Really hope they bring this back for a second season as AGENT CARTER has been fantastic.
I've loved every minute of it.
Christopher Egan and Amanda Seyfried have great chemistry.Very romantic movie
wow! it was just "another movie" in the beginig, but the twist was really unexpected.
@Prd: I'm grad I didn't see the poster.
This is a great movie. My kids love it. 2 Thumbs up!!
This movie takes no hostages... The driving was absolutely top notch, the special effects were beyond good and although the action was relentless, it never once felt fatigued or over done. This movie delivers on all its promises. If you want a pure action flick that wastes no time, Mad Max Fury Road is it!
Another one of those shows that starts off pretty meh then finds it's footing and takes a significant turn for the better.
Gave up half way through season 1, gave it another chance, and now I can't wait for each new episode!
Starts off pretty bad then all of a sudden you've been awake for 20 hours and binge watched the entire thing.
Persevere through those initial few bad episodes and you're in for a right treat.
The last scene made me miss "Revenge"
Fantastic movie, i thorough enjoy it, the cast was superb and the story was well acted and presented. Please see it.
Oh wow. This was amazing! The cast and soundtrack are perfect, the storyline was both beautiful and at times heart breaking. I cried like a baby when Louis' mum died. But really, Logan Lerman, Lily Collins, Nat Wolff, Kristen Bell, Jennifer Connolly and Liana Liberato in the same movie? Beautiful. Never watched a movie with Greg Kinnear in it, but he's a great actor! Overall gorgeous movie. Plus, Sam's character development alone deserves the 10 star rating.
Wow, just wow! Brie Larson is fantastic!
9.5/10. There are times when I feel jaded as a viewer. When it seems like despite the breadth of films out there, that I know most of the tricks, to where while I can appreciate a film's achievements in sort of a detached way, when I can even be engaged and invested in something, it doesn't necessarily reach me in the way that movies did when I first started watching them. The scope of appreciation has widened, but the emotional resonance feels muted, because I can't help but see the strings.
And then a film like Room comes along.
And Jack sees the expanse of sky for the first time. And Joy hugs her parents after not seeing them for seven years. And Robert can't even look at his grandson. And Nancy tells her daughter that she's not the only one whose life was destroyed. And Joy tells her mother that if she hadn't been taught to be nice, she might never have gone with Nick. And there's a supreme, heartbreaking look of guilt on her face when a reporter asks if she should have given her son up while in captivity. And Jack walks in on his mother's suicide attempt. And Nancy hears her grandson say "I love you." And Jack sees a real live dog, and makes a real live friend, and cuts his hair to give his mother his strength.
And I wince and I laugh and I cry and I gasp at this beautiful, devastating, intimate, life-affirming film. This is why we make movies. I love popcorn films, with the fights and flashes and epic feel, and I love the big dramas, with their scope and their sense of grandness and the talent on display, and I love those classic film comedies that mix the absurd and the irreverent and the memorable into a single hilarious package. But the films like Room simultaneously so small and so personal, yet so powerful and affecting, have a special place. These are, as Robert Ebert once put it, the empathy machine that is film working at peak efficiency, taking us into the lives of people who have suffered and been unfathomably wronged, and carries us with them as they carve out a way forward.
I didn't know I wanted a film that feels like a cross between Oldboy, Life Is Beautiful, and Boyhood, and yet the elements Room shares with each--the sense of isolation, the loving way in which a parent tries to distract their child from a continuing tragedy, the slice-of-life, impressionistic depiction of a young boy's innocence--come together to form something absolutely tremendous.
That last facet of the film, the fact that it filters the entire experience through young Jack's eyes, is a stroke of brilliance. There's a matter of factness, a certain directness or even blitheness to the way children experience the world. Using Jack as the lens through which Room tells its story renders those events not only realer, but plainer, imbuing them with the unvarnished perception of childhood. The way the film is able to get into Jack's head, to allow the audience to view these horrors and steps to recovery through his eyes, is its greatest strength and most impressive achievement.
By the same token, Brie Larson as Joy deserves all the accolades she's received for her performance here. While still a prisoner, she carries herself with such an air of both utter resignation and quiet resolve, someone who's been beaten into submission but carries on with whatever she has left. And once she returns home, the guilt that consumes her, the anger that she has for the world that kept turning without her, are palpable in every moment without fading into overwroughtness.
