Six episodes in, I can't get into this anime.
The slapstick humor seemed forced for a drama anime like this. Most of the main characters are unlikable. And this anime tried way too hard to manipulate my feelings, only to end up having me laugh like a shitty terrible person when someone cries.
The only saving grace of this anime was the musical performances. But that was it.
Yep, I am not going to continue watching this anime.
This is essentially a condensed version of the second season over 2 hours. They did a great job with it and all the key points were captured. Perfect viewing for someone who has already seen it just to experience the big moments on the cinema screen.
The music swells were incredible in cinema surround sound and the visuals looked amazing.
Be sure to watch after the credits for a cute bonus scene.
i couldn't possibly have asked for a more perfect ending to this perfect show
Ok, now this series finale deserves a place in my heart alongside with Avatar: The Last Airbender and The Legend of Korra finales.
I mean, there's been two days since I watched it and I'm still catching myself thinking about it. thank you so much She-ra, you're a legend!
As an adult male, is it strange to want more episodes?
OKAY, BEST CARTOON EVER. Kids will love it, and so much more people. This is for all ages, like, hell yeah i'm 21 and this thing changed me, taught me a lot of stuff, believe it or not.
And IT'S FUNNY!!! I LAUGH SO MUCH EVERY TIME I WATCH THIS SHOW, SERIOUSLY! It's incredible... and magical.
AND OF COURSE, thanks NOELLE FOR THE GAY RIGHTS!!! The representation on this show it's unbelievable (in a good way, of course).
Yeah, i love SPOP, there's no way i'll ever find a good show like this again.
"Hey, Adora..." Catra's voice
I don't know how to describe how this show made me feel. I definitely have other shows that I prefer but this show made me cry the most. This show really moved me, again and again. It really got me to feel things. So as much as I say this isn't my favorite show, I can't help but keep a special, special place in my heart for this show anyways
He outdid himself with this one. Captivating from start to finish.
Fucking hell, this guy is such an artist. His talent is unlimited, and that's kinda scary ... for him. I hope he stays strong. For his sake.
It wouldn't be accurate to say I grew up alongside Bo Burnham. He's six years older than me. So I've gotten to see him grow, but he was always a step ahead on the road. Then suddenly, in this special, we're side by side, and I feel a horrifying catharsis at being in the same place as him. The thrill and terror of being seen. I want to run back inside and watch him on the outside, going through it with a wry joke. But we're all stuck in this. Stuck inside, and that inside is so much more than just a quarantine. Even though this is probably the quarantine media, it's about everything too.The outside is inside, everything is inside, and yet we've never felt more distant despite going through the same thing. I was left undone. Devastated. Funny Feeling left me weeping. It's just an incredible piece of work that'll stick with me for a long time.
In Captain Marvel, I didn’t like the main character, but I thought the movie around her was quite solid.
Black Widow is the exact opposite: I quite liked the two leads, but the movie surrounding them doesn’t really work.
Pros:
- Scarlett Johansson and Florence Pugh are easily the most entertaining part of the film.
- I liked the first act. It feels like Cate Shortland is trying to do an impression of a Jason Bourne movie. It’s fairly humourless, the cinematography is bleak, and the score is intense. It has a tone that no other MCU film has.
- The action (minus the final battle) is fairly well done. As per usual, less editing would’ve made it better, but at least it feels weighty.
Cons:
- The story itself isn’t that interesting. The themes and main mcguffin are oddly similar to Captain Marvel, though it’s not executed as well. The villains also fail to make an impression.
- This movie really loses its identity as it goes along, to the point where it turns more into a generic Marvel movie as it goes on, and eventually a generic action blockbuster by the third act. Everything gets way too big and bloated for its own good.
- Not a fan of the Russian accents, they sound very tacky. Just let everyone speak with a normal American accent, I can look past the fact they’re Russians. Besides, they even had a story based reason to ditch the Russian accents entirely.
- I found David Harbour quite cringeworthy in this.
- The main characters are protected by strong plot armour. Most characters should’ve been killed 3-4 times based on the things that happen during the action scenes. This isn’t even a ‘suspend your disbelief, it’s an action movie’ situation, it gets really ridiculous, to the point where it’s almost Fast and Furious level.
- The pacing is a bit inconsistent, you really feel it slowing down during the second act.
Finally, I want to address that I already find the use of Nirvana songs in movies like these quite distasteful, but the cover that's used during the credits literally sucked all the life out of the song.
4.5/10
Belle... A collection of music videos glued together by a really badly written narrative.
Belle is one of the weakest animated movies i have seen in the past few years, and that makes me really sad, as a fan of the director i went into this expecting an 8 or an 9, but what i got is a 5 at best.
Belle has a interesting idea, with its reworking of the "beauty and the beast" and its child abuse themes... But it fails to build on its characters and to explain basic premises of its own world, making it for a very boring and bland experience.
