Extremely different than what I expected the first episode to be. Nice to see where it all began.
“Simpsons Roasting on an Open Fire" is a decent premiere for The Simpsons, the longest-running scripted American primetime show at 33 years and counting. While not a particularly funny nor entertaining episode, you can see the heart that went into the writing.
Overall, a fair yet worthy premiere.
Watching from the very beginning!! Excited. Was brought up with this show :p
The Simpsons occupies a position of amazing cultural ubiquity. Even now it struggles on, shorn completely of what made it special to begin with. A shade of its former self. What I thought would be interesting would be to watch the first eight series—those that almost everyone can agree on are of the highest quality—in proper order. I used to look forward all day to watching repeats of the show as a child, and so my knowledge of the show is present but jumbled and out-of-sync. It's exciting to know that I have so many great moments waiting for me before I've even begun.
Starting right back at the beginning, however, means that there's a way to go before I get to the really good stuff. What we have here is very much in the spirit of the old Tracey Ullman Show shorts transposed into a longer form. There's a simple domestic situation: the family don't have enough money to pay for Christmas and Homer sets out to sort it. What we end up with is something akin to an animated sitcom; deeply ingrained in the details of late 1980s/early 1990s working-class American life, without any whimsy or fantastical elements. There isn't a celebrity to be seen here. This is very refreshing—the show doesn't shy away from presenting the life of the Simpsons as tough or avoiding class-based commentary. Homer is a good man, although one whose efforts to do the best he can for his family don't always come through legitimate means. Bart is a typical rebellious child, a prankster, but one that isn't unfamiliar with moments of tenderness. (From memory, the closeness between father and son here is something that happens less and less as time goes on.) The plot has an ending rich in pathos and one that sets us up to continue our journey with the Simpsons, one that will move away from this small focus and onto a broader, more satirical canvass.
Such a solid episode full of great quotes: “ How many grades does this school have?” “ We love Bart”,etc.
The first episode isn't a very strong outing. It probably had a lot more impact back in 1989 (and I vaguely remember how unique it felt back then), but it lacks any of the trademark humour. It does have heart and effectively shows Homer's love for his family, as well as giving us distinctive characters from the off.
The drawing and animation is super rough here and most of the voice work isn't of the high standard it would become (and in a few cases is truly awful). But my main takeaway is that it just doesn't make me laugh.
hello my name is damla
I'm giving this cult classic television series another spin, starting off from the beginning (and also redoing my ratings up to now). So here we go:
The Simpsons Roasting on an Open Fire is, as the title card reads, a Christmas Special, and it may seem rather strange, that a television series starts with a Christmas special. To understand this, you need to know two things:
Firstly, this wasn't actually supposed to be the first episode. The first episode produced, was S01E13, Some Enchanted Evening. However, a workprint test screening was received overall poorly, enforcing a long rework of the entire first season that took around half a year. Now, having to air in mid December, the decision was made to grab Episode 8 of that season for premiering.
Secondly, the Simpsons where already well known. It was in 1985 that comic artist Matt Groening was asked to do an animated short series for the Tracey Ullman Show, a ~30-minute long sketch comedy show, to be used as a ~1 minute long "bumper" before and after the commercial break. Groening initially wanted to use his comic series "Life in Hell" but when he learned, that he would actually loose all intellectual property rights, he came up with a plan B: The Simpsons, which - as rumor has it - was developed in 15 minutes in front of the office of producer James L. Brooks, just before pitching the idea. It wasn't the first (and in the beginning not the only) animated short that aired as advertisement bumper in the show that started in April 1987, but it was the one that got most attention and by the second season, all other cartoons were canceled and The Simpsons became the exclusive short series in that show. After the third season, that ended in May 1989, the Simpsons where spun off into a standalone half-hour series.
Taking these two facts into consideration makes it clear, how they could start off with a Christmas Special, but it also puts a lot of undeserved praise into better context. Many point out how this first episode already established so many places & figures and their characteristics right from the get-go (e.g. Skinner, Ned Flanders, Patty & Selma, Moe, Barney, Mr. Burns, Smithers, Milhouse and Grandpa, Moe's tavern, the power plant, Bart prank-calling Moe, etc.). If, however you watch them in production order, you will see, that the Simpsons started out as any other series; only Moe, Moe's Tavern and the Pranks where introduced in the original first episode. And other characters get introduced gradually over the next episodes, not all at once and some with large differences in the beginning (e.g. Milhouse being black-haired, or Smithers initially being black), so that this episode had already a rather rich background to fetch ideas from and build upon.
