Personal Lists featuring...

The Neon Demon 2016

189

Arthouse horror. Updated weekly.

53

Slow burn horror. Updated weekly.

356

Horror is one of the most readily dismissed genres from critics and film buffs, yet is, arguably, the genre with the most avid and steadfast niche following and remains popular with the general public. With horror films aiming to terrify, spook, shock, disturb, repulse, amuse, entertain and more, it's no wonder the genre is so varied, divisive and controversial.

With so many people ignoring or simply not understanding horror, many great films slip under the radar and are relatively unknown to an audience outside of hardcore horror fans. In order to counteract this and bring awareness to the greatness of the genre, this list was created.

Compiled using 2,614 lists taken from various critics/polls/magazines/books/websites/forums/horror fans, They Shoot Zombies, Don't They? is intended to be the ultimate canonical top 1000 horror list. Spanning several decades, countries and sub-genres, and using lists from a wide range of people and publications, the resulting list is quite a diverse spread and representation of the best of horror.

Source: http://theyshootzombies.com/

3

HollyWood Movies based on Popularity

103

Tous les films du podcast 2 Heures de perdues, https://www.2hdp.fr/
Les saisons 1 et 2 n'étant plus disponibles, la liste commence à la saison 3 (épisodes "Revival" inclus).

18

One of my favourite genres :)

Not all will be excellent, but I will have enjoyed the concept or something similar.

Some maybe a 5 star rating, some maybe a 10.

All I would recommend.

I hope you enjoy :blush:

3

Relax, it's only magic. Now who's pathetic?

5

Using IMDb advanced search, filtering only by English language.

Notable entries missing include:
What Maisie Knew (2012)
Buried (2010)
The Babadook (2014)
Song of the Sea (2014)
Sleeping with Other People (2015)
Coriolanus (2011)
Palo Alto (2013)
The Hunt (2012)
Tamara Drewe (2010)
Machine Gun Preacher (2011)
Bilal: A New Breed of Hero (2015)

Last Updated: 26/06/2019

246

The magazine has picked its top ten films of the year, most years. Top ten films were not picked in the years 1952-1954, 1969-1980, and in the year 2003. Rankings can be viewed in my source list URL, or via the link provided in the comments section. In some cases, films tie for a certain spot in the yearly top 10; for example, 2012's #4 spot is tied between three films (consequently, there is no #5 or #6). Some directors definitely appear to be heavily preferred by those responsible for selecting the list.

This list does not include the special "best of 1990s" and "best of 2000s" decade lists, though most of those twenty films are included here. (The exceptions are David Lynch's TV show Twin Peaks on the 1990s list, and Gus Van Sant's Elephant, Abdellatif Kechiche's The Secret of the Grain, and Steven Spielberg's War of the Worlds on the 2000s decade list.)

Other anomalies:
The TV show "24" tied for the #10 spot in 2002, along with Gus Van Sant's Gerry. Gerry also tied for #6 on the 2004 list.

A TV episode "Travolta et moi" (dir. Patricia Mazuy) from the show "Tous les garçons et les filles de leur âge..." was selected as #6 in 1994. Claire Denis' episode "US Go Home" from the same series rated #9 in 1994.

Raul Ruiz's Les trois couronnes du matelot (Three Crowns of the Sailor) tied for #7 in 1983 and tied for #8 in 1982.

1968's #4 spot for Histoires extraordinaires is specifically for Federico Fellini's segment "Toby Damnit."

1965's #4 spot for Paris vu par... is specifically for the Jean Rouch episode.

1959's #3 spot was claimed by Eisenstein's Ivan the Terrible. Since Part II was released in 1958, it is possible that the award was for Part II, but since my sources didn't specify a part and both parts may have been shown together, I have included Parts I & II in the list.

Love it or hate it, here it is...

Source: https://en.wikipedia.org/wiki/Cahiers_du_cin%C3%A9ma

16

Film that acquire a Cult following- Obscure or unpopular, shunned by the mainstream audience.
Knowledge of cult films proves that one is "authentic" or "non-mainstream"

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