Originally a student of architecture, then a draft person, laboratory technician, model, a film extra, script assistant, assistant director, student of FAMU with Otakar Vávra, and, finally a film director with more than half a century of active career as a filmmaker, agile and almost unbearably provocative, she has always gone to the Ceiling (Strop, 1961) of human possibilities and has almost always made Something Different (O něčem jiném, 1963) than her colleagues. With her uncompromising ways as to the artistic and civilian requirements as well as her in advocating the right to one’s own opinion she was provocative during the past regime (The Daisies /Sedmikrásky/ 1966; The Apple Game /Hra o jablko/, 1976) and cause public displeasure even today (The Traps /Pasti, pasti, pastičky/, 1998; Pleasant Moments /Hezké chvilky bez záruky/, 2006). She is also a mother of two children, a grandmother, and a recipient of lifelong attention.
