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Private Notes
Bobby Child, scion of a New York banking family (and also a talented song-and-dance man), is sent by his mother to foreclose the Gaiety Theatre in Deadrock, Nevada. Once there, however, he falls in love with the daughter of the theatre's owner, and becomes involved in a scheme to save the day by putting on a magnificent show.
This film presents highlights of a concert given on 28 September 1998 at Carnegie Hall in New York City. Some of the ladies offer songs with which they have been closely associated over the years, while others explore the road not taken. There are also a couple of stunts: Rosie O'Donnell sneaks onto the stage and begins singing "Liza With a Z," only to be interrupted by Liza Minnelli, for whom the song was written. Later, the child actress Anna Kendrick sings "Life Upon the Wicked Stage," backed up by a chorus of cynical, strung-out Kit-Kat Girls from the 1990's revival of "Cabaret." Their fate, apparently, is what young Miss Kendrick can look forward to should she remain in her chosen profession!
International tenor sensation Andrea Bocelli makes a pilgrimage to the eternal city of Rome for a beautiful holiday concert, featuring works selected from the beloved Italian repertoire that has been sung by every great tenor since Caruso. From Gigli to Pavarotti, this is sacred music that not only captures the thrilling pyrotechnic vocal display of grand opera, but also reflects the deepest spiritual feelings of the world's great composers. Among the treasured arias featured are Schubert's and Gounod's "Ave Maria" and Verdi's "Ingemisco" from his "Requiem," as well as such Christmas standards as "Silent Night" and "Adeste Fideles." Accompanying Bocelli in this program is the Accademia Nazionale di Santa Cecilia, one of the world's oldest musical institutions, and its chief conductor, Myung-Whun Chung.
This is a filmed record of the original production of this collection of one-act operas set in New York's Central Park, the first being Wendy Wasserstein's "Festival of Regrets," with music by Deborah Drattell, followed by "Strawberry Fields," with libretto by A. R. Gurney and music by Michael Torke. The finale, "The Food of Love," boasts a score by Robert Beaser and libretto by Terrence McNally, the man responsible, as it turns out, for the whole idea of using a shared Central Park setting, thus providing the show's one obvious unifying element. On one level, after all, these are three autonomous works, sharing neither music, plot nor characters. It is perhaps telling, however, that one crucial cast member is carried over from the opening "Festival..." to "Strawberry Fields." Moreover, all three works are clearly connected thematically. What's more, their order of appearance is just as clearly premeditated. Each one deals, in increasingly intense fashion, with the alienation, the failure, sometimes willful, to communicate or connect, which, while not unique to the urban milieu, is certainly one of the latter's more distinctive, if less fortunate, features.
An in depth behind the scenes look at the making of "The Misfits" directed by John Huston
The unhappy and unloved Prince is mocked, betrayed and rejected by everyone around him. When he decides to commit suicide by throwing himself in a lake at a city park, a beautiful Swan emerges from the water. The Prince and The Swan grow close, but their love is destined to end in tragedy.
