[7.6/10] It’s nice to get an episode focused on Philip’s personal journey. He’s had subplot before, but making him the protagonist for an episode allows the series to dig deeper, explore what’s going through his mind with more conviction. I haven't loved The Crown’s Philip as a person, but I have found him fascinating as a character: a compelling mix of personal shittery but professionally in favor of royal reform, with a good smartass wit to go with it. It’s too much to call him an antihero, but he has enough of a mix of good and bad qualities to make him stand out enough to support the hour.
What I find particularly engrossing about “A Company of Men” is that, by god, the time away really did settle Philip. I don’t know if it’s exactly in the way that either Elizabeth or the Queen Mother intended. But by hook or by crook, he comes back not merely chastened from the experience, but appreciative of what he has and even homesick. I imagine the real life Philp’s transition wasn’t nearly as neat or cinema-ready (if he had such a transition at all). But as a character story, I love the idea of someone going away only to realize the value of what they left behind.
To the point, as another character describes it, Philip and his private secretary, Mike, are on what is basically a “five month stag party.” They pal around with the seamen aboard the royal yacht. They canoodle with the local indigenous population, which is uncomfortable at multiple levels. They smirk through various official functions and make goo goo eyes at reporters and just generally act like frat boy pricks.
It causes trouble at home. And in an episode that puts the spotlight away from Buckingham Palace, it’s nice to see someone only tangentially connected to the Royal Family (at best) get to lead the B-story. Mike’s wife, Eileen Parker, has had enough and is ready to file for divorce, only to find that she needs hard proof of Mike’s infidelity or worse to be able to get one.
I like the choice to show her trials and travails to wrangle what ought to be hers by right on multiple levels. For one, it’s a fascinating case study of the institutional thumb on the scales of marriage in the 1950s. For another, it’s a good vehicle to explore the culture that permitted, if not promoted, this sort of behavior for powerful men and left few avenues for their spouses to do anything about it. For a third, it shows the royal apparatus that sees one woman’s visit to a solicitor work its way through a byzantine collection of amateur tennis players and ladies who lunch back to the Queen’s private secretaries. And it neatly sets in motion the letter that presumably set up the blow-up between Philip and Elizabeth that opened the season despite Philiip’s apparent change of heart at the end of this episode.
That change of heart comes from a reflection on his own childhood and difficult life that's prompted by the reporter who used some long distance flirting to set up a veritable journalistic ambush. I like the show highlighting the fact that Philip’s own father had his mother committed and then abandoned the family to take up with his mistress. The revelation both establishes that Philip didn't exactly have the best role model himself for being a good partner, and it forces him to reflect on how that situation made him feel as a son, in a way he doesn't want to repeat.
So when we see a little bit of nobility from him, using his status to rescue and return a local sailor, it’s cause to reflect. He sees a father welcomed home. We see him look at happy children, basking in joy with their parents. We see him...implied to take advantage of the indigenous’ women’s generosity. So it’s nice that the show doesn't simply pretend that he woke up one morning and completely changed his ways. But the experience gives him a lot to think about.
One of my favorite scenes in the show happens when Philip and Elizabaeth trade Xmas radio addresses. Both of them can’t exactly speak frankly with an audience of millions. But each also expresses their love and longing for one another amid their separation. The fact that they’re unable to connect by phone makes this one of the few opportunities to speak when they know the other will be listening. Philip speaks about his regret and missing his family, understanding what he has, even if it’s not in so many words. And Elizabaeth’s revised opening statement that basically gives him an open invitation, is reservedly and unreservedly sweet, in that characteristically English way. Taken with her note, it reminds him that whatever the flaws of the family he grew up in, he has a new one, and the chance for it to be a better one.
Obviously, there’s still storm clouds on the horizon. But despite the rocky waters to come, it’s nice to see smartmouthed, bristling Philip have a chance to pause, reflect, and reevaluate, and maybe strive to do better than his own father ever did for his family.
