This series succesfully shows the exact opposite of blockbuster movies: Create a great story with mediocre special effects and lesser known actors.
The writers behind this show do an amazing job creating one wonderfull Fairy tale adaptation after another. I did not like their previous work, but I think the writing is getting more mature (but they still make some errors that are frustrating.) But mostly they are not afraid to change major aspects of the fairy tales if necessary.
The creaters of this show also worked on 'Lost' and the 'TRON: Legacy' movie.
I really love how Rumpelstiltskin plays the evil maniac, especially during the first season. But there are more noteworthy roles in there, like the evil queen, her mother, Belle, Hook or Peter Pan. Emma Swan is pretty well played, but compared to the extreme characteristics of the fictional characters she is a bit bland.
The things I dislike most are probably some repeated main themes (family feuds/bad parent-child relations) and that they copy the characters of fairy tales a bit too literal from the Disney franchise from time to time.
Overall I think it is on of the best non-comedy shows of the past few years.
PS. I am glad Lady Gaga never replied on the invite to play the Blue Fairy.
Note: This review was written after watching the first 2 seasons.
I did not read the books, and I did not play any of the games (although I heard at least one of the games is of great quality in storytelling) so I went into this show more or less a blank slate.
And boy it is bad.... The writing is just dreadful. I think the writers assumed prior knowledge to the world and characters, and lean on that assumption too heavily.
From the very beginning it is poorly written. Timelines are messy and unclear, exposition is done terribly, worldbuilding looked like an afterthought and taken from a first draft, the pacing is all over the place and inconsistent over time as well inconsistent for each subplot. Episode structure is even irratic. They presented us a continuous story, but several episodes focused more on little episodic adventures that did not impact the main storyline all that much. And for a show with only 8 episodes, that is deadly and lead to other stories being rushed or simply put on hold for the next season (I assume.)
Toward the middle of the show, it started to get a bit better and I thought it could be promising after a bit rocky start, but in the end they could not deliver and it turned into an utter and complete trainwreck (oh that last episode, I almost fell out of my chair several times from disbelieve.) Rushed plot resolutions, while other characters stories crawled to a complete standstill with close to no progression or character development, in somecases even for the whole season.
What the show does have going for it: Photography, sets and costume design are beautiful!
I really did not want to dislike this, but it looked like they actively tried to make me stop watching.
Note: This review is about season 1.
With all the great reviews I suspected a hidden jewel, and it kinda was. However it annoyed me a lot.
Especially the dialog was extremely hectic and kind of retarded in the first 30 minutes. It got a bit better after that, but never really good. The actions and decisions were of people that just did not think, something that doesn't fit in a movie with a smart setting like multiverses. imho it only fits with comedy and some exceptions here and there, but that's just me.
One of the flaws that showed itself a couple of times was the time flow. Time is not really consequent throughout the whole movie. In 1 scene someone drinks up a bottle of wine within a minute, and on a few occasions people were gone for a longer period of time (10-20min) while in the house itself no more than 5 minutes were passed at best. This could be explained by the major plot twist in the end, but it would be nice if there were made 1 or 2 remarks about it if that was the case.
The movie is also not giving the viewer time to make their own construction of the situation but making a few emotional scenes right after an info-dump and repeating this process.
And when the characters finally start to understand how complex the situation could be, they decide to pop open the alcohol and get wasted.... seriously?
It brings the movie to a dramatic impasse that is completely unnecessarily and just slows down the mystery.
Luckily the movie manages to get some points in after that. More focusing on story development, having some very interesting plot twists and using the mystery to its benefit in stead of for the drama.
Those last 15 minutes are a good home run, and the movie sets up a completely other pace and setting. Suddenly moving from a group of people with no clue what's going on, to one main character with an objective.
Maybe they should've done this from the beginning to make it more interesting. The girl (Emily?) who took on this role was from the beginning one of the few actors I did not have many complains about, and was doing a good job.
Usually I am a big fan of the 'quantum multiverse' theory worked into a movie, and the concept in this one is very nicely done. But even though they tried (and to be fair the creators have a good grasp on the subject) it kinda failed with the overly dramatic setting and insulting the viewer by letting characters make dumb decisions.
