Previous season: https://trakt.tv/users/sp1ti/lists/anime-fall-2023
Next season: https://trakt.tv/users/sp1ti/lists/anime-spring-2024
Previous season: https://trakt.tv/users/sp1ti/lists/anime-spring-2023
Next season: https://trakt.tv/users/sp1ti/lists/anime-fall-2023
Anime premiering during Winter 2022/23.
Previous season: https://trakt.tv/users/sp1ti/lists/anime-fall-2022
Next season: https://trakt.tv/users/sp1ti/lists/anime-spring-2023
Previous season: https://trakt.tv/users/sp1ti/lists/anime-summer-2023
Next season: https://trakt.tv/users/sp1ti/lists/anime-winter-2023-2024
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Complete list of MOVIES and SHOWS for 2022-2023 AWARDS SEASON:
95th Academy Awards / 80th Golden Globe Awards / 74th Primetime Emmy Awards
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USER'S TIP: Pick a movie/show and search pc:(ctrl+f) -or- mac:(cmd+f) by its list number to view all its nominations & wins; e.g. search "01" to view all nominations & wins for All Quiet on the Western Front.
95th Academy Awards --
Honoring the best films released between January 1 and December 31, 2022 (telecast March 12, YYYY)
01, 02, 03, 04, 05, 06, 07, 08, 09, & 10: BEST PICTURE --> Winner: 05 -- EVERYTHING EVERYWHERE ALL AT ONCE, Daniel Kwan, Daniel Scheinert and Jonathan Wang
03, 05, 06, 07, & 09: DIRECTING --> Winner: 05 -- EVERYTHING EVERYWHERE ALL AT ONCE, Daniel Kwan and Daniel Scheinert
07, 11, 12, 06, & 05: ACTRESS IN A LEADING ROLE --> Winner: 05 -- MICHELLE YEOH, Everything Everywhere All at Once
04, 03, 13, 14, & 15: ACTOR IN A LEADING ROLE --> Winner: 13 -- BRENDAN FRASER, The Whale
16, 13, 03, 05, & 05: ACTRESS IN A SUPPORTING ROLE --> Winner: 05 -- JAMIE LEE CURTIS, Everything Everywhere All at Once
03, 17, 06, 03, & 05: ACTOR IN A SUPPORTING ROLE --> Winner: 05 -- KE HUY QUAN, Everything Everywhere All at Once
03, 05, 06, 07, & 09: WRITING (ORIGINAL SCREENPLAY) --> Winner: 05 -- EVERYTHING EVERYWHERE ALL AT ONCE, Written by Daniel Kwan & Daniel Scheinert
01, 18, 15, 08, & 10: WRITING (ADAPTED SCREENPLAY) --> Winner: 10 -- WOMEN TALKING, Screenplay by Sarah Polley;
19, 20, 21, 22, & 23: ANIMATED FEATURE --> Winner: 19 -- GUILLERMO DEL TORO'S PINOCCHIO, Guillermo del Toro, Mark Gustafson, Gary Ungar and Alex Bulkley
01, 24, 25, 26, & 27: INTERNATIONAL FEATURE FILM --> Winner: 01 -- ALL QUIET ON THE WESTERN FRONT, Germany
28, 29, 30, 31, & 32: DOCUMENTARY (FEATURE) --> Winner: 32 -- NAVALNY, Daniel Roher, Odessa Rae, Diane Becker, Melanie Miller and Shane Boris
33, 34, 35, 36, & 37: DOCUMENTARY (SHORT SUBJECT) --> Winner: 33 -- THE ELEPHANT WHISPERERS, Kartiki Gonsalves and Guneet Monga
38, 39, 40, 41, & 42: SHORT FILM (LIVE ACTION) --> Winner: 38 -- AN IRISH GOODBYE, Tom Berkeley and Ross White
43, 44, 45, 46, & 47: SHORT FILM (ANIMATED) --> Winner: 43 -- THE BOY, THE MOLE, THE FOX AND THE HORSE, Charlie Mackesy and Matthew Freud
01, 48, 03, 05, & 06: MUSIC (ORIGINAL SCORE) --> Winner: 01 -- ALL QUIET ON THE WESTERN FRONT, Volker Bertelmann
49, 08, 16, 50, & 05: MUSIC (ORIGINAL SONG) --> Winner: 50 -- "NAATU NAATU" from RRR, Music by M.M. Keeravaani; Lyric by Chandrabose
01, 02, 51, 04, & 08: SOUND --> Winner: 08 -- TOP GUN: MAVERICK, Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon and Mark Taylor
01, 02, 48, 04, & 06: PRODUCTION DESIGN --> Winner: 01 -- ALL QUIET ON THE WESTERN FRONT, Production Design: Christian M. Goldbeck; Set Decoration: Ernestine Hipper
01, 52, 04, 53, & 07: CINEMATOGRAPHY --> Winner: 01 -- ALL QUIET ON THE WESTERN FRONT, James Friend
03, 04, 05, 07, & 08: FILM EDITING --> Winner: 05 -- EVERYTHING EVERYWHERE ALL AT ONCE, Paul Rogers
01, 02, 51, 16, & 08: VISUAL EFFECTS --> Winner: 02 -- AVATAR: THE WAY OF WATER, Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett
01, 51, 16, 04, & 13: MAKEUP AND HAIRSTYLING --> Winner: 13 -- THE WHALE, Adrien Morot, Judy Chin and Annemarie Bradley
48, 16, 04, 05, & 54: COSTUME DESIGN --> Winner: 16 -- BLACK PANTHER: WAKANDA FOREVER, Ruth Carter
https://www.oscars.org
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80th Golden Globe Awards 2023 --
Hollywood Foreign Press Association
Honoring the best in film and American television for year ending December 31, 2022 (telecast January 10, 2023)
Film--
02, 04, 06, 07, & 08: BEST MOTION PICTURE - DRAMA --> Winner: 06 -- THE FABELMANS
48, 03, 05, 18, & 09: BEST MOTION PICTURE - MUSICAL or COMEDY --> Winner: 03 -- THE BANSHEES OF INISHERIN
02, 05, 04, 03, & 06: BEST DIRECTOR --> Winner: 06 -- THE FABELMANS (STEVEN SPIELBERG)
