The credits with the dance, as in "Pachinko" (2022) seem a characteristic of the director, as does the exploration of memory, even if it comes from AI. There is a beautiful expressiveness in the representation of the database that contains emotions, which turns the memory bank into personal identity, the past as a reconstruction of the present. Kogonada is also sometimes lost in his contemplative gaze, languishing in emotions that become all too apparent in the latter part.
Shout by Miguel A. ReinaBlockedParent2022-07-23T07:58:25Z
The credits with the dance, as in "Pachinko" (2022) seem a characteristic of the director, as does the exploration of memory, even if it comes from AI. There is a beautiful expressiveness in the representation of the database that contains emotions, which turns the memory bank into personal identity, the past as a reconstruction of the present. Kogonada is also sometimes lost in his contemplative gaze, languishing in emotions that become all too apparent in the latter part.