The final beats become over-the-top Black Mirror in its simple reach for the grosteque for me, but otherwise this is a nicely nasty portrait of downward spiral, parallel with a compelling, interesting tech-aided investigation that keeps closing in on that spiral. Andrea Riseborough is fantastic throughout (I just watched Battle of the Sexes and barely recognized her at all in this), and director John Hillcoat really milks the empty landscape and bleak atmosphere for all their worth here.

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