07, 05, 03, 10, & 06: BEST SCREENPLAY --> Winner: 03 -- THE BANSHEES OF INISHERIN (MARTIN MCDONAGH)
07, 53, 55, 11, & 06: ACTRESS IN A MOTION PICTURE - DRAMA --> Winner: 07 -- TÁR (CATE BLANCHETT)
04, 13, 56, 15, & 57: ACTOR IN A MOTION PICTURE - DRAMA --> Winner: 04 -- ELVIS (AUSTIN BUTLER)
54, 48, 58, 59, & 05: ACTRESS IN A MOTION PICTURE - MUSICAL or COMEDY --> Winner: 05 -- EVERYTHING EVERYWHERE ALL AT ONCE (MICHELLE YEOH)
48, 18, 60, 03, & 58: ACTOR IN A MOTION PICTURE - MUSICAL or COMEDY --> Winner: 03 -- THE BANSHEES OF INISHERIN (COLIN FARRELL)
16, 03, 05, 09, & 61: SUPPORTING ACTRESS IN ANY MOTION PICTURE --> Winner: 16 -- BLACK PANTHER: WAKANDA FOREVER (ANGELA BASSETT)
03, 03, 48, 05, & 62: SUPPORTING ACTOR IN ANY MOTION PICTURE --> Winner: 05 -- EVERYTHING EVERYWHERE ALL AT ONCE (KE HUY QUAN)
03, 19, 10, 48, & 06: ORIGINAL SCORE - MOTION PICTURE --> Winner: 48 -- BABYLON (JUSTIN HURWITZ)
63, 19, 08, 16, & 50: ORIGINAL SONG - MOTION PICTURE --> Winner: 50 -- "NAATU NAATU" from RRR; Music by: M.M. Keeravani; Lyric by: Chandrabose
19, 64, 20, 21, & 23: ANIMATED FEATURE --> Winner: 19 -- GUILLERMO DEL TORO'S PINOCCHIO
01, 24, 25, 65, & 50: NON-ENGLISH LANGUAGE FILM --> Winner: 24 -- ARGENTINA, 1985 (ARGENTINA)
Television--
66, 67, 68, 69, & 70: TELEVISION SERIES - DRAMA --> Winner: 68 -- HOUSE OF THE DRAGON (HBO MAX)
71, 72, 73, 74, & 75: TELEVISION SERIES - MUSICAL or COMEDY --> Winner: 71 -- ABBOTT ELEMENTARY (ABC)
76, 77, 78, 79, & 80: LIMITED SERIES, ANTHOLOGY SERIES or TELEVISION FILM --> Winner: 80 -- THE WHITE LOTUS (HBO MAX)
68, 69, 67, 81, & 82: ACTRESS IN A TELEVISION SERIES - DRAMA --> Winner: 82 -- ZENDAYA - EUPHORIA (HBO)
83, 84, 85, 66, & 70: ACTOR IN A TELEVISION SERIES - DRAMA --> Winner: 84 -- KEVIN COSTNER - YELLOWSTONE (Paramount)
71, 86, 74, 75, & 73: ACTRESS IN A TELEVISION SERIES - MUSICAL or COMEDY --> Winner: 71 -- QUINTA BRUNSON - ABBOTT ELEMENTARY (ABC)
87, 88, 74, 74, & 72: ACTOR IN A TELEVISION SERIES - MUSICAL or COMEDY --> Winner: 72 -- JEREMY ALLEN - WHITE THE BEAR (FX)
67, 73, 69, 71, & 71: SUPPORTING ACTRESS IN A TELEVISION SERIES - MUSICAL-COMEDY or DRAMA --> Winner: 69 -- JULIA GARNER - OZARK (NETFLIX)
83, 67, 70, 71, & 88: SUPPORTING ACTOR IN A TELEVISION SERIES - MUSICAL-COMEDY or DRAMA --> Winner: 71 -- TYLER JAMES WILLIAMS - ABBOTT ELEMENTARY (ABC)
89, 90, 79, 91, & 78: ACTRESS IN A LIMITED SERIES, ANTHOLOGY SERIES or TV FILM --> Winner: 78 -- AMANDA SEYFRIED - THE DROPOUT (HULU)
76, 92, 93, 77, & 79: ACTOR IN A LIMITED SERIES, ANTHOLOGY SERIES or TV FILM --> Winner: 77 -- EVAN PETERS - DAHMER - MONSTER: THE JEFFREY DAHMER STORY (NETFLIX)
80, 94, 93, 77, & 80: SUPPORTING ACTRESS IN A LIMITED SERIES, ANTHOLOGY SERIES or TV FILM --> Winner: 80 -- JENNIFER COOLIDGE -- THE WHITE LOTUS (HBO)
80, 95, 76, 77, & 79: SUPPORTING ACTOR IN A LIMITED SERIES, ANTHOLOGY SERIES or TV FILM --> Winner: 76 -- PAUL WALTER HAUSER - BLACK BIRD (APPLE TV+)
https://www.goldenglobes.com
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74th Primetime Emmy Awards --
Honoring the best in American primetime television programming from June DD, YYYY, until May DD, YYYY (telecast September DD, YYYY)
Programs--
XX, XX, XX, XX, & XX: OUTSTANDING COMEDY SERIES --> Winner: XX -- Title (STUDIO)
XX, XX, XX, XX, & XX: OUTSTANDING DRAMA SERIES --> Winner: XX -- Title (STUDIO)
XX, XX, XX, XX, & XX: OUTSTANDING LIMITED or ANTHOLOGY SERIES --> Winner: XX -- Title (STUDIO)
XX, XX, XX, XX, & XX: OUTSTANDING COMPETITION PROGRAM --> Winner: XX -- Title (STUDIO)
XX, XX, XX, XX, & XX: OUTSTANDING VARIETY TALK SERIES --> Winner: XX -- Title (STUDIO)
XX, XX, XX, XX, & XX: OUTSTANDING VARIETY SKETCH SERIES --> Winner: XX -- Title (STUDIO)
XX, XX, XX, XX, & XX: OUTSTANDING VARIETY SPECIAL (LIVE) --> Winner: XX -- Title (STUDIO)
XX, XX, XX, XX, & XX: OUTSTANDING VARIETY SPECIAL (PRE-RECORDED) --> Winner: XX -- Title (STUDIO)
Acting: Lead performances--
XX, XX, XX, XX, & XX: OUTSTANDING LEAD ACTRESS IN A COMEDY SERIES --> Winner: XX -- Title (Actor)
XX, XX, XX, XX, & XX: OUTSTANDING LEAD ACTOR IN A COMEDY SERIES --> Winner: XX -- Title (Actor)
XX, XX, XX, XX, & XX: OUTSTANDING LEAD ACTRESS IN A DRAMA SERIES --> Winner: XX -- Title (Actor)
XX, XX, XX, XX, & XX: OUTSTANDING LEAD ACTOR IN A DRAMA SERIES --> Winner: XX -- Title (Actor)
XX, XX, XX, XX, & XX: OUTSTANDING LEAD ACTRESS IN A LIMITED or ANTHOLOGY SERIES or MOVIE --> Winner: XX -- Title (Actor)
XX, XX, XX, XX, & XX: OUTSTANDING LEAD ACTOR IN A LIMITED or ANTHOLOGY SERIES or MOVIE --> Winner: XX -- Title (Actor)