Since it is a low budget movie, I decided not to be too harsh on the rating itself (it really is a movie that can match itself with the high budget ones) and I definitely would upvote for a remake with some better scriptwriting for dialog and some actions. Because I think that this flick could be even better.
In 'The French Dispatch' director Wes Anderson goes all out with his characteristic aesthetic, beautiful visuals, use of colour and attention to detail. The music is great, fantastic even at times. There are more top actors than you could find at an average Oscars party. And visually most of shots are works of art all by them self. It is rather unfortunate that Wes his attention to detail do not translate to a more coherent story as a whole, holding the movie back.
'The French Dispatch' contains three separate stories, only trivially connected by a fourth overarching story about a newspaper and its journalists (based on the origins of a real newspaper.) On their own, each story is serviceable, but unfortunately the guiding story is lacking enough substance to make it work as a whole. The at times rather dense dialogue, riddled with puns and metaphors, also do not help with avoiding confusion. Especially for the average cinema visitor. However, the jokes and puns are often positively unexpected and with a great show of comedic timing, even during otherwise non comedic scenes. And this is without having to resort to the type of subversive humor we so often see nowadays in blockbuster films.
The three stories on their own, especially the rather quirky first one about the convicted murderer, are all interesting and fun enough to make the viewer invested. And although each story is not likely to be strong enough in its current form to carry a whole film, I think they could have benefited from some more time. To give the characters some more and/or better introduction. It would also have the benefit of seeing some more from all the fantastic actors.
I would recommend to watch this movie at (a somewhat larger screen) at home, where you have the option to rewind. That way it is also possible to appreciate the many details in many shots and scenes.
With every movie Wes improves his meticulous and almost obsessive attention to detail in every shot. Considering the visuals; In 'The French Dispatch' he once again trumps every movie Wes Anderson has made before, including the well received 'Budapest Hotel' and his critically acclaimed stop motion films 'Fantastic Mr. Fox' and 'Isle Of Dogs'. Of course there is an ample amount of his characteristic centered camera work, straight angle moving and panning, and the painting-like sets in almost every shot. He plays with aspect ratio and switches between colour and black and white for significant portions of the movie. And there is even a fully (drawn) animated section, which is a lot of fun.
If a movie was only visuals, this one would have been rated a 10/10.
I absolutely enjoyed the music and music timing in this. Composer Alexandre Desplat (who often composed for Wes Anderson his films) made a score that was often subtle, while still reinforcing the atmosphere of the movie and the scene. I also noticed some parts where video and audio were carefully timed to match one another. On a few occasions the music felt like a temporary extra character in the scene, leading the atmosphere instead of only enforcing it, and I found myself actively appreciating it more than I usually do when watching a film.
With all the actors involved, and the limited time they are given, it is difficult to properly discuss acting as a whole. There are so many fantastic actors in this, but the lack of screentime for each of them makes none of them award worthy. I have to mention Benicio del Toro for his acting though. With his menacing performance he outshines most of the other actors. And that is with a cast like this very difficult to do.
Overall I enjoyed this movie a lot, but even though I would like to recommend it, it is difficult to recommend to most people except for people already familiar with Wes Anderson his work. It might be not accessible enough for the average person, with the separate stories and visual style. While for a film fan the story issues can be problematic. Its shortcomings are especially unfortunate, because it likely will be a cause for less people to watch it.
An out of the box character driven movie with amazing performances all over. The movie is carried by the philosophical debate about (the hypocrisy of) how society is raising and viewing kids, so for the ones not interested in some deeper themes this movie will fall flat or could even be misunderstood. It is not so much a critique on society as it is thought provoking, and you might end up somewhere in the middle of the two positions of the argument. You could argue both against and in favour of the main character (played by the always amazing Viggo Mortensen) where every character in this movie has been written and portrayed as realistic as they can be.
At its core the movie is about parenting, education and the way society places itself superior to the outcast, and how the outcast always has to fight these conformist systems. Since (western) education and way of life has almost become a religion in itself, it isn't easy to live in (or raise your kids in) when you disagree. Something this movie illustrates the best in its more extreme moments.