Review by Andrew BloomVIP 9BlockedParentSpoilers2023-08-07T02:14:48Z
[7.6/10] It’s nice to get an episode focused on Philip’s personal journey. He’s had subplot before, but making him the protagonist for an episode allows the series to dig deeper, explore what’s going through his mind with more conviction. I haven't loved The Crown’s Philip as a person, but I have found him fascinating as a character: a compelling mix of personal shittery but professionally in favor of royal reform, with a good smartass wit to go with it. It’s too much to call him an antihero, but he has enough of a mix of good and bad qualities to make him stand out enough to support the hour.
What I find particularly engrossing about “A Company of Men” is that, by god, the time away really did settle Philip. I don’t know if it’s exactly in the way that either Elizabeth or the Queen Mother intended. But by hook or by crook, he comes back not merely chastened from the experience, but appreciative of what he has and even homesick. I imagine the real life Philp’s transition wasn’t nearly as neat or cinema-ready (if he had such a transition at all). But as a character story, I love the idea of someone going away only to realize the value of what they left behind.
To the point, as another character describes it, Philip and his private secretary, Mike, are on what is basically a “five month stag party.” They pal around with the seamen aboard the royal yacht. They canoodle with the local indigenous population, which is uncomfortable at multiple levels. They smirk through various official functions and make goo goo eyes at reporters and just generally act like frat boy pricks.
It causes trouble at home. And in an episode that puts the spotlight away from Buckingham Palace, it’s nice to see someone only tangentially connected to the Royal Family (at best) get to lead the B-story. Mike’s wife, Eileen Parker, has had enough and is ready to file for divorce, only to find that she needs hard proof of Mike’s infidelity or worse to be able to get one.
I like the choice to show her trials and travails to wrangle what ought to be hers by right on multiple levels. For one, it’s a fascinating case study of the institutional thumb on the scales of marriage in the 1950s. For another, it’s a good vehicle to explore the culture that permitted, if not promoted, this sort of behavior for powerful men and left few avenues for their spouses to do anything about it. For a third, it shows the royal apparatus that sees one woman’s visit to a solicitor work its way through a byzantine collection of amateur tennis players and ladies who lunch back to the Queen’s private secretaries. And it neatly sets in motion the letter that presumably set up the blow-up between Philip and Elizabeth that opened the season despite Philiip’s apparent change of heart at the end of this episode.
That change of heart comes from a reflection on his own childhood and difficult life that's prompted by the reporter who used some long distance flirting to set up a veritable journalistic ambush. I like the show highlighting the fact that Philip’s own father had his mother committed and then abandoned the family to take up with his mistress. The revelation both establishes that Philip didn't exactly have the best role model himself for being a good partner, and it forces him to reflect on how that situation made him feel as a son, in a way he doesn't want to repeat.
So when we see a little bit of nobility from him, using his status to rescue and return a local sailor, it’s cause to reflect. He sees a father welcomed home. We see him look at happy children, basking in joy with their parents. We see him...implied to take advantage of the indigenous’ women’s generosity. So it’s nice that the show doesn't simply pretend that he woke up one morning and completely changed his ways. But the experience gives him a lot to think about.
One of my favorite scenes in the show happens when Philip and Elizabaeth trade Xmas radio addresses. Both of them can’t exactly speak frankly with an audience of millions. But each also expresses their love and longing for one another amid their separation. The fact that they’re unable to connect by phone makes this one of the few opportunities to speak when they know the other will be listening. Philip speaks about his regret and missing his family, understanding what he has, even if it’s not in so many words. And Elizabaeth’s revised opening statement that basically gives him an open invitation, is reservedly and unreservedly sweet, in that characteristically English way. Taken with her note, it reminds him that whatever the flaws of the family he grew up in, he has a new one, and the chance for it to be a better one.
Obviously, there’s still storm clouds on the horizon. But despite the rocky waters to come, it’s nice to see smartmouthed, bristling Philip have a chance to pause, reflect, and reevaluate, and maybe strive to do better than his own father ever did for his family.