Acting: Supporting performances--
XX, XX, XX, XX, & XX: OUTSTANDING SUPPORTING ACTRESS IN A COMEDY SERIES --> Winner: XX -- Title (Actor)
XX, XX, XX, XX, & XX: OUTSTANDING SUPPORTING ACTOR IN A COMEDY SERIES --> Winner: XX -- Title (Actor)
XX, XX, XX, XX, & XX: OUTSTANDING SUPPORTING ACTRESS IN A DRAMA SERIES --> Winner: XX -- Title (Actor)
XX, XX, XX, XX, & XX: OUTSTANDING SUPPORTING ACTOR IN A DRAMA SERIES --> Winner: XX -- Title (Actor)
XX, XX, XX, XX, & XX: OUTSTANDING SUPPORTING ACTRESS IN A LIMITED or ANTHOLOGY SERIES or MOVIE --> Winner: XX -- Title (Actor)
XX, XX, XX, XX, & XX: OUTSTANDING SUPPORTING ACTOR IN A LIMITED or ANTHOLOGY SERIES or MOVIE --> Winner: XX -- Title (Actor)
Directing--
XX, XX, XX, XX, & XX: OUTSTANDING DIRECTING FOR A COMEDY SERIES --> Winner: XX -- Title: "Episode" (Director)
XX, XX, XX, XX, & XX: OUTSTANDING DIRECTING FOR A DRAMA SERIES --> Winner: XX -- Title: "Episode" (Director)
XX, XX, XX, XX, & XX: OUTSTANDING DIRECTING FOR A LIMITED or ANTHOLOGY SERIES or MOVIE --> Winner: XX -- Title (Director)
Writing--
XX, XX, XX, XX, & XX: OUTSTANDING WRITING FOR A COMEDY SERIES --> Winner: XX -- Title: "Episode" -- (Writer)
XX, XX, XX, XX, & XX: OUTSTANDING WRITING FOR A DRAMA SERIES --> Winner: XX -- Title: "Episode" -- (Writer)
XX, XX, XX, XX, & XX: OUTSTANDING WRITING FOR A LIMITED or ANTHOLOGY SERIES or MOVIE --> Winner: XX -- Title (Writer)
https://www.emmys.com
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Everything Everywhere All at Once
Daniel Kwan and Daniel Scheinert
Everything Everywhere All at Once
Michelle Yeoh
Everything Everywhere All at Once
Brendan Fraser
The Whale
Jamie Lee Curtis
Everything Everywhere All at Once
Ke Huy Quan
Everything Everywhere All at Once
All Quiet on the Western Front
All Quiet on the Western Front
Germany
All Quiet on the Western Front
Everything Everywhere All at Once
Guillermo del Toro’s Pinocchio
Navalny
The Elephant Whisperers
Avatar: The Way of Water
Naatu Naatu
RRR
Top Gun: Maverick
The Whale
Black Panther: Wakanda Forever
All Quiet on the Western Front
Everything Everywhere All at Once
The Boy, the Mole, the Fox and the Horse
An Irish Goodbye
Women Talking
List of new anime airing in the summer season of 2012.
Taken from http://static.neregate.com/2012/07/neregate.com-Summer-2012-Anime-v4.png (without the specials).
Most have been added but I also skipped some. http://anichart.net/spring
http://neregate.com/blog/2012/09/12/winter-2012-2013-anime/
From http://neregate.com/blog/2013/02/13/spring-2013-anime/ (largely complete)
Should be rather complete.
http://atxpieces.files.wordpress.com/2013/07/fall.jpg
http://anichart.net/fall
http://neregate.com/blog/2013/07/12/fall-2013-anime/
All the new and returning shows for the Anime Fall Season 2012. (largely complete)
http://anichart.net/fall
http://neregate.com/blog/2014/07/23/fall-2014-anime/
Source: http://neregate.com/blog/2013/04/11/summer-2013-anime/
Order of the list:
New titles / returning titles / movies / 2nd cours
I skipped some but if anyone added them on TVDB/TMDB let me know and I'll add them. Mostly based on http://i4.minus.com/iEGQjOD6GZE9s.jpg.
Let me know if it's missing something (important :)).
http://anichart.net/fall-15
Skipped the toy/kid shows.
http://anichart.net/winter
http://anichart.net/summer-16
http://anichart.net/summer-15
Anime premiering during Winter 2016.
Previous season: https://trakt.tv/users/sp1ti/lists/anime-summer-season-2016
Next season: https://trakt.tv/users/sp1ti/lists/anime-fall-season-2016
http://anichart.net/winter-16
Anime premiering during Fall 2017.
Previous season: https://trakt.tv/users/sp1ti/lists/anime-summer-season-2017
Next season: https://trakt.tv/users/sp1ti/lists/anime-winter-season-2017-2018
Anime premiering during Winter 2016.
Previous season: https://trakt.tv/users/sp1ti/lists/anime-fall-season-2016
Next season: https://trakt.tv/users/sp1ti/lists/anime-spring-season-2017
Anime premiering during Season 2016.
Previous season: https://trakt.tv/users/sp1ti/lists/anime-winter-season-2015-2016
Next season: https://trakt.tv/users/sp1ti/lists/anime-summer-season-2016
Anime premiering during Spring 2017.
Previous season: https://trakt.tv/users/sp1ti/lists/anime-winter-season-2016-2017
Next season: https://trakt.tv/users/sp1ti/lists/anime-summer-season-2017
Anime premiering during Winter 2017/2018.
Previous season: https://trakt.tv/users/sp1ti/lists/anime-fall-season-2017
Next season: https://trakt.tv/users/sp1ti/lists/anime-spring-2018
Anime premiering during Summer 2017.