Its runtime is a bit longer than you'd think necessary, however the slow pacing of the movie makes room for the rather big cast to breathe a little and not hastily skip over the decision points or thought process of the characters. It rotates intense emotional moments with moments of light heartedness and world building. This makes time for actually taking the audience along with the thoughts of the people that have the most development.
Oh and the cinematography is surprisingly well done too. I found myself both laughing and almost tearing up in 1 single shot. The emotions are very well captured and the use of light, costumes and props is exceptional.
The end really left me wondering if the kids could fly out and become these promising people their parents set them out to be, but something tells me that it won't be that simple.
"In the moment when I truly understand my enemy, understand him well enough to defeat him, then in that very moment I also love him."
Ender's Game is a movie with many flaws, but many qualities as well. Keep in mind that it is hard to just categorize it as a good or bad movie because of that.
No real spoilers ahead.
Story:
Like someone pointed out here before me, the reason why kids are necessary and why that's humanities only hope is left completely unexplained. The lack of other commanders, besides the one in training school, is pretty odd to say the least as well. In 50 years not 1 trainee from the academy passed the test. So what happened to all those failed kids? Especially the ones that did get to the final test. They know a secret that cannot be known to society (about the hero commander.)
There was no real character development in this movie at all except for the main character, and his development was very thin. The 2 friends he made do not have much in common with him, nor do they have any reason to like him. Especially the girl, since she is in a winning team for a while. After Ender's 'problem' with the Salamander leader, he feels bad about it. But as soon this part is over he never seems to look back at it or takes any lesson from it.
On the brightside, the massive plottwist in the end was surprising. After watching a movie with a rather unsurprising (but not boring) story development, I did not expect that. They could've singled out the emotional/psychological aspect after this part a bit more to make up for some lacking character development earlier.
Visuals:
Special Effects were lovely. A real sci-fi feel with great spacey environments that didn't feel unrealistic or cheap. The funniest thing was how they could've had computer games with about the same graphics we have now :P
I really loved how they did the battle scenes between plains and fighters, both in air as in space. You really got sucked into the battle field, and lost the feeling you were watching at a screen like happens so often with big battle scenes with lots of SFX.
Music:
This has to be adressed. I think this was probably the best part about this movie. Steve Jablonksy was the one who composed it. He also composed the music for the game Command & Conquer 3: Tiberium Wars, where he surprisingly managed to not dissapoint after stopping Frank Klepacki's monopoly for the franchise. And that's while Klepacki set the stakes very high for him. And in mainstream modern movies he is probably best known for doing some music for the Transformer movies, too bad those movies suck too much.
He did an amazing job on the score for Ender's Game. Bombastic, classical and majestic music that made every scene way bigger and impressive. Something you could easily listen to and enjoy without looking to the film, but just play really loud on your speakers.
Acting:
This is always something that falls a bit short when kids are the main characters in a movie. Remember the golden rule: Never work with children or pets when you are making a movie.
Not that it was bad, I was actually positively surprised with the acting job most of the younger characters delivered. The worst acting came from the adults xD But even so, the acting was not something award-worthy. Just don't expect big personal acting extravaganzas and you will be just fine.
Enjoyment/Overall:
I really had a lot of fun watching this movie, therefore the end(er) ordeal from me falls into the category good movie. It has enough speed, nice visuals, great music and it is just fun to watch.
You could call this a real cyberpunk anime.
A pretty abstract and philosophical story about identity and who we really are. It leaves the viewer questioning about more than just the series itself.
Juicy detail: It is rumoured to be one of the series that had an influence on The Wachowski brothers for The Matrix story. However I don't know if this is ever confirmed or true, and it probably was a minor one compared to Ghost In The Shell. After all it was aired only 1 year before the release of The first Matrix movie.
It is not for everyone, but if you have an open mind and like more gloomy and philosophical stories, it is definitaly worth it.
This small, incomplete review holds no real spoilers.