Most of the things we thought would be relevant were completely ignored and absolutely useless, we asked ourselves watching "did she get some disease and now is unable to sing in the real world and that is why the U is an escape?" No, they never address this, she just fails to sing and vomits once because the movie wanted to i guess? They keep all her "friends" completely irrelevant and underdeveloped until the last quarter of the movie, so i basically don't care about any of them in the end, they never explain the socio economical structure of the U world... How does this work? They say the avatar is made automatically based on people physiognomy, but the avatars are crazy different in form and species, how can that be made from ones physiognomy? How is the invitation system decided? Who is invited and why? Why even have an invitation system instead of selling the app or freely distributing it if that ends up irrelevant to the story? Why show us a very interesting singer character on the start that rivalizes our belle if you are just going to forget her for the whole movie? How to know which avatars are AI controlled and which are actually people? Is it possible do die in U? If not, what is the relevance of all the conflict we see?
Belle raises too many questions and answer very little, it presents us with an beautiful and interesting virtual world but tells us NOTHING about it and how it all works, it presents us with futuristic technology in a world that seems stuck in the 2000s, it gives us many bland and uninteresting characters with only one personality trait each and develops none of them... There are so many problems, so many drawn out scenes... That it all gets boring and tiresome...
And.... That makes me really sad, the music is GREAT, the visuals are BEAUTIFUL, the music scenes are AMAZING... But they are few and far in between and the rest of the movie... Is not interesting, they present us a nice duality of belle and the beast, but their interest in one another is so out of nowhere and forced that it doesnt feel even a little bit real or natural... There is a great scene that develops the characters and emotional connects, but it is only in the last quarter of the movie... When it has already lost all my interest and attention... and the plot of child abuse is ok and very important... But it feels shoved in... The main plot... Feels shoved in... Oh, and how they find the boy... Well, that was just the worst "investigation" bit i have ever seen...
I really wanted to like this movie, but there are just too many unanswered questions, just too little character development, and a plot that is just generic and bland enough to lose my attention... The visuals and music alone are not enough...
At the end, i feel like they made some really great music videos and didnt want to release it as just animated music videos, so they wrote a really bland movie around it and shoved a controversial and important theme(child abuse) to appeal to peoples hearts in an effective but kinda cheap way.
This will probably become more beloved than Dune for being a bigger, more action driven film. Personally I prefer the first film by a long shot, but there's a lot to like here. I loved Paul's new journey for this installment as it doesn't develop in the way you'd expect based on the ending of the first film. The themes of colonialism, false prophecies and religion reach a level of depth that cannot be found in other sci-fi/fantasy contemporaries like Lord of the Rings or Star Wars; this film certainly made me understand why this story is taken so seriously as a piece of literature. Despite the source material being so old, there's still something new and refreshing about it. You don't often see major Hollywood productions calling out religion as a manipulative force helping the people in power. On top of that this brilliantly subverts the concept of the hero's journey we've become accustomed to by everything that was in one way or another inspired by Dune. The acting is pretty great, Timothée does a great job at playing the transition Paul goes through. Despite his boyish looks I was sold on his performance as the leader of the Fremen. Rebecca Ferguson and Javier Bardem are also scene stealers. The visuals are once again mindblowing, in terms of set/costume design, cinematography and CGI this is as close to perfection as you could get to right now. The vision and scope of this movie are truly unmatched, which leads to some breathtaking sequences that I'll remember for a while (sandworm ride; the black/white arena fight; knife fight during the third act).
However, for all the praise I have for Dune: Part 2, I think Denis is being uncharacteristically sloppy with this film. First of all, Bautista and Butler feel like they're ripped from a different franchise altogether. Their over the top, cartoonish performances are more suited for something like Mad Max than the nuanced world of Dune. The bigger cracks start to appear when you look at the writing. The brief moments where the movie pokes fun at religious zealots through Javier Bardem's character, while funny, probably won't age very well. Like the first movie, it has a tendency to rely too much on exposition and handholding, a problem which might be worse here. I feel like a lot of the subtlety is lost in order to make the movie more normie proof, and that's quite annoying for a movie with artistic ambitions like this one. For example, there's this scene where Léa Seydoux seduces Austin Butler's character, and everything you need to know as a viewer is communicated through Butler's performance. Cut to the next scene, where Seydoux is all but looking at the camera saying "he's a psychopath, he's violent, he wants power, etc.". I just feel like compared to Villeneuve's precise work on Blade Runner 2049, he's consciously dumbing it down here. It's understandable and somewhat excusable for a complex story like Dune, but he occasionally takes it too far for my liking. Then there's the love story subplot between Chani and Paul, which almost entirely misses the mark for me. It feels rushed, there's no chemistry between the actors and some of the lines are painfully cheesy. Because of that, the emotional gutpunch their story eventually reaches during the third act did little for me. Finally, I'm a little dissatisfied with the use of sound. I loved the otherworldly score Zimmer came up with for the first Dune, however this film is so ridiculously bombastic and low-end heavy that it starts to feel like a parody of his work with Christopher Nolan. For the final action beat of the film Villeneuve cuts out the film's score, and it becomes all the more satisfying for it.
Overall, I recommend this film, however maybe temper those expectations if you're expecting a masterpiece. There's a lot to admire, but it's flawed.
6.5/10