Previous season: https://trakt.tv/users/sp1ti/lists/anime-spring-season-2017
Next season: https://trakt.tv/users/sp1ti/lists/anime-fall-season-2017
Source: http://images.wikia.com/animu-mango/images/8/85/1317026630962.jpg
Source: http://images.wikia.com/animu-mango/images/f/fa/1276994333805.jpg
The end of the year traditionally brings a wealth of best-of candidates, as major studios and studio-affiliated arthouse labels unveil their most austere and decorously appointed films for awards consideration. Yet, a few stray winners aside, we in The A.V. Club film staff found ourselves looking further back in the year for list-makers, including a handful of uncommonly ambitious summer blockbusters, several festival holdovers, and the steady supply of indie and foreign films that slipped in and out of theaters, often woefully unnoticed. Fortunately, 2010 was strong enough in the front end to make up for the back, and we wound up finding plenty of films to rally behind, with such a diverse range of styles, budgets, and themes that it’s impossible to draw a thread to connect them all. So here, for your consideration, are a bunch of films we really liked."
Source: http://www.avclub.com/articles/the-best-films-of-2010,49101/
How good was 2011 for cinema? So good that even an unusually tepid awards-season crop didn’t keep us from expanding from our Top 10 lists to a Top 15 (plus a bonus five), which still left a diversity of great films off our ballots. If there’s a common theme to the year’s best, it’s the wealth of ambitious personal visions, from Terrence Malick evoking creation to tell the story of his upbringing in The Tree Of Life to Martin Scorsese channeling his boyhood enthusiasm for spectacle in Hugo to Kenneth Lonergan finally delivering the beautiful, wounded Margaret after six years in post-production purgatory. It was a year where documentaries sought to expand the form, where the best American independent films went far out on a limb, and where old masters like Abbas Kiarostami and Pedro Almodóvar released films that felt exuberant and alive with possibility. A few titles weren’t available to see before press time—The Girl With The Dragon Tattoo, Extremely Loud And Incredibly Close, and Alvin And The Chipmunks: Chipwrecked among them—but we’ve worked hard to give a special year its due. For your consideration...
Source: http://www.avclub.com/articles/best-films-of-2011,66423/
From the gut-wrenching, step-by-step chronology of the raid on Osama bin Laden’s compound in Abbottabad to seafaring cultists practicing Scientology-like rituals in the wake of World War II to the 16th president twisting arms over the passing of the 13th Amendment, the best films of 2012 brought history to life with an extraordinary scrupulousness that still left room for vivid artistic expression. But searching for patterns in a best-of list like the one below does little justice to the films’ diversity and unruliness, and the many wondrous places movies took viewers this year, including the haunted landscapes of Turkey (Once Upon A Time In Anatolia) and Georgia (The Loneliest Planet), revitalized twists on the slasher (The Cabin In The Woods) and noir (Killer Joe) genres, and two vastly different takes on what love really means (Amour, The Deep Blue Sea). Unlike in past years, nearly all films were available to see before press time, with one conspicuous exception: Most of The A.V. Club’s film reviewers weren’t able to see Quentin Tarantino’s Django Unchained, which might have found a place on the list. (Nathan Rabin did include it on his Top 15.) The Billy Crystal/Bette Midler movie Parental Guidance also wasn’t screened in time, so consider that our invisible #21. For your consideration…
Source: http://www.avclub.com/articles/the-best-films-of-2012,90039/
There is also: http://trakt.tv/users/sp1ti/lists/av-clubs-best-films-of-2012-so-far-an-annotated-checklist
Movies covered by Scott Tobias for the AV Club's New Cult Canon (2008-2013).
The introduction can be read at http://www.avclub.com/articles/the-new-cult-canon-an-introduction,9808/.
Two times a year—at the halfway point and during list-making season in November—I send out a list of “significant” movies to the film staff so they can try to see as many as possible before our Year In Film feature. It’s just a simple checklist, presented in the order each film was released theatrically in New York City. The idea is to give our writers time to catch up and give relative obscurities like The Arbor (last year’s No. 13 on our conjoined Best Of The Year list) the same collective consideration as more widely heralded efforts like The Tree Of Life. In the interest of transparency—and recommending a bunch of movies we love—I’m making the halftime list public this year so our readers can play along at home. A few caveats:
- My staff inevitably comes back to me with omissions, and I suspect there will be many in the comments below. We’ll add the big ones to our year-end checklist.
- Normally, the list goes out without categories. The ones below, particularly “The Essentials,” are a reflection of my taste and priorities. Mileage will definitely vary.
- Within the categories, titles are still listed in order of release in NYC through the weekend of July 13th, not in order of preference.
- Overall, the momentum from last year’s embarrassment of cinematic riches has continued into 2012, so now’s the time to get those queues in order.
The Essentials: From "Once Upon a Time in Anatolia" to "Django Unchained"
Hollywood: The System Works!: From "The Grey" to "Lés misérables"
Auteur Obligations: From "Crazy Horse" to "Killing Them Softly"
Notable Documentaries: From "West of Memphis" to "Jiro Dreams of Sushi"
Indie Curiosities: From "Return" to "Promised Land"
Imported Goods: From "Declaration of War" to "Sister"
Source: http://www.avclub.com/articles/best-films-2012,82513/ / http://www.avclub.com/articles/best-films-of-2012-so-far-an-annotated-checklist-p,89844/
Most movies are about relationships—between law and order, between desire and duty, between the past and the present. But in 2013, many of the great and memorable films—the ones that moved or shocked or stuck with us—were about relationships in the most traditional sense of the word: This was the year of Jesse and Céline, of Adèle and Emma, and of Joaquin Phoenix and his computer. There were mysterious romances, like the pig-related courtship of Upstream Color, and platonic love stories, like Frances Ha and Prince Avalanche. For cinephiles, love wasn’t just in the movies, but also in the air: There was so much to adore—so many fine, unconventional films, a large number of them American—that a list of 20 almost doesn’t do the year justice. Regardless, that’s what we’ve assembled below, joining heads to count down the best of what 2013 had to offer. (Each of the seven contributors submitted a ranked list of 15 favorites; a number-one choice earned 15 points, a number-two choice earned 14 points, and so forth.) Don’t see a personal favorite? Tell us about it in the comments. Those curious to see how the voting went down can also check out the individual ballots, from which this highly subjective ranking was formed. And don’t forget to vote for your favorite film of the year in our readers’ poll."
