Best Motion Picture – Drama
"Boyhood"
"Foxcatcher"
"The Imitation Game"
"Selma"
"The Theory of Everything"
Best Motion Picture – Musical or Comedy
"Birdman"
"The Grand Budapest Hotel"
"Into the Woods"
"Pride"
"St. Vincent"
Best Actor – Motion Picture, Drama
Steve Carell, "Foxcatcher"
Benedict Cumberbatch, "The Imitation Game"
Jake Gyllenhaal, "Nightcrawler"
David Oyelowo, "Selma"
Eddie Redmayne, "The Theory of Everything"
Best Actor – Motion Picture, Musical or Comedy
Ralph Fiennes, "The Grand Budapest Hotel"
Michael Keaton, "Birdman"
Bill Murray, "St. Vincent"
Joaquin Phoenix, "Inherent Vice"
Christoph Waltz, "Big Eyes"
Best Actress – Motion Picture, Drama
Jennifer Aniston, "Cake"
Felicity Jones, "The Theory of Everything"
Julianne Moore, "Still Alice"
Rosamund Pike, "Gone Girl"
Reese Witherspoon, "Wild"
Best Actress – Motion Picture. Musical or Comedy
Amy Adams, "Big Eyes"
Emily Blunt, "Into the Woods"
Helen Mirren, "The Hundred-Foot Journey"
Julianne Moore, "Maps to the Stars"
Quvenzhané Wallis, "Annie"
Best Supporting Actor
Robert Duvall, "The Judge"
Ethan Hawke, "Boyhood"
Edward Norton, "Birdman"
Mark Ruffalo, "Foxcatcher"
J.K. Simmons, "Whiplash"
Best Supporting Actress
Patricia Arquette, "Boyhood"
Jessica Chastain, "A Most Violent Year"
Keira Knightley, "The Imitation Game"
Emma Stone, "Birdman"
Meryl Streep, "Into the Woods"
Best Director
Wes Anderson, "The Grand Budapest Hotel"
Ava DuVernay, "Selma"
David Fincher, "Gone Girl"
Alejandro González Iñárritu, "Birdman"
Richard Linklater, "Boyhood"
Best Screenplay
Wes Anderson & Hugo Guinness, “The Grand Budapest Hotel”
Gillian Flynn, “Gone Girl”
Alejandro González Iñárritu, Nicolás Giacobone, Alexander Dinelaris & Armando Bo, “Birdman”
Richard Linklater, “Boyhood”
Graham Moore, “The Imitation Game”
Best Original Score
Alexandre Desplat, "The Imitation Game"
Johann Johannsson, "The Theory of Everything"
Trent Reznor & Atticus Ross, "Gone Girl"
Antonio Sanchez, "Birdman"
Hans Zimmer, "Interstellar"
Best Original Song
Lana Del Rey, "Big Eyes" -- "Big Eyes"
John Legend and Common, "Glory" -- Selma"
Patti Smith and Lenny Kaye, "Mercy Is" -- "Noah"
Sia and Greg Kurstin, "Opportunity" -- "Annie"
Lorde, "Yellow Flicker Beat" -- "The Hunger Games: Mockingjay - Part 1"
Best Foreign Language Film
"Force Majeure"
"Ida"
"Gett"
"Leviathan"
"Tangerine"
Best Animated Feature Film
"The Book of Life"
"The Boxtrolls"
"How to Train Your Dragon 2"
"Big Hero 6"
"The Lego Movie"
Jan : 1 - 9
Feb : 9 - 28
Mar: 29 - 40
Apr : 41 - 42
May: 43 - 47
Jun: 48 - 54
Jul : 55 - 102
Aug: 103 - 126
Sep: 127 - 150
Oct: 151 - 168
Nov: 169 - 183
Dec: 184 - 200
Mención Especial, Mejor serie 2014: True Detective
Last year, we claimed that our favorite films were characterized by a “triumph of the real.” Man, we’re fickle. This year, as far as reality went, we just couldn’t even. Instead of 2013’s actual people, our favorite characters were children’s toys (The LEGO Movie), superheros (Birdman), aliens (Guardians of the Galaxy), and vampires (Only Lovers Left Alive). Instead of 2013’s refigured documentary techniques, it was the pulpy remnants of genre filmmaking — both in style and subject matter — that dripped down our list, starting with our honorable mentions (The Guest, The Rover, The One I Love) and ending in a pitch-black puddle at our #1.
Our interests in genre filmmaking and the imaginary were hardly escapist. Eye-searing violence — whether instrumental (Blue Ruin, Borgman) or for its own sake (The Raid 2, Why Don’t You Play in Hell?) — was inescapable. Sex was nearly always linked with death (Stranger by the Lake, Under the Skin, Gone Girl), torture (Thou Wast Mild and Lovely), or at least suspicion (Nymphomaniac) and blackmail (Nightcrawler). As Wes Anderson toyed with dismemberment and murder (Grand Budapest Hotel), and romcoms revolved around shmashmortion (Obvious Child), even the usual go-to filmic safehouses were markedly macabre. (Let’s not even mention honorable mention Moebius.)
Even when we were waist-deep in filmic blood and sad cum, though, it was impossible to read all this bodily fluid as any kind of grand narrative. Taken as a whole, our favorite films of 2014 offered more counter- and micro-narratives than anything else. Two genuine Hollywood blockbusters adapted childhood (Lego) and adolescent (Guardians of the Galaxy) brand names so delightfully that even our cynical, cold, Bela Tarr- and Harmony Korine-filled hearts opened up to them. But even though Hollywood seemed to have finally gotten its shit together, two newer indie distributors — A24 and Drafthouse Films — were already leaving it in the dust, together releasing a whopping one-fifth of our favorite films, including our #1.
Turning from industry to auteurs, middle-aged and just plain-aged masters made career-defining works that compounded their stylistic idiosyncrasies in ambitious, sometimes divisive ways: Sion Sono and Jean-Luc Godard interrogated their filmic careers through experimentation in new (for them) ways of filming — 35mm and 3D, respectively — while Richard Linklater and Alejandro Jodorowsky each attempted to account for the passage of time in some of the most compelling quasi-autobiographical works yet made. Along the same lines, Alex Ross Perry, an up-and-coming NYC director, dared us to read autobiography into his film about an up-and-coming NYC novelist/endearingly pretentious jerkwad. (So much for everything I just said about “the real” not making much of an impact in 2014.) Meanwhile, Josephine Decker, a young woman we had only admired as an actress, gifted us a two-film directorial debut that challenged aesthetic and narrative limits more successfully than most directors do in a lifetime.
The takeaway, if anything, is that it was a great year to watch movies, whether at the multiplex, the arthouse, or some newfangled VOD platform. We couldn’t even fit all of our favorites on this list, so read the names of these honorable mentions before moving onto our blurbage: A Field in England, The Rover, A Most Violent Year, Tatuagem, Manakamana, The Guest, Ida, White Bird in a Blizzard, Two Days One Night, Vic + Flo Saw a Bear, Art and Craft, The Last of the Unjust, Citizenfour, A Girl Walks Home Alone at Night, The One I Love. –BENJAMIN PEARSON"
Source: http://www.tinymixtapes.com/features/2014-favorite-30-films-of-2014
div film folk stemmer på til årets film på filmz.
2015 GOLDEN GLOBE NOMINATIONS
high on my watchlist
This is just early predictions!
Best Movies of 2014
Watched: 110+ (August 2021)
My favorite movies of 2014
Films showing during the Zürich Film Festival 2014. (largely complete)
2015 Golden Globe Nominations
by Patuleia