Jennifer Lawrence turned up the acting switch a notch. Might be her best performance till date overshadowing 'winter's bone' while showing her great talent and potential of her becoming a movie superstar (if she isn't already bc of her internet popularity and looks.)
This part was more balanced as the last movie, and sets the emotional trigger on sharp for the finale next year.
Again a compliment to Elizabeth Banks who captures the role of Effie amazingly well. Even though she originally wasn't supposed to be on screen until the finale, the creators and writer Suzanne Collins decided to let her replace Plutarch's assistent so she could be in this movie, which was a wise decision imho to use a familiar face in stead of a unknown side character.
I was a bit disappointed about the lack of influence of Natalie Dormer, but we might have to wait for the last movie for that to happen.
Sidenote: It is harder to find a movie without Julianne Moore nowadays, than one with her lol.
There is a lot of conversation, the biggest part due to this being the politics part in the story. This is a big part of stories base after all, and is important in its message.
I really was surprised they used the 'Hanging tree' song in the movie, I kinda suspected they would skip it, and it was a great surprise and a good decision the didn't. It has a lot of importance for Katniss, since it depicts the struggle of the districts against the capitol, and her relationship with her family (mainly her dad) and later with Peeta.
Lawrence is definitely not a singer though, she doesn't have the voice for it hehe. Good thing they have computers nowadays.
Depending on how part 2 will turn out, I think they made a good choice in splitting the movie in two, even though it is probably done just for the cash and not for storytelling.
Great Miyazaki film with a lovely fairy tale storyline. If only the kids voices weren't so screamish. This made my overal enjoyment of the movie drop :(
According to this film a Leo is destined to do great things. What they actually mean is you need saving all the time.
I had very high hopes for this movie, but had to adjust them after all the bad reviews and low rating it received. After all it was not as bad as they made it out to be, but definitely not the masterpiece I was hoping for.
To start of with the movie's biggest flaw; The story is as random as it can get. Not only did they fail to set up a good premise (Cinderella in space) but even the arcs have as little connection as possible.
We have a leading cast consisting of a 'renegade' soldier and a damsel in distress that doesn't seem to be able to love anyone until she literally gets swept of her feet by the prince in shining boots. Of course they need an enemy, so the villain is a selfish royalty with a batman-voice that uses the whole universe for its own gain and profit. Actually, he isn't the only one. Everyone else in the universe who can does. And those who cannot, accept it as a fact of life. So why is he a villain again? Oh right, he is the one who is currently threatening earth...
And then there are the sister and brother of the villain who get entangled in the story, although they have no influence on the outcome of the story at all and only prolong it.
Jupiter (Mila Kunis) needs to protect her family and the earth all the while barely making any decisions by herself (besides wanting to go back home scrubbing a toilet.) Even when she does make a decision, it gets her into trouble. It's as if she wants to create a situation where her prince is coming to save her (from the altar and the worst marriage in history of spacetime and movie clichés.)
Through most of the movie she has no idea what is going on, and character development is thin as ice. The same goes for most the other characters.
Some comedic relieve is put in with an (extensive) joke about bureaucrats with our 'heroes' just standing by while some robot goes from one department to another. As well as a spaceship leaving a crop circle in a not so subtle way while lifting off. Really, who wants to see those things?
Also: Why was Channing Tatum the only guy with a shield (or flying boots) in the whole universe? And why does he run through a cornfield, while he can much easier fly over it (and how did he survive the journey through space right after that when he was outside the ship?)
Well, at least they used a decent excuse for a massive destruction of an earth-bound city in a movie.
The cast was a variable success. This might be the first flick in which Sean Bean doesn't get killed off prematurely :P
Most of the actors did what they could with what they got and Eddie Redmayne (playing the villain) probably got the best out of it. He created a pretty convincing bad guy with the moods of royal spoiled kid.
Mila Kunis did a good job on making 'Cinderella' likable and convincing. it is nice to see her do a Science Fiction flick, and I would love to see her do more in the future (hopefully with a more profound role.)
The brother Titus and sister Kalique (Douglas Booth and Tuppence Middleton resp.) were already pretty irrelevant for the story, but managed to erase themself from memory even more easily by overacting their roles. So they ended up more as eye-candy than anything else.