Source: http://www.avclub.com/article/the-best-films-of-2013-200655
When the viewers, creators, critics, and scholars of the future reflect on the television of the 2010s, 2014 will have a special shine to it. This year, there was more places to see more original TV series than every before, yet that did nothing to dilute the quality of those series. Television is stronger than it’s ever been, as attested by the sheer volume and variety of programming The A.V. Club’s writers singled out as 2014’s best. TV Club reviewers came up with a list of more than 90 nominees, which was then whittled down to the absolute best shows (sorry, non-anthologized miniseries, telefilms, and one-off specials—maybe 2015 will be Too Many Cooks’ year) and ranked by A.V. Club staffers. This countdown of the top 35 TV shows of 2014 comprises streaming series and network staples, veteran dramas and freshman comedies, surprisingly good debuts and old favorites on the rebound. We’ll run down 35 through 11 today; come back tomorrow for the top 10, practically all of which can be watched on the device you’re staring at right now. You can get your TV virtually anywhere these days, but to know what shows are worth uploading to your many glowing rectangles, you have to read on.
Source: http://www.avclub.com/article/best-tv-shows-2014-part-1-212459 / http://www.avclub.com/article/best-tv-shows-2014-part-2-212571
In 2015, readymade and/or reductive ways of summarizing the year’s TV output cropped up as frequently and unexpectedly as new seasons of Netflix originals. Plummeting viewership foretold a true broadcast apocalypse, until Empire strode onto the scene, expanding its audience in every week of its first season. Season two brought diminished returns (in the ratings and the show’s mad-science approach to soap-opera plotting), though its continued popularity—combined with passionate responses to Black-ish, Fresh Off The Boat, Jane The Virgin, Transparent, Master Of None, and (sigh) Dr. Ken—signaled the TV audience’s interest in a broader range of storytelling perspectives. A few months later, FX CEO John Landgraf seemed to put the TV year in a nutshell, but his prediction of “peak TV in America” was the subject of so much initial handwringing and scrutinizing that the general public (and some of the critics Landgraf was addressing) twisted the notion of peak TV into a jokey hashtag in a matter of weeks.
Some of that response could’ve been knee-jerk defensiveness: Peak TV essentially destroys any TV analyst’s pretensions to comprehensiveness. Any one critic’s list of a year’s best television is bound to have some blindspots, but the members of a voting body (like the A.V. Club staffers and contributors responsible for the following list) can usually fill in one another’s gaps. 2015, however, might be a first in television history, in which no round-up of the year’s finest programming is guaranteed to be all-encompassing. Arguably, there’s a more interesting and less conventional “best TV of 2015” list to be compiled from the margins of A.V. Club contributors’ ballots and the upcoming AVQ&A about the stuff that didn’t make our top 40. But even if the following picks only represent a sliver of the TV that debuted across multiple platforms in the U.S. this year, there’s no arguing that these are the TV offerings that The A.V. Club loved the most as a critical mass. And enjoying something as a critical mass is what a populist art form like television is all about."
Source: http://www.avclub.com/article/best-tv-2015-part-1-229275 / http://www.avclub.com/article/best-tv-2015-part-2-229334
Every year is a good year for movies, provided you’re willing to wander a little off the beaten path. But in 2015, it was hard to go more than a few steps without hitting something major, something essential. More even than usual, the year’s best films took different shapes, sizes, and routes to eyeballs. Multiplexes were unusually rich with adventurous big-budget movies, as Hollywood handed the keys to the castle to real artists. At the same time, fine smaller films from all over the globe made their way from festivals to theaters and on to streaming platforms, where any viewer with a working web connection could get a taste of something different. What the 20 films below have in common, beyond the strong impression they made on our ballot-filing critics, is a general habit of saying something significant about the here and now, even when transporting audiences to a subatomic there; a fantastically reproduced then; and a lawless, post-apocalyptic later."
Source: http://www.avclub.com/article/20-best-films-2015-229810
2017 didn’t improve much on 2016. If anything, the horror and dread of last year only seemed to take root and blossom this year, as some of our worst collective fears were realized and the future seemed to grow dimmer with every bad-news bulletin and misjudged tweet. If there was a constant, at least for cinephiles, it lay with the movies. One can quibble with the cumulative quality of 12 months of cinema. (Did this year produce a Moonlight or a Manchester By The Sea, a near-consensus masterpiece?) But as the world burned, the films still delivered. There were so many good ones in 2017, in fact, that we surely left out some of your favorites, including (spoilers for the few who have opted to read this preamble before scrolling through the selections below) The Shape Of Water, Blade Runner 2049, The Post, Faces Places, Wonder Woman, The Disaster Artist, Coco, and Mudbound. Chalk the omissions up to the particular tastes of our six regular contributors, and check out the individual ballots for a sense of whom to blame specifically for them. Hopefully, 2018 will improve on 2017 in almost every regard. But we really couldn’t ask for much better movies.
Source: https://www.avclub.com/the-20-best-films-of-2017-1821431829
From Anatolia to Zubrowka, the great motion pictures of 2014 took you places. They leapt into the past, winding their way through 19th-century art galleries and 20th-century brothels, and speculated about the future, piloting audiences into wormholes and beyond. There were imaginary settings, like the crooked California community of Gordita Beach, and ones that just looked imaginary, as glimpsed through the inhuman eyes of an extraterrestrial tourist. Finding a common link among the 20 wildly different movies singled out below may seem like an exercise in futility, but most if not all of them operated like passports to somewhere else, even if that somewhere else was just a single suburban house or a tiny Berlin apartment. Yet for all the far-flung locations represented on our list—including the mundane residential backdrops of our top choice, the only movie to appear on every one of the six contributors’ ballots—a unilateral piece of travel advice emerges: There was no better place to be this past year than at the movies.
Source: http://www.avclub.com/article/20-best-movies-2014-213002
The scene was not unlike 12 Angry Men (or, in this case, 3 Shlubby Men, 1 Exasperated Woman, And A Dude On Speaker Phone From Arkansas): Armed with lists of their favorite movies of the decade, the five core A.V. Club film writers spent days sequestered in a stuffy, un-air-conditioned room—okay, it was actually just a few hours, and we were comfortable—in an effort to forge consensus on the Top 50 films of the ’00s. The result: A ranked list that is in no way arbitrary and will serve as the canonical standard for decades to come. You’re welcome.