So ignoring this aspect, this episode has rather little to offer. The drawings are still a bit clumsy, the story not that original, there is little humor, no real sassy social remars and the dialogues rather dull. On the plus side, however, it is a heart warming story that has a nice happy end, and it manages to bring you into a Christmas spirit, even if you watch it in the summer.
Starting at 5/10 and looking at all the pros and cons, in the end, this episode is rather balanced out, leaving it at 5/10 points over all.
aka the first Simpsons Christmas Special
Odd move to make a Christmas special your first episode, this special is odd in general. It has enough heart and promising wit to show what the show could become. “He’s a Simpson” genuinely got me.
Christmas mood. The competition between Homer and Ned Flanders established from the get-go. Marge's sisters pretty hostile. 40°
So, here we go. The Simpsons from the very beginning.
Huh? Christmas!? Surely this can't be the first episode? Really? Okay, I'll roll with it.
Not as whacky as the later episodes so not as engrossing as I expected. Kept finding myself having to zone back in. Quite a nice family affair though set in a typical Christmas background. Animation is crude but there are reasons for that. Looking forward to it becoming The Simpsons I know and love.
Review by Andrew BloomVIP 9BlockedParentSpoilers2019-12-31T23:28:19Z
[8.0/10] So much more to say than this mini-review, but in brief, it’s almost shocking how much of The Simpsons is here right from the jump. This was not meant to be the first episode of the series, but it still works as such a great introduction to what the show is about.
For one thing, you have the table setting. Marge’s Xmas letter gives you the basics of the family. You have classic figures from Principal Skinner to Moe and Barney introduced right out of the gate. Homer’s combative relationship with his sisters-in-law and jealous relationship with his neighbor is firmly established. And even little character traits, like Bart’s hellraiser impulses and Lisa’s sensitive intelligence are sketched out here. Sure, our understanding of these characters will get deeper over the years, and the show will better define them, but the basics are there in a recognizable way.
At the same time, the show’s sensibility comes through so clear here. The satirical cynicism that fuels the series is firmly present, from the careful omissions or white lies in Marge’s Xmas letter, to Burns giving himself a bonus but withholding one from his employees, to Patti’s blasé “watch your cartoon” response to Lisa’s polite but legitimate grievance. That sort of wry take on how families present themselves and work and intergenerational interactions is true to Matt Groening’s Life in Hell roots.
Plus there’s the classic skewering of the institution of T.V. itself, long one of The Simpsons’s favorite targets. This episode tells you what kind of show you’re watching when Bart references everything from A Christmas Carol to The Smurfs to justify his belief that miracles happen to poor kids on Xmas, a belief that’s then shattered when he and Homer’s longshot bet, the one that could save their money woes and with them, Xmas, completely fails to pan out. Bart’s shock that T.V. lied to him is an amusing note for a show clearly trying to depart from the learning/hugging squeak clean mode of T.V. that was predominant at the time.
But this is, unexpectedly, also an episode of love and, yes, even a little hugging. This is a Homer episode, and it helps answer that eternal question of why Homer, who is consistently stupid, often selfish, and rife with poor judgment, deserves to have this loving family. Right from the gate, The Simpsons answers the question: because however ill-equipped he is to succeed, Homer continually tries to do right by the people he cares about. His efforts to preserve the joy of Xmas, and to keep his family happy during the holiday season, are ill-fated but noble, and the pathos in the poor sap from every time he deludeds himself into making him think he can pull it off is quietly heartbreaking.
Despite that, the dope wins the day. There’s something so poetic and beautiful about the dog who ruined their last chance at a big payday, who’s “pathetic and a loser”, is also the one who makes their Xmas its brightest. The kids are happy. Marge is happy because the aptly named Santa’s Little Helper is something that can share their love (and scare away prowlers). And you get a warm holiday embrace from this nascent series, tinged with the bits of cynicism that make it feel legitimate rather than cloying.
All-in-all, this is a hell of a start for the duly venerated series, one that sets up the basic premise of the show and its cast of characters, establishes the series’s sensibility right away, and better yet, tells a great story about Homer’s love for his family that would be the backbone of the series in lean years and in its golden years.