I am saving Channing Tatum (Cain 'Prince flying boots' Wise) for last. As an action hero he did not disappoint. He also handled the more romantic scenes with the right subtlety even though he and Kunis did not seem to really feel each other.
The only point that was constantly in my mind was: "Why didn't they get Justin Timberlake for his part?" He has proven himself to be a good actor a long time a go (also in Sci-Fi with 'In Time') and even starred with Mila Kunis in 'Friends with benefits' where they showed to have a great chemistry together. It is not that Tatum did a bad job, but Timberlake might have done a better job at getting that connection with Kunis, which frankly was underwhelming.
This is where the movie gets its most points for. It is a space opera after all and the creators of 'The Matrixx' and 'Cloud Atlas' have a niche with trying to do unique things with the action and mood of a movie.
Some extra-slow bullet time is thrown in and (very) fast action with ships spinning around each other which was a real enjoyment.
Somehow the action scenes (like the one named before) are a bit too fast paced though. It goes so fast and gets so chaotic from time to time that it is really hard to follow what is going on and/or to enjoy it thoroughly.
As a space opera it did its job with throwing in a lot of extraterrestrial beings (including the famous area51 big heads) and nice designed spaceships. The make-up and CGI of some of the recurring creatures were extremely detailed and so great to look at it didn't feel fake at all. In comparison; LOTR's Gollem looks like a ship of the 70s game 'Space Invaders' next to them.
The visuals of Jupiter, Earth and other planets are astonishing (way better than 'Interstellar' for example) and so are the clouds on Jupiter itself and views of the different cities.
A lot of the long shots of cities and spaceships are a bit cut short and just too distant though, which was a shame since they could've used those moments more so the viewer could enjoy the view and take in the atmosphere. This made the movie feel less 'in your face' and majestic (remember the openings scene of 'Star Wars?)
With a bad plot, good visuals and an average cast 'Jupiter Ascending' makes for a nice looking movie that can be seriously fun to watch, but nothing as special as it promised to be. It has many flaws and downsides but in my opinion the critique and bad ratings are worse than the movie is set out to be. This is probably mostly because of the high expectations the movie had before release. It still is quite ridiculous though.
Pretty disappointing and crappy movie.
I suspected a casual and fun movie with this one, maybe with some puzzles and an interesting premise. However the movie disappointed from the start.
For a adaptation from a book I sure hope this was a bad one. You get thrown into the middle of a stoy where suddenly all kinds of stuff happens. I hope this wasn't the case in the original work, because it is one of the major flaws of this movie, and could be explained as the cause of many of its other faults.
The acting was luckily pretty ok, but many of the characters don't add to the story at all and are just filling up empty screen. The sound was to cry off as well. Soundtrack was ok, but many scenes had no music and felt like a soap because of it.
I am all for being creative with sound, but this was just done badly.
Since I won't bore you with pages of irrelevant texts, like the movie does, i will just make a list of the cons and pros.
Cons:
- Paced way too fast
- No build up for a climax (the film was more of a constant climax actually)
- Not getting time to get acquainted with the characters, therefore not caring about there faith.
- Very little character development, except maybe for Gally (Will Poulter)
- Stating many things as impossible without many explanation
- Revealing the endgame in the first act of the movie with a flashback/memory which makes the whole movie unnecessary,
- Also making the whole story as predictable as a Japanese train schedule.
- Inappropriate absent of sound
- Too much unimportant characters
- Did we really need another Hunger Games movie?
- etc.
Pros:
- Nice environment
- Funny but cool looking cyborg creatures
- Doesn't need many attention to follow, so you can check your twitter or facebook feed in the meantime.
This is 'Primer' for dummies.
The movie frustrated me from time to time because of massive plot holes and bad writing. The idea is challenging, and complex enough to have fun with, and not too complex to get lost in. However too many things did not add up.
For such smart kids they sure were reckless and rushed everything as if they were for the first time in a chemistry class. Every guy who has even the slightest idea of timetravel knows that messing with stuff in the past is going to get you in trouble (butterfly effect) and if you are going to do something you have to plan it out carefully.