Source: http://www.avclub.com/articles/the-best-films-of-the-00s,35931/
Few talk about the ’90s as a filmmaking renaissance on par with the late ’60s and early ’70s, but for many of the film critics at The A.V. Club, it was the decade when we were coming of age as cinephiles and writers, and we remember it with considerable affection. Those ’70s warhorses like Martin Scorsese and Robert Altman posted some of the strongest work of their careers, and an exciting new generation of filmmakers—Quentin Tarantino, Joel and Ethan Coen, Wong Kar-Wai, Olivier Assayas, David Fincher, and Wes Anderson among them—were staking out territory of their own. Presented over three days—with two 20-film lists, then a separate one for the top 10—our Top 50 survey was conducted in an effort to reflect group consensus and individual passion, with the disclaimer that all such lists have a degree of arbitrariness that can’t be avoided. (On Thursday, we’ll run a supplemental list of orphans, also-rans, and personal favorites that will undoubtedly be quirkier.) One more note before digging in: Filmmakers who had a particularly good decade were often divided against themselves in the voting. Which Coen brothers movie is the strongest? Which color from Krzysztof Kieslowski’s Three Colors trilogy shone the brightest? Peel slowly and see…
Source: http://www.avclub.com/articles/the-50-best-films-of-the-90s-1-of-3,86304/ / http://www.avclub.com/articles/the-50-best-films-of-the-90s-2-of-3,86361/ / http://www.avclub.com/articles/the-50-best-films-of-the-90s-3-of-3,86467/
Goodies:
http://www.avclub.com/articles/the-best-films-of-the-90s-orphans-outliers-and-per,86534/ (added them after rank 50)
http://www.avclub.com/articles/47-do-you-remember-the-90s,86583/
http://www.avclub.com/articles/our-mosthated-movies-of-the-90s,86560/
Finding consensus among nine writers can be a struggle, but when a year is as strong as 2013, the abundance of riches makes it especially hard to figure out which great films to line up behind—and which great films are relegated to “any other year” status. For The Dissolve’s inaugural year-end best-of list, only one film appeared on all Top 15 ballots: Spike Jonze’s Her, a forward-thinking science-fiction/romance that takes place in the near future, but captured the tenor of the times like no other film this year. From there, the list opens up to a full spectrum of cinematic visions, from the IMAX spectacle of Gravity to the piercing intimacy of films like Destin Cretton’s Short Term 12, or The Past, Asghar Farhadi’s worthy follow-up to A Separation. And the 20 films below are just the beginning: Many others connected with one—or a few—of us, but couldn’t quite wrangle up the votes. For those, stay tuned for Monday, when we reveal our individual ballots and the orphans and also-rans that are worth tracking down."
Source: http://thedissolve.com/features/2013-in-review/330-the-best-films-of-2013/
Richard Linklater’s Boyhood was released in mid-July, there was an immediate sense in the Dissolve office that the rest of the year was a race for second place. Watching a child grow up over a 12-year period is enormously powerful on its own, but through the prism of this one life, Linklater makes so many profound observations about love, family, politics, religion, the South, and the changes that happen at home and in the culture at large. Though we reached a solid consensus over Her in our inaugural poll, that was nothing compared to Boyhood, which topped five of our seven individual ballots, and placed second on a sixth. From there, the best of 2014 branched out into a diverse assortment of auteur favorites, unconventional historical biopics, form-challenging documentaries, and mainstream hits that proved that even a risk-averse Hollywood could still put out smart, innovative, broadly appealing entertainments. The only unifying theme is that 2014 came in like a lion and out like a lamb: Of the films below, only Selma and Inherent Vice were harvested from the late-year awards crop. Otherwise, there are no hidden patterns, just confirmation that great films came in all sizes and from all corners this year.
Source: http://thedissolve.com/features/2014-in-review/857-the-best-films-of-2014/
With its sprawling celebrity homes, the Walk of Fame, and the iconic sign on the hill, Hollywood is truly the land of stars. Glamorous and larger-than-life, many of the most memorable motion pictures of all time have emanated from its multimillion-dollar film industry, which exports more films per capita than that of any other nation.
Directory of World Cinema: American Hollywood lays out the cinematic history of Tinseltown - the industry, the audiences, and, of course, the stars - highlighting important thematic and cultural elements throughout. Profiles and analyses of many of the industry’s most talented and prolific directors give insights into their impact on Hollywood and beyond. A slate of blockbuster successes - and notable flops - are here discussed, providing insight into the ever-shifting aesthetic of Hollywood’s enormous global audience. User-friendly and concise yet containing an astonishing amount of information, Directory of World Cinema: American Hollywood shows how truly indispensable the Hollywood film industry is and provides a fascinating account of its cultural and artistic significance as it marks its centennial.
The list is based on the contents of the Book, sorted by chapters:
More information on this is also aviable on http://worldcinemadirectory.co.uk/!
Yeah, these weird Japanese ones for kids. I'm still shocked by the amount of people who still just ignore the medium. There is a huge variety of genres to choose from for all ages and it's not just like school girls, tentacle rape, or Dragonball. If you like film I urge you to give these a go!
I deceided against a "Top 10" and limited the choices to one movie per director. Most of these guys have a rich body of work worth checking out.
(And no, these are not obscure, it just takes a lot more to make an animated film than some indie movie..)
-The End of Evangelion – dir. Hideaki Anno:
He is not only a great anime director but has also made some great live-action ones aswell. To enjoy the despair ahead you'll have to watch the TV series though. No worries, not only is it great but you will be rewarded with one of the most striking animated films to date. http://www.youtube.com/watch?v=bCLoNOYcVQU
-Princess Mononoke – dir. Hayao Miyazaki:
Having seen most of his films, Mononoke was the first for me and it stuck with me the most. I guess it is a bit different than his usual works given the setting. The struggle between living with nature in harmony or taking control over it is a lot more than just good versus evil. A beautiful epic for sure. Luckily the now retired master has made some other great films aswell so there is one for everyone.
Grave of the Fireflies – dir. Isao Takahata:
Except for this Takahata doesn't seem to enjoy the same fame or popularity as his Studio Ghibli Co-Funder friend Miyazaki which is a shame really. His movies are a lot more grounded and you know what you're at. I thought about including the terribly underwatched Gauche the Cellist but this sucker is just such a tear jerker that it should depress about everyone (and it's based on a true story).
Millennium Actress – dir. Satoshi Kon:
I'm still saddened by Kon's death. Not one of his works isn't exceptional. Just watch them all! MA was his love letter to the actress Setsuko Hara which I'm sure you recognize if you saw her on screen once, such a captivating presence (best known for Tokyo Story).
Ghost in the Shell – dir. Mamoru Oshii:
I'm still amazed by how many people love The Matrix but have not seen Oshii's manga adaptation despite the Wachowski being quite open about it's influence. The second movie is great aswell and so is Stand Alone Complex. The score from Kenji Kawai makes it even so much better. The man also directed the first OVA series ever and some other good ones like Angel's Egg and Patlabor 2. When it comes to live action, Avalon is not bad either but he can sometimes be a hack and make something like Assault Girls... Try to find the basset hounds.
