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Filipe Matos
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Lisbon, PT
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A cinematic history mixed with contemporary art.
Cinema is full of neurotic personalities, but few things are more transfixing than a woman losing her mind onscreen. Horror as a genre provides the most welcoming platform for these histrionics: crippling paranoia, desperate loneliness, masochistic death-wishes, dangerous obsessiveness, apocalyptic hysteria. Unlike her male counterpart - ‘the eccentric’ - the female neurotic lives a shamed existence, making these films those rare places where her destructive emotions get to play.
www.g03.org/stillframe

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Cahiers du Cinéma, (Notebooks on Cinema) is a French film magazine founded in 1951.
Top 10 films chosen annually by the critics of Cahiers du Cinéma

The history of the Cahiers is related to the Cinéma history, in particular because of a generation of enthusiasts who gave birth to the Nouvelle Vague. Jean-Luc Godard, François Truffaut, Éric Rohmer, Jacques Rivette, Claude Chabrol and many others wrote their first reviews before becoming filmmakers.

Sources:
https://www.cahiersducinema.com/
https://en.wikipedia.org/wiki/Cahiers_du_cinéma

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