There are also multiple occasions when they travel back in time for a 2nd time to the same time and place, but do not meet their 'earlier' time traveling selfs there. This was especially awkward with the kiss scene. Arguably the most important scene of the movie. Even if the device somehow canceled out earlier jumps to the same time, they didn't have to interfere but just had to jump and wait.
For the story it might have been much more interesting if they didn't focus so much on the main actor during the final act of the movie and prevent such a boring cliched ending.
There is more, but lets leave it with this
There is 1 interesting detail in the ending though; the papers David throws in the garbage bin after the talk with his father date 2025. I wonder what that implies....
Still, there are way worse movies out there.
Edit: there is another thing I really liked about the movie btw. It used a track by Mark Sixma. :D
There is a reason why I don't write movies, it is because it would result in movies like this.
What an amazing movie. This movie lacks a lot of media attention probably because of its subject. Chess doesn't get a lot of attention these days because a lot of people find it boring. Calling this movie boring would be the biggest lie of 2015 though.
It is one of the best performances, if not the best, from Tobey Maguire I have seen so far. And he has a phenomenal adversary in Liev Schreiber. The movie did not get very creative in its story, but chose a more literal setup from the actual events. This makes for a straight on drama movie without any melodramatic or emotional depth exaggerating the facts, but that is certainly for the best.
Good movie that makes you want to have kids yourself.
Intriguing world and premise, but the terrible pacing and uneven quality destroys a promising show.
Characters are fairly one dimensional, especially their introductions are lacking. The plot moves at the speed of a bullet train launched into space, which especially hurts the world building and character development. It also causes the themes to be hardly explored, and side plots to feel trivial. CGI and cinematography are a mixed bag, ranging from nice to terrible (especially the color filter is often hideous), The acting is ok in general, but dialogue can be uneven.
About halfway into the 1st season, the show stabilizes somewhat, but it never recovers from the problematic opening, making any investment in the characters and world shallow at best.
It is a waste because the world seems highly interesting, and I have to assume it deserves much better than this uninspired work.
It is hard not to compare the 2021 Snyder's Cut to the 2017 release, which was generally perceived as a messy film due to its problems during production. There is definitely more coherence and structure in this version, with less plot holes and more time for the characters to breathe (not in last place because of the significantly increased -doubled- run time.) However, in many moments it is clear the movie has been edited together from incomplete and/or unfinished material. This is especially noticeable in several of the (many) CGI scenes, which look outdated and unpolished. It makes (some of) the choices made in the 2017 version more understandable, even though it does not make them any better. The hated reshoots that ended up in the 2017 version were clearly not unnecessary, just the execution was poor.
Light Spoilers ahead (marked.)
The antagonist is clearly one of the main improvements. Steppenwolf is relatively well fleshed out, and no longer a completely forgettable generic bad guy (and I thought his costume looked awesome! No idea why that was changed in the earlier version.) It remains a problem that he is just a henchman, and the big bad guy boss (Darkseid) plays no real role in the story. Darkseid appearance has not much added value because of that. It adds significantly to the antagonist motivation, but his appearance is mostly used to make way for a next movie.
We also spend more time on Cyborg and his character, which is deserving and rewarding and makes him a more interesting character to watch.
The dynamic within the team is also much more balanced, with less awkward forced moments.
That being said, the main focus clearly never was the characters themselves, which is not unusual for a blockbuster (superhero) movie. There are scenes that feel out of place because of sudden shifts of tone and focus. Also, several events, plot lines and choices or alternatives are never explored or given a pay off.
There are several setups that are never paid off, especially with the introduction of additional characters. This pads the runtime unnecessarily and often makes the movie feel like a set up for later movies (which will probably never see the light of day.) Secondly, their are so many endings, it could compete with LOTR's Return of The King for most endings in a major film release, and unlike RotK, it is not to finish up those aforementioned loose ends, but rather to set up new plots.