Summer Wars – dir. Mamoru Hosoda:
The director started out with some credits on Digimon before he found success in 2006 with The Girl Who Leapt Through Time. The virtual world found in Summer Wars is very much an extension of a movie he did for the show. While it's though for me to pick between this and Wolf Children I found the story here quite touching in regards of multiple generations in the family coming together where as the other is more about the mother.
Akira – dir. Katsuhiro Ohtomo:
Akira was one of the first anime movies I saw when I was younger. If you like scifi and action there is no reason for you not to see it. The maniac Kaneda became with his powers is still referenced (intentional or not) in other movies today. A balanat rip-off of the exploding Tokyo is also shown in Resident Evil Afterlife. It just became 25 years old this year and predicted the 2020 Olympic's in Tokyo ;). It was also the reason for a (short-termed) hype for anime in the US. Just go and watch it ffs!
As for other works by Ohtmo I would say watch Steamboy if you want some steampunk (and pretty animated ice) or Rojin Z for a more slice of life scifi.
A Letter to Momo - dir. Hiroyuki Okiura:
A suprisingly overlooked movie. It took Okiura over seven years to create together with (mainly) Production I.G. doing the hand-drawn art. It features a loveley color palette and has a story similar to what you find over at Ghibli. While it drags a bit early on it works as a whole (and is yet another touching story). The other movie credit the director has is the more well known Jin-Roh (created by the guy abit further above, Oshii) where I can see why people enjoy it a lot (a darker red riding hood) it isn't one of my favorites and is an extreme opposite to Momo.
Ninja Scroll - dir. Yoshiaki Kawajiri:
It's basicly the Sex, Drugs & Rock 'n' roll of chanbara cinema and for exactly that reason it was quite popular not too long ago at least among teens. My opinion might be still based from when I was younger but it's a fun and stylish action flick with lots of ultra violence. Kawajiri contributed a short to Animatrix so you might have seen something of his. Wicked City is also one of the more well known oldschool anime movies where you will see a "human" venus trap in action ;P.
Time of Eve: The Movie - dir. Yasuhiro Yoshiura:
Science-fiction authors (and the Japanese) have always been interested in relations between humans and androids. This movie looks at this in a great setup: Having a café with one simple rule; No discrimination between humans and robots. Inside, human looking androids are indistinguishable by appearance (they are forced to have indicators on their heads outside) and can act independently from their owners. Since I'm a sucker for the kinds of stories where the line between man and machine is blurred I enjoyed this a lot and I think it's a strong sci-fi movie even outside the medium of anime (if you're not just an action guy).
(FYI: The movie is an extended version of an OVA series by the same name)
As for other works by Yoshiura: I'm not really a fan of the other short ones, Patema Inverted however looks pretty great.
Anime premiering during Summer 2018.
Previous season: https://trakt.tv/users/sp1ti/lists/anime-spring-2018
Next season: https://trakt.tv/users/sp1ti/lists/anime-fall-2018
Anime premiering during Spring 2018.
I'll add Steins;Gate 0 and Souten no Ken Regenesis once the data is set (sequels or separate entries).
Previous season: https://trakt.tv/users/sp1ti/lists/anime-winter-season-2017-2018
Next season: https://trakt.tv/users/sp1ti/lists/anime-summer-2018
All live-action Star Trek canon in chronological order, as found on thestartrekchronologyproject.blogspot.com. Includes the "Kelvin Timeline" films and will be updated to include all new Star Trek episodes as they come out.
Last updated: 2021-01-14
List of Nominees and Winners
BRYAN CRANSTON "Trumbo"
MATT DAMON "The Martian"
LEONARDO DICAPRIO "The Revenant" - WINNER
MICHAEL FASSBENDER "Steve Jobs"
EDDIE REDMAYNE "The Danish Girl"
CHRISTIAN BALE "The Big Short"
TOM HARDY "The Revenant"
MARK RUFFALO "Spotlight"
MARK RYLANCE "Bridge of Spies" - WINNER
SYLVESTER STALLONE "Creed"
CATE BLANCHETT "Carol"
BRIE LARSON "Room" - WINNER
JENNIFER LAWRENCE "Joy"
CHARLOTTE RAMPLING "45 Years"
SAOIRSE RONAN "Brooklyn"
JENNIFER JASON LEIGH "The Hateful Eight"
ROONEY MARA "Carol"
RACHEL MCADAMS "Spotlight"
ALICIA VIKANDER "The Danish Girl" - WINNER
KATE WINSLET "Steve Jobs"
"ANOMALISA" Charlie Kaufman, Duke Johnson and Rosa Tran
"BOY AND THE WORLD" Alê Abreu
"INSIDE OUT" Pete Docter and Jonas Rivera - WINNER
"SHAUN THE SHEEP MOVIE" Mark Burton and Richard Starzak
"WHEN MARNIE WAS THERE" Hiromasa Yonebayashi and Yoshiaki Nishimura
"THE BIG SHORT" Brad Pitt, Dede Gardner and Jeremy Kleiner, Producers
"BRIDGE OF SPIES" Steven Spielberg, Marc Platt and Kristie Macosko Krieger, Producers
"BROOKLYN" Finola Dwyer and Amanda Posey, Producers
"MAD MAX: FURY ROAD" Doug Mitchell and George Miller, Producers
"THE MARTIAN" Simon Kinberg, Ridley Scott, Michael Schaefer and Mark Huffam, Producers
"THE REVENANT" Arnon Milchan, Steve Golin, Alejandro G. Iñárritu, Mary Parent and Keith Redmon, Producers
