[7.4/10] Everyone sucks here. Some people suck to varying degrees, but everyone’s in a bad way to some degree or another. It’s a weird episode, one that isn't bad by any stretch, but plays in spaces that don’t do as much for me as a viewer.
Let’s go with Tony, since he was prime on my hate train after his debut episode. Let’s list the shittery in (vaguely) ascending order: 1. Saying unkind things to Margaret when he knows she’s in a vulnerable place 2. Allowing for snipes behind her back 3. Marrying her just to earn his mother’s admiration and 4. Cheating on her constantly, to the point that he knocked up one of his friends, and didn’t say a word about it (so far as we know).
In truth, I feel a little bad for Tony. They give him some pathos here, with the revelation that he was the unloved son, left behind by his social climbing mother , with the implication that he was disdained for his father’s actions and for his disability which he hides. The guy is messed up from all of this, and it doesn’t excuse his behavior, but it helps explain it.
Margaret’s in the same boat. She says many an unkind thing to Elizabeth. She wants to have the wedding to end all weddings so she can top her sister. And while she never cheats (so far as we know), she’s essentially only getting married because Peter Twonsend is, and she wants to beat him to the punch out of a sense of revenge
But she’s also hurt,and people who are hurting do stupid things. She’s not wrong to be bitter at her sister, even if her words can be cruel. And the prospect that after everything else, Margaret had to wait six months to announce her engagement because Elizabeth is pregnant struck me as utterly absurd. The Church of England won’t let her marry? Stupid, but whatever, the Queen’s hands are tied. But some issue of “protocol” preventing dueling announcements is just ridiculous.
Suffice it to say, I continue to feel the way I’ve long felt about Margaret on The Crown -- that she’s an overgrown child in how she acts, but also one who has plenty of legitimate grievances and reason to feel sad.
That just leaves Elizabeth, who occupies her usual more ambiguous role here -- does she want to look out for ehr sister or support her, or knock her down as part of the cold war they’ve been having? It’s interesting to see her be outwardly supportive, but also watch Tony’s bohemian friends mock the dignity and tradition of the palace (which, in fairness, is something I’d probably do), and so look to nip this whole thing in the bud. Her hunting for dirt on her sister’s fiance allows her to occupy both spaces.
I’ll admit, I find the implication that the stress of finding out all the cruddy things that Tony has done causes Elizabeth to go into labor a rather odd thing. But the show does the ensuing sequence well, making points about the strangeness of the process to modern eyes without having anyone vocalize it.
I appreciate that, because very little in this episode is subtle. It lays on the bit with Tony’s issues with his mom very thick. It doesn’t hide the ball with Margaret’s motivations for the marriage in the slightest. And Elizabeth’s disgust for the whole thing is made pretty plain as well.
But what I do appreciate is the ambiguity of the closing scene between the two sisters where Elizabeth sidles up to telling Margaret what she knows about Tony, but can't pull the trigger. Some mean words are exchanged. Elizabeth rubs it in that Margaret could have had what she wanted but wasn’t willing to give up the privilege. Something tough but fair, which ties into one of The Crown’s recurring themes -- The Queen wishing she could just be a comparatively normal person and wife and mother rather than having to become The Crown. And Maragert turns the comment around, saying it’s ironic that her sister enunciates a desire to be invisible because e she’s somehow able to pull that off despite wearing the crown, a comment that ties into Margaret’s own need to “shine”, as her mother puts it, and her pride in doing so, that's been a recurring theme for her too.
Despite the harsh mutual insults, Elizabeth doesn't spill the beans on Tony infidelities. I initially took it as a kindness, or at least an act of measured forbearance. Elizabeth already feels blamed for the dissolution of Margaret’s first pseudo fiance. She doesn’t want to be the slain messenger again. And so maybe, she holds back because, even though she could blow up Maragret’s engagement and relationship, she doesn’t want to. She wants to let Margaret live her own life and doesn’t want to be seen as the culprit for another relationship down the tubes.
But my wife suggested a more sinister explanation. Maybe her non-commenting is a “you deserve this”-style fuck you to her sister. Maybe it’s not a kindness, but a means of damning Margaret to this life she’s defiantly choosing, with the knowing expectation that she’ll have to suffer the consequences for her own poor judgment.
It’s fair to read it either way, and in truth, there's probably some of each, which is a sign of solid character writing. This is certainty a strange episode, focused on more melodrama and adults acting like teenagers than The Crown usually indulges in. But there's also no one to quite root for, which is, in a story about the pampered clucking at the slightly-less pampered, usually a good sign.