The film can essentially be divided into those two halves. The first is the story of Jack and Joy in Room, of the way that Joy makes unbearable circumstances livable for her son, the way that she copes and shields Jack from the horror around him, and how Jack strains and struggles to understand the idea of the world beyond those four walls, to where he can, eventually, help the two of them escape. The second half is far less intense, but still endlessly intriguing and affecting. It's a quiet domestic story about how people recover from that sort of trauma, both Joy who feels the opposite of survivor's guilt and second guesses herself, and Jack who is exposed to a big scary world, the depth and breadth of which is entirely alien to him.
But throughout both halves, there is such a pure emotional truth in each moment, from the simple joys that Jack enjoys within the home he doesn't realize is a prison, to his anger and resistance at having that fantasy shattered, to Joy's dispirited but resolute attempts to keep him happy and healthy, to the realistic, painful difficulties parents and children face when rebuilding a family seven years after a tragedy, to the wonder and fear a small boy has for what lies beyond the garden gate, and the unmitigated joy at every step taken toward some cobbled-together normalcy. Room is a beautiful, heart-wrenching, intensely personal film, that takes an unflinching yet uplifting look at how people cope and come back from the worst that our world has to offer.
This movie is so iconic! It may not be the best movie in the world, but it's funny as fxck.
How the heck does this only have 65% this is a classic!!
Now, THIS IS HOW YOU START A SEASON! I got hooked i can't wait next week!!!
So glad The Blacklist is finally back. Great episode, great acting.
That ending, phew. I honestly though Aram was gonna get killed, Red scared him to death there haha.
"If it wasn't about the sex, then why did you have sex?" Ha. Like a boss!
That scene where Keen was taken away from Laurel and Peter was so satisfying.
Had to watch few scenes like 3 times to take everything in haha. Great episode. 9/10
Another epic episode with a very fitting end. I love how they use songs in this show. We don't see that very often anymore.
very well done episode, the psychology of a man fallen apart.
Besides being obvious that Liz is alive, Tom and Agnes will try to flee, Kaplan is helping the Keen family, Alexander Kirk is Masha's father.... besides all of the happening being obvious, it was a great finale. But still remains the question, who is Liz for Red?
don't know why the hell they made this final season all about Liam and his girlfriend, and why the hell she told that girl about the Ghost riders :o this season should all about Scott and Stiles as it should be, those were the fine times,not some cliché romance. as this Final season is coming there's should be more fights and we didn't even see Scott alpha side.
I hope Ford faked his death with a Host version of himself.
A round of applause for Westworld! Awesome finale. I loved it a fantastic episode.
OMG!! Just give anthony Hopkins and Evan rachel wood there emmys now plz!!! Wow how can season 2 top season 1????? Loved it, every minute of it!!!
WHAT. WHAT. HAHA NO FUCKING WAY. LAUREL FUCKING LANCE!?
That ending. Last thing I expected :O And we go on a fucking break. OH COME ON! Absolutely loved this episode. Best Arrow episode we've had in a long time (Barring the crossover)
Like the director’s previous documentary on Ayrton Senna, this is a fascinating look at an unbelievable talent with a tragic outcome. Equally, this is a film that is accessible to anyone and as someone who had only seen Amy Winehouse in the media and had not heard her music, it was a fascinating, but devastating film that depicted a troubled and vulnerable young woman thrust unwillingly into a media frenzy that she was simply unable to cope with. What makes the film so powerful are those fleeting moments in the story where there was an opportunity for Amy to get the help she so desperately needed. Kapadia tries hard to give a balanced viewpoint of the people around Amy, but it is difficult not to judge some of the people closest to her. Hindsight may be a wonderful thing, but the outcome of this story seems so inevitable from the start. Where Kapadia doesn’t hold back is in his depiction of the media as a relentless and merciless behemoth and ultimately this film is as much a sobering look at the reality of being thrust into the media spotlight as it is on a truly amazingly talented musician who simply wanted to be left alone to express her talent. One of the highlights of the year so far.
Most people went out of this sad, quite a few people in the cinema were crying...I was just angry. Angry at those horrible, horrible people that called themselves her family and friends. Your 14 year old daughter tells you that she pukes up all her food and you DON'T TO ANYTHING?
I love this documentary, shows how amazing she was with her friends and family, also shows how much she needed support and didn't have. She was a great person but so fragile, if she had more people taking care of her she would be alive. We miss you, Amy.
Ignore the INSANE bad reviews on this and see it! It's great! Such a great time! Honestly shocked by the bad reviews. I mean 32% on RT?! No way. Loved!
lmao i cant believe yall are mad because "john is out of character" or "john would never yell at sherlock" like k thanks for making john's character so insignificant and simple. obviously we havent been watching the same show