Of course this has to be mentioned. The choice for 4:3 ratio has been done for creative reasons, and it has already caused division among the viewers. Their are many shots where the 4:3 ratio is exceptionally impressive, and it is justifies the choice for that aspect ratio. However, in just as many scenes the lack of widescreen makes the experience underwhelming. This is (logically) mostly the case with wideshots and the big battles. When the ever present but lacking CGI meets those wideshot angles, this negative effect is even more increased, and it made me feel like watching an episode of Friends or other old television show.
In conclusion, the chosen aspect ratio has both its merits and demerits. The difference between 4:3 and Widescreen is not impossible to overcome to use in 1 film, but it is significant which makes it tricky to naturally switch between them. The choice to stay dedicated to an unchanging Ratio is logical.
This is an average but fun epic superhero movie that is enjoyable to watch if you have the time and patience for it. The movie is split into several distinct sections, with headers, so it is possible to watch it as a mini-series. It does not rise to the heights of Infinity War, but it also does not steep as low as Suicide Squad.
Not as funny as I hoped it would be. The ending was a (good) slap in the face though, nicely done.
It's funny how the actor called Finn does not play the part of Finn in this film. :P
All kidding aside, this was a highly addictive film that surprised me a lot. When I jumped in I expected a bad plot based on outrages decision making and nonsense. And even though there are still points of critique in that matter left, overall this does not affect the film in a way it aggravates the viewer.
The plot setup is basic but not clichéd, and from there on it uses every scene carefully to set up a plot with some unexpected twists. You can see the creators jumped in this project and seemingly were dedicated to what they were creating. Since (almost) every scene has it's value and is worked out very detailed (IMDB only has 1 goof on the movie so far. Yes it is an indie movie, so it won't have as much engagement as others, but still.)
Any plot that has to do with time travel and the like is hard to set up without having paradoxes, and there are few films who manage to handle them correctly. This one isn't perfect, but it does a nice job in keeping them very limited.
The first thing that got me thrilled was the music used in the movie. I am already a big fan of electronic music, but it is hard to use in film since it is more often than not disruptive in its presence. Not here, it balances some hard-trance scenes with more subtle spheric suspension building sounds. It backs the claustrophobic experience of the small set, and magnifies the surrealism of science fiction in a sublime way.
As the film progresses you get sucked in more and more into the story, especially after the 2nd act where the character development of the main persona is getting really interesting. This 3rd part of the film is by far the best part, with the biggest twists and captivating ordeals the characters have to face. I won't say much about the ending to prevent spoilers, but it left me hungry for a sequel, which will most likely never come. I am still not sure if that feeling was a good or bad thing.
I will be rating it at a 7(+) for now, but I am going to watch it a second time, because it is definitely worth it.
The 3h sit was a long one. Even though it wasn't the movie I was expecting it did not feel like a waste of time at all.
Even with a 3h film, there are still questions left to be answered. The movies maintains a slow pace overall, but fast forwards a few times to not make the movie too boring. This results in some characters getting rushed out of the story, and some not having much impact. The ending is implied as well, but I am very happy with it and wouldn't suggest changing it. It is most of all a coming of age story with some slice-of-life elements, and it is way too easy to fall for the clichés hiding in those genres. And they hardly did.
They could've sacrificed some unnecessary (long) scenes, but I doubt it would be the same film without them. It gives the movie a unique pace in which you don't really want them to hury up with the story, and just 'live in the now' with Adele (not particularly refering to the sex scenes.)
Besides the long and graphic sex scenes, which this movie will probably and sadly be most rememberd for, there are a multitude of shots and transitions that really hit me. The acting is of a very high quality too. They even threw in a lot of philosophy but were smart to make the main character not care for it (or understand it.) This prevents a pretentiousness without losing such material.
After all a very intriguing movie.
This show had so much potential, and already had a great first season.
Worst cancellation of 2014
"Be careful what you wish for, cause you just might get it."
'Transcendence' is a science fiction movie about Artificial Intelligence with some classic themes in it. After a tragic event someone is brought back to life by copying his mind to a (quantum)computer. When the program spins out of control, it is up to the heroes of the story to stop the machine from destroying humankind.