"ROOM" Ed Guiney, Producer
"SPOTLIGHT" Michael Sugar, Steve Golin, Nicole Rocklin and Blye Pagon Faust, Producers - WINNER
"CAROL" Ed Lachman
"THE HATEFUL EIGHT" Robert Richardson
"MAD MAX: FURY ROAD" John Seale
"THE REVENANT" Emmanuel Lubezki - WINNER
"SICARIO" Roger Deakins
"CAROL" Sandy Powell
"CINDERELLA" Sandy Powell
"THE DANISH GIRL" Paco Delgado
"MAD MAX: FURY ROAD" Jenny Beavan - WINNER
"THE REVENANT" Jacqueline West
"THE BIG SHORT" Adam McKay
"MAD MAX: FURY ROAD" George Miller
"THE REVENANT" Alejandro G. Iñárritu - WINNER
"ROOM" Lenny Abrahamson
"SPOTLIGHT" Tom McCarthy
"THE BIG SHORT" Hank Corwin
"MAD MAX: FURY ROAD" Margaret Sixel - WINNER
"THE REVENANT" Stephen Mirrione
"SPOTLIGHT" Tom McArdle
"STAR WARS: THE FORCE AWAKENS" Maryann Brandon and Mary Jo Markey
"EMBRACE OF THE SERPENT" Colombia
"MUSTANG" France
"SON OF SAUL" Hungary - WINNER
"THEEB" Jordan
"A WAR" Denmark
"MAD MAX: FURY ROAD" Lesley Vanderwalt, Elka Wardega and Damian Martin - WINNER
"THE 100-YEAR-OLD MAN WHO CLIMBED OUT THE WINDOW AND DISAPPEARED" Love Larson and Eva von Bahr
"THE REVENANT" Siân Grigg, Duncan Jarman and Robert Pandini
"BRIDGE OF SPIES" Production Design: Adam Stockhausen; Set Decoration: Rena DeAngelo and Bernhard Henrich
"THE DANISH GIRL" Production Design: Eve Stewart; Set Decoration: Michael Standish
"MAD MAX: FURY ROAD" Production Design: Colin Gibson; Set Decoration: Lisa Thompson - WINNER
"THE MARTIAN" Production Design: Arthur Max; Set Decoration: Celia Bobak
"THE REVENANT" Production Design: Jack Fisk; Set Decoration: Hamish Purdy
"MAD MAX: FURY ROAD" Mark Mangini and David White - WINNER
"THE MARTIAN" Oliver Tarney
"THE REVENANT" Martin Hernandez and Lon Bender
"SICARIO" Alan Robert Murray
"STAR WARS: THE FORCE AWAKENS" Matthew Wood and David Acord
"BRIDGE OF SPIES" Andy Nelson, Gary Rydstrom and Drew Kunin
"MAD MAX: FURY ROAD" Chris Jenkins, Gregg Rudloff and Ben Osmo - WINNER
"THE MARTIAN" Paul Massey, Mark Taylor and Mac Ruth
"THE REVENANT" Jon Taylor, Frank A. Montaño, Randy Thom and Chris Duesterdiek
"STAR WARS: THE FORCE AWAKENS" Andy Nelson, Christopher Scarabosio and Stuart Wilson
"EX MACHINA" Andrew Whitehurst, Paul Norris, Mark Ardington and Sara Bennett - WINNER
"MAD MAX: FURY ROAD" Andrew Jackson, Tom Wood, Dan Oliver and Andy Williams
"THE MARTIAN" Richard Stammers, Anders Langlands, Chris Lawrence and Steven Warner
"THE REVENANT" Rich McBride, Matthew Shumway, Jason Smith and Cameron Waldbauer
"STAR WARS: THE FORCE AWAKENS" Roger Guyett, Patrick Tubach, Neal Scanlan and Chris Corbould
"BRIDGE OF SPIES" Thomas Newman
"CAROL" Carter Burwell
"THE HATEFUL EIGHT" Ennio Morricone - WINNER
"SICARIO" Jóhann Jóhannsson
"STAR WARS: THE FORCE AWAKENS" John Williams
"BRIDGE OF SPIES" Written by Matt Charman and Ethan Coen & Joel Coen
"EX MACHINA" Written by Alex Garland
"INSIDE OUT" Screenplay by Pete Docter, Meg LeFauve, Josh Cooley; Original story by Pete Docter, Ronnie del Carmen
"SPOTLIGHT" Written by Josh Singer & Tom McCarthy - WINNER
"STRAIGHT OUTTA COMPTON" Screenplay by Jonathan Herman and Andrea Berloff; Story by S. Leigh Savidge & Alan Wenkus and Andrea Berloff
"BODY TEAM 12" David Darg and Bryn Mooser
"CHAU, BEYOND THE LINES" Courtney Marsh and Jerry Franck
"CLAUDE LANZMANN: SPECTRES OF THE SHOAH" Adam Benzine
"A GIRL IN THE RIVER: THE PRICE OF FORGIVENESS" Sharmeen Obaid-Chinoy - WINNER
"LAST DAY OF FREEDOM" Dee Hibbert-Jones and Nomi Talisman
"AMY" Asif Kapadia and James Gay-Rees - WINNER
"CARTEL LAND" Matthew Heineman and Tom Yellin
"THE LOOK OF SILENCE" Joshua Oppenheimer and Signe Byrge Sørensen
"WHAT HAPPENED, MISS SIMONE?" Liz Garbus, Amy Hobby and Justin Wilkes
"WINTER ON FIRE: UKRAINE’S FIGHT FOR FREEDOM" Evgeny Afineevsky and Den Tolmor
"BEAR STORY" Gabriel Osorio and Pato Escala - WINNER
"PROLOGUE" Richard Williams and Imogen Sutton
"SANJAY’S SUPER TEAM" Sanjay Patel and Nicole Grindle
"WE CAN’T LIVE WITHOUT COSMOS" Konstantin Bronzit
"WORLD OF TOMORROW" Don Hertzfeldt
"AVE MARIA" Basil Khalil and Eric Dupont
"DAY ONE" Henry Hughes
"EVERYTHING WILL BE OKAY (ALLES WIRD GUT)" Patrick Vollrath
"SHOK" Jamie Donoughue
"STUTTERER" Benjamin Cleary and Serena Armitage - WINNER
“Earned It” from "FIFTY SHADES OF GREY"; Music and Lyric by The Weeknd, Ahmad Balshe, Jason Daheala Quenneville and Stephan Moccio
“Manta Ray” from "RACING EXTINCTION"; Music by J. Ralph, Lyric by Antony Hegarty
“Simple Song #3” from "YOUTH"; Music and Lyric by David Lang
“Til It Happens To You” from "THE HUNTING GROUND"; Music and Lyric by Diane Warren and Lady Gaga
“Writing’s On The Wall” from "SPECTRE"; Music and Lyric by Jimmy Napes and Sam Smith - WINNER
"THE BIG SHORT" Screenplay by Charles Randolph and Adam McKay - WINNER
"BROOKLYN" Screenplay by Nick Hornby
"CAROL" Screenplay by Phyllis Nagy
"THE MARTIAN" Screenplay by Drew Goddard
"ROOM" Screenplay by Emma Donoghue
Taken from TotalSciFiOnline.com
http://totalscifionline.com/features/3809-the-100-greatest-sci-fi-movies
What’s a mindfuck? A movie that plays with your mind, confuses you, and leads you on. It’s not just a movie with a twist ending. Mindfucks are borderline-incoherent, dreamlike, and surreal.
Marvel rocks!!!
