I ama VIP so why don't check marks work??? American man to kristin.
Review by Pradipa PRBlockedParent2019-07-29T19:24:48Z
"They're just people. But they snap their fingers and we jump."
Interesting episode showing the clutch of corporation in the lives of the superheroes. Heroes have to obey metrics--viewership, social media likes--they have to perform, to play the role of heroes to satisfy the demands of the markets.
The life threatening crime of robberies are made mundane, as shown when Homelander and Maeve have a casual chit-chat about their employers while performing cool action stunts of "saving the world". Which, in actuality, is a no-mercy beatdown of a guy who surrendered as soon as they appear. But they have to play their part: "the bad guy shot first", that's why it's legal to murder him. In the same vein, Starlight has to upgrade her costume, to show a "transformation" from a country girl to a metropolis supe. She doesn't like showing off her body, but once she signed the contract, her body is no longer hers--it's of the corporation. The supes may have physical power, but the billionaires have political and cultural power.
We have watched this mundanity before in the form of other entertainment--Marvel Cinematic Universe. Life-threatening actions were played out as jokes and mundane routines. And us the viewers enjoyed it, because it gives us "cozy feelings". But, like most performers, heroes hide secrets. And that's where the Compound V plot kicks in.
This episode attempts to show what sci-fi usually does: a commentary not of the future, but of the present. The subplots are knitted neatly to each other, marking a distinct theme. We tread carefully as plans and ploys unfold--and failed--but as they go, more possibilities were opened up. We watch our Hughie becoming more convinced of his place in The Boys. We see his conscience in opposition to the other veteran members of professional killers.
The great thing about this show so far is how everything is not portrayed as merely black and white. Superheroes may do bad, but they are all still humans who submit to corporate governance. While our boys may seem to have clear motives of taking down corrupt heroes, but they too are vested with their own interest. Hughie acts as our moral compass--the only ordinary guy, who happens to be trapped inside this clusterfuck.