Using the elements of Italian horror cinema from the seventies, even including fragments of some of Bruno Nicolai's soundtracks, the film holds on with difficulty in a particularly absurd story, which could be funny in a Series B product. But Sydney Sweeney takes her character too seriously, which ultimately is ridiculous. And not even the religious iconography with horror elements is very elaborate, while Álvaro Morte offers a tired and predictable performing. The most notable is an excellent soundtrack by Will Bates that, at least in this case, does try to offer something different.
Shout by Miguel A. ReinaBlockedParent2024-05-16T06:05:07Z
Using the elements of Italian horror cinema from the seventies, even including fragments of some of Bruno Nicolai's soundtracks, the film holds on with difficulty in a particularly absurd story, which could be funny in a Series B product. But Sydney Sweeney takes her character too seriously, which ultimately is ridiculous. And not even the religious iconography with horror elements is very elaborate, while Álvaro Morte offers a tired and predictable performing. The most notable is an excellent soundtrack by Will Bates that, at least in this case, does try to offer something different.