Story
So far so good. A basic AI story with all kinds of possibilities, and this is where they went wrong. It looks like they could not really decide which theme(s) they really wanted to go with, so almost every theme is hinted at: Self-consciousness, Technology as a life form, is a machine able to Love, is the world holistic or based on reductionism, Could a machine ever overpower us, post apocalyptic world, struggle of morality, devotion and faith et cetera. None of these themes gets the proper time to get deepened out, so we end up with a movie with a lot of unsatisfying development.
Secondly, the first scene of the movie already betrays the end of the movie, which was a very bad decision, because it took out all the suspense from the movie and made you aware of the ending from the beginning.
Some plot holes which made me think the creators think I am dumb, but in the end made me think they are dumb:
1. I thought it was weird the 'virus' had to be uploaded by 'the wife' Evelyn, since it was basically working like an antidote (a bit weak imho) and since the AI's main goal was to "improve" everyone, not kill them, dosing people with the virus would make them invulnerable for hostile takeovers.
2. Also, the main power source of the AI was his solar park. Even though he operated on the complete Internet and everything connected to it, including the power grid itself (which is literally named in the movie.) So shutting down that solar park should not have any effect on him at all!
Characters
Besides a few 'errors in 'judgment', the cast is overall pretty good and does a nice job. Nobody will probably win an award for this movie and some characters are so anonymous I cannot even remember their characters name just after watching the movie (I seriously had to look this example up: Paul Bettany as Max Walters.)
Visuals/Music
The music in the movie was pretty decent. Nothing special, just like the movie in it's whole, but not bad either. Visuals were neat, but no megalomania was added, so you won't really be able to enjoy big massive visual spectacles on the screen. But this is not a film for that anyway.
Overall/Enjoyment
In contrary to the many negative points I wrote down, it is not bad of a movie at all. It does not reach classic heights or big majestic scenes, but you will be interested in it as long as you like the AI kind of Science Fiction. I especially liked how the movies seems to have a bit of a slower pace than is the standard nowadays, which I can appreciate.
With this movie, the Bourne Trilogy went instant classic. One of the best chase scenes I know of, a much deeper view on the identity of Bourne himself and the memorable 'magazine weapon' fight scene. Worth of a longer review, but I am too lazy today.
I expected a bad movie, but I got a fun action movie with a surprising high amount of enjoyment.
It is fast paced with good action. Yes the story is really thin, but that's to be expected from a movie like this. In the end the story was actually better than I expected it to be.
Filled with cliché's and all, but enjoyable. Can't call it a bad movie.
Besides the bit (too) silly song, this episode was a lot of fun. Not too serious, not too high stakes and lots of energy. Perfect for an introduction episode.
The first one already did not do so well, mostly excelling in original design, decent CGI and it's (attempt of) focusing on characters. Part 2 continues this tradition, but sacrifices the few good things about the first movie with just a grander scale.
Proof that doing a 'Double Tap' is not always the best move for movies.
I did not see the first movie when it was released years ago, because zombies are usually not my thing. So when I decided to watch this, I had to see the first movie before seeing ' Double Tap'.
That one surprised me in a positive way. I liked it more than I thought I would. If it wasn't so late at night when I finished 1, I would have watched ' Double Tap' immediately after.
However, when I saw ' Double Tap' the next day, I found out it suffers from the age-old sequel disease. It is still fun, but not as good as the first, less fresh and less inspired.
Since the movie(s) don't take themself too serious, it is still an okay movie and entertaining to watch though.
Enjoyable to see once, nothing more.
A below average movie with some interesting stuff mixed in which will disappoint in the end.
I am not sure I can say it is worth the watch, maybe only for the last few minutes and Ana de Armas. I was so distracted (and maybe lulled to sleep) by the predictive and incoherent initial storyline that the ending completely surprised me. It had me go: "haha oh sh*t, how did I not see that one coming?." Because the last twist wasn't that surprising if you think of it. Since the movie didn't really trigger the viewer to think for himself, nor does it have a very coherent storyline (it rather jumped from one scene to the other) there wasn't much to think of, therefore surprising me in the end haha.
How something bad can hide something obvious and make you think it is good :P You could say that's art in itself, but it isn't.
Simply great!
A family movie with a serious tone.