Review by Andrew BloomVIP 9BlockedParentSpoilers2023-08-12T04:48:53Z
[7.4/10] Everyone sucks here. Some people suck to varying degrees, but everyone’s in a bad way to some degree or another. It’s a weird episode, one that isn't bad by any stretch, but plays in spaces that don’t do as much for me as a viewer.
Let’s go with Tony, since he was prime on my hate train after his debut episode. Let’s list the shittery in (vaguely) ascending order: 1. Saying unkind things to Margaret when he knows she’s in a vulnerable place 2. Allowing for snipes behind her back 3. Marrying her just to earn his mother’s admiration and 4. Cheating on her constantly, to the point that he knocked up one of his friends, and didn’t say a word about it (so far as we know).
In truth, I feel a little bad for Tony. They give him some pathos here, with the revelation that he was the unloved son, left behind by his social climbing mother , with the implication that he was disdained for his father’s actions and for his disability which he hides. The guy is messed up from all of this, and it doesn’t excuse his behavior, but it helps explain it.
Margaret’s in the same boat. She says many an unkind thing to Elizabeth. She wants to have the wedding to end all weddings so she can top her sister. And while she never cheats (so far as we know), she’s essentially only getting married because Peter Twonsend is, and she wants to beat him to the punch out of a sense of revenge
But she’s also hurt,and people who are hurting do stupid things. She’s not wrong to be bitter at her sister, even if her words can be cruel. And the prospect that after everything else, Margaret had to wait six months to announce her engagement because Elizabeth is pregnant struck me as utterly absurd. The Church of England won’t let her marry? Stupid, but whatever, the Queen’s hands are tied. But some issue of “protocol” preventing dueling announcements is just ridiculous.
Suffice it to say, I continue to feel the way I’ve long felt about Margaret on The Crown -- that she’s an overgrown child in how she acts, but also one who has plenty of legitimate grievances and reason to feel sad.
That just leaves Elizabeth, who occupies her usual more ambiguous role here -- does she want to look out for ehr sister or support her, or knock her down as part of the cold war they’ve been having? It’s interesting to see her be outwardly supportive, but also watch Tony’s bohemian friends mock the dignity and tradition of the palace (which, in fairness, is something I’d probably do), and so look to nip this whole thing in the bud. Her hunting for dirt on her sister’s fiance allows her to occupy both spaces.
I’ll admit, I find the implication that the stress of finding out all the cruddy things that Tony has done causes Elizabeth to go into labor a rather odd thing. But the show does the ensuing sequence well, making points about the strangeness of the process to modern eyes without having anyone vocalize it.
I appreciate that, because very little in this episode is subtle. It lays on the bit with Tony’s issues with his mom very thick. It doesn’t hide the ball with Margaret’s motivations for the marriage in the slightest. And Elizabeth’s disgust for the whole thing is made pretty plain as well.
But what I do appreciate is the ambiguity of the closing scene between the two sisters where Elizabeth sidles up to telling Margaret what she knows about Tony, but can't pull the trigger. Some mean words are exchanged. Elizabeth rubs it in that Margaret could have had what she wanted but wasn’t willing to give up the privilege. Something tough but fair, which ties into one of The Crown’s recurring themes -- The Queen wishing she could just be a comparatively normal person and wife and mother rather than having to become The Crown. And Maragert turns the comment around, saying it’s ironic that her sister enunciates a desire to be invisible because e she’s somehow able to pull that off despite wearing the crown, a comment that ties into Margaret’s own need to “shine”, as her mother puts it, and her pride in doing so, that's been a recurring theme for her too.
Despite the harsh mutual insults, Elizabeth doesn't spill the beans on Tony infidelities. I initially took it as a kindness, or at least an act of measured forbearance. Elizabeth already feels blamed for the dissolution of Margaret’s first pseudo fiance. She doesn’t want to be the slain messenger again. And so maybe, she holds back because, even though she could blow up Maragret’s engagement and relationship, she doesn’t want to. She wants to let Margaret live her own life and doesn’t want to be seen as the culprit for another relationship down the tubes.
But my wife suggested a more sinister explanation. Maybe her non-commenting is a “you deserve this”-style fuck you to her sister. Maybe it’s not a kindness, but a means of damning Margaret to this life she’s defiantly choosing, with the knowing expectation that she’ll have to suffer the consequences for her own poor judgment.
It’s fair to read it either way, and in truth, there's probably some of each, which is a sign of solid character writing. This is certainty a strange episode, focused on more melodrama and adults acting like teenagers than The Crown usually indulges in. But there's also no one to quite root for, which is, in a story about the pampered clucking at the slightly-less pampered, usually a good sign.