Here's a list of all episodes of Arrow, The Flash, Legends of Tomorrow and Supergirl and in which order you should watch them.
Television series: Arrow; The Flash; Supergirl; Legends of Tomorrow; Black Lightning; Batwoman; Superman & Lois. Including Crossovers and references
Elseworlds is the name of the fifth annual Arrowverse crossover event between The Flash, Arrow, and Supergirl. The crossover aired over three nights from December 9 to December 11, 2018. It served as a set-up for the television series Batwoman and revealed that CBS' The Flash was canon in the Arrowverse.
Crisis on Infinite Earths is sixth annual Arrowverse crossover event, featuring episodes of the live-action television series Supergirl, Batwoman, The Flash, Arrow, and Legends of Tomorrow.
Includes:
• Arrow
• The Flash
• Vixen
• Constantine
• Supergirl
• DC’s Legends of Tomorrow
All Movies In Series In Chronological Order
Religious
"Some films should never have been made. They are too unsettling, too dangerous, too challenging, too outrageous and even too badly made to be let loose on unsuspecting audiences.
Yet these films, from the shocking Cannibal Holocaust to the apocalyptic Donnie Darko, from the destructive Tetsuo to the awfully bad The Room, from the hilarious This Is Spı¨nal Tap to the campy Showgirls, from the asylum of Das Cabinet des Dr. Caligari to the circus of Freaks, from the gangs of The Warriors to the gangsters of In Bruges and from the flamboyant Rocky Horror Picture Show to the ultimate cool of The Big Lebowski, have all garnered passionate fan followings.
Cult cinema has made tragic misfits, monsters and cyborgs, such as Edward Scissorhands or Blade Runner's replicants, heroes of our times. 100 Cult Films explains why these figures continue to inspire fans around the globe. Cult film experts Ernest Mathijs and Xavier Mendik round up the most cultish of giallo, blaxploitation, anime, sexploitation, zombie, vampire and werewolf films, exploring both the cults that live hidden inside the underground (Nekromantik, Café Flesh) and the cult side of the mainstream (Dirty Dancing, The Lord of the Rings, and even The Sound of Music).
100 Cult Films is a true trip around the world, providing a lively and illuminating guide to films from more than a dozen countries, across nine decades, representing a wide range of genres and key cult directors such as David Cronenberg, Terry Gilliam and David Lynch."
Source: http://www.palgrave.com/products/title.aspx?pid=470133
Note: Cafe Flesh (1982) is missing from this list.
Blaxploitation is an ethnic subgenre of the exploitation film that emerged in the United States during the early 1970s. The term, a portmanteau of the words "black" and "exploitation", was coined in August 1972 by Junius Griffin, then president of the Beverly Hills-Hollywood NAACP branch. He so named it because he claimed the genre was "proliferating offenses" to the black community in its perpetuation of stereotypical characters often involved in criminal activity. However, the genre does rank among the first after the race films in the 1940s and 1960s in which black characters and communities are the heroes and subjects of film and television, rather than sidekicks, villains, or victims of brutality. The genre's inception coincides with the rethinking of race relations in the 1970s.
Blaxploitation films were originally aimed at an urban African-American audience, but the genre's audience appeal soon broadened across racial and ethnic lines. Hollywood realized the potential profit of expanding the audiences of blaxploitation films across those racial lines.
Blaxploitation or blacksploitation is an ethnic subgenre of the exploitation film, emerging in the United States during the early 1970s. The Los Angeles National Association for the Advancement of Colored People (NAACP) head and ex-film publicist Junius Griffin coined the term from the words "black" and "exploitation."
Blaxploitation or blacksploitation is an ethnic subgenre of the exploitation film, emerging in the United States during the early 1970s. The Los Angeles National Association for the Advancement of Colored People (NAACP) head and ex-film publicist Junius Griffin coined the term from the words "black" and "exploitation."
black movies
Blaxploitation or blacksploitation is an ethnic subgenre of the exploitation film, emerging in the United States during the early 1970s. The Los Angeles National Association for the Advancement of Colored People (NAACP) head and ex-film publicist Junius Griffin coined the term from the words "black" and "exploitation."
Blaxploitation or blacksploitation is an ethnic subgenre of the exploitation film, emerging in the United States during the early 1970s. The Los Angeles National Association for the Advancement of Colored People (NAACP) head and ex-film publicist Junius Griffin coined the term from the words "black" and "exploitation."
Created by Velocity
blax·ploi·ta·tion
noun
The exploitation of black people, especially with regard to stereotyped roles in movies
Blaxploitation or blacksploitation is an ethnic subgenre of the exploitation film, emerging in the United States during the early 1970s. The Los Angeles National Association for the Advancement of Colored People (NAACP) head and ex-film publicist Junius Griffin coined the term from the words "black" and "exploitation."
Urban Chick list
IN MY OPINION… this list has a lot of movies from producers and writers who really hate black people AND… wish to continue to flooding America with negative imagery. I hope to learn which ones are what an what ones are which. Are black people really impossible to photograph with the same quality of lighting as white people? Is our skin not beautiful? I am simply looking at the dramatically uneven racial representation of the artwork & titles. I can clearly see why black people are discriminated against by the advertising campaign apparent from the artwork. What will make these movies even worse if they are really good.
“Malcom X” has bloody X across his face, “Mandella…” has his back turned to the camera, “42 The Jacky Robinson Story ”… can’t see his face either and those films are supposed to bring pride to Black America? Apparently, the better the film the more degrading the cover photo.
Yeah, I plan to watch some of these films to get a better feel on the subliminal war against black people by the movie and television industry. I guess it doesn’t matter how black actors represent their race as long as they make a dollar from it. The only positive things I see from just looking at the artwork is that hardly any of the actors are flashing weapons. How can the American Motion Picture Industry sell a black interest motion picture when the actors are not displaying weapons on the cover? I plan to find out.
