None of them had the bright idea of moving the lightest items across the glass floor first and than move the heaviest?
King Ezekiel and Carol dating? That’s wassup! I didn’t see that one coming. Anyway, welcome to the dark side, Carol. :)
Other than Maggie being a bad ass towards the end, this episode was pretty boring.
R.I.P Scott Wilson/Hershel.
About damn time there was some real justice on this show! Right on, Maggie.
Why do I have this strange feeling the title of this episode is also a reference to the change in quality of this show? 9x01 did indeed feel like a "new beginning", and that is thanks to the new showrunner, Angela Kang.
I battled through the previous two seasons because of how invested I already was into this show and the characters, and this episode (and hopefully the entire season) almost feels like a reward to us all, for sticking around 32 drawn-out episodes (season 7 and 8) that should've been 20.
It's one of the biggest breaths of fresh air I've had for a TV show; returning to it's original slow-burn and emotional ways, yet still bringing something fresh to the table.
Bravo! Great premiere.
[8.5/10] I spent a decent chunk of the Negan arc asking “why don’t they just take out Gregory?” I know that so much of that season was once again about the battle for the soul of the community, whether they spare people like the kind-hearted good samaritans that they are, or whether they break down and hurt and kill like The Saviors because it’s what to take to beat The Saviors. Not killing Gregory, not sending him out to fend for himself, was not just a sign of mercy, but a sign that the good guys were morally better than the bad guys.
But good lord, surely at some point, after he’s tried to sell you out to The Saviors, after he’s tried to sow chaos and mistrust of you and your group, after he’s proven to be nothing but a heel, you rid yourself of the guy one way or another. At some point in this state of nature, practicality has to win out, and someone who almost goes out of his way to cause trouble and threaten your life and the lives of the people you care about has to go.
That didn’t happen in wartime though. Gregory survived until peacetime, when the denizens of Alexandria, The Hilltop, The Kingdom, The Sanctuary, and Oceanside can stop worrying about the threat that seems poised to either bleed them dry or wipe them out and start worrying about how to build a civilization, how to create a broader collection of city-states that work with one another rather than in service of one at the expense of the others.
That’s what’s most interesting about “A New Beginning”, the premiere of The Walking Dead’s ninth season. In some ways this is the happy ending for Rick and all of his allies. Negan has been defeated. We get to see gorgeous scenes of Rick, Michonne, and Judith as a family. We get to see crops being grown at the former war engine of The Saviors. We get to see all our favorite characters happy, healthy, and well for once. The passage of time has allowed everyone to make progress, to build something, to make a world that can be safe for children like Judith (who’s finally old enough to talk) and Hershel (Maggie’s child, who’s finally been born).
The spirit of that success, that cooperation, is found in the episode’s outstanding central set piece, where a coalition of nearly every main character of note teams up to raid the supplies of an art and history museum. The setup has everything you could ask for from The Walking Dead. There’s a clear, logical goal of obtaining olden times farming supplies to help them and an impromptu doomsday library of seeds. There’s smaller character moments, to indicate what’s changed and what hasn’t since the fall of The Saviors.
And most of all, there’s visual acuity and tension. “A New Beginning” takes pains to setup the threat of the cracking glass floor that our heroes tread upon, with a voracious horde lurking underneath. Director Greg Nicotero holds the tension of the team trying to pull a stagecoach across that floor. There’s superior sound design as the noises of crackling glass make you cringe at what may come. The group moves slowly, both showing their caution and drawing out the amount of time the audience has to sit on tenterhooks. And when a hole inevitably forms, an Ezekiel falls through, they use a safety rope to pull him up, which frays on the sharp edge of the broken glass in the perfect way to make you call into question whether his plot armor will falter in the confines of a season premiere.
Instead, our heroes manage to pull him out. They get their stagecoach. They get their seeds. And they get their plow. There’s an implicit attaboy there, something encouraging that says after all that this group of individuals has been through, after everything they’ve seen and lived down, there’s no challenge that can stop them now.
But of course, that’s not the case. It couldn’t be. There’s not much of a show in “happily ever after.” Instead, The Walking Dead reminds us that there were always threats beyond a single grinning antagonist in the ashes of the world. Those threats are storms that shatter the bridges you use to transport your supplies, mud that stymies your ability to move the latest find, and of course, the horde of shambling zombies who persist at all times to make moments small and large lethally dangerous in the snap of a jawline.
That’s what happens in “A New Beginning” as the perfect storm of route closures, muddy terrain, and an inbound horde ends up bringing down Ken, an otherwise indistinguishable Hilltopper who gets just enough characterization to make it mildly noteworthy (albeit obvious) that his end has come. More than some shock from killing off a no-name, Ken’s death tells us that what comes after Negan’s rain isn’t all peaches and sunshine, that people still die, that our heroes can still lose, and that ending the war was great, but didn’t solve everyone’s problems.
Now, the characters on The Walking Dead are left with new problems, threats from within that are just as potent as those from without. Ken’s death exposes the tension between these communities. Fighting Negan gave the residents of these far flung city-states a reason to work together, but now that the war is over, everyone still needs to eat, and work, and survive, something that remains difficult, with or without a strongman demanding everyone pay what they “owe.”
It’s true for the surviving Saviors, who are operating under Daryl’s watch. There’s graffiti at The Sanctuary, and a mild sense of unrest and concern that this new experiment isn’t working. Negan was brutal and at times unpredictable, but he kept The Sanctuary running, even if it was mostly to his benefit, and that spilled over to a lot of people. If there’s one thing I appreciate about this transition, it’s that as much as I was ready to be done with the Negan arc, the show isn’t just sweeping it under the rug. There’s still Savior loyalists, people who flourished under the old regime, who aren’t ready to go quietly, and that’s going to be a problem even if their former leader has been deposed.
But their current leader is ready to bow out as well. For Daryl, his desire to shove off is partly due to that same sense that this new thing isn’t working, but also the sense that the transition to the new world is just hard for him. He’s never been good at being domesticated, and the thing that got him through so much of this was his friends, his group, the original band (more or less) that let him be a part of something. Now, they’re dispersed, finding each other spread out and representing different communities. That’s uncomfortable for him, because it means breaking apart the one community that felt like it was his.
Oddly enough, that’s a little like how Gregory feels, like the community he built has been taken away from him by a changing of the times he didn’t sign up for. It’s not hard for his pot-stirring in this to feel like political commentary on the part of the show. Gregory questions the legitimacy of any election that would put Maggie in charge, claims she’s in the pocket of other people’s interests, and criticizes her communal bent for not putting the Hilltop first. It veers toward the ridiculous when he actually plots to kill her -- first through a grieving father and then himself -- but it’s effective because it feels real up until that point.
When you have lots of different communities, when you have limited resources, when you see your son dying for something that benefits your neighbors instead of the place you call home, resources going elsewhere when it feels like you’re scraping by, unrest and dissension follows. Murder plots may be a bit much, but the conflicts The Walking Dead is teasing out -- how the march toward civilization is fraught with internecine conflict (something underscored by the museum plaque Michonne gazes at), how cooperative communities can push to look out for their own interests when the going gets test, how the end of a war doesn't mean the end of difficulties -- are promising to fill a new season of television.
That season kicks off with Maggie having had enough of Gregory’s crap. His attempted hit is a final straw. After so much deceit, so much yellow-bellied manipulation, he gets his just deserts at the end of a noose and the trouble he causes can end. After so long wondering why Maggie or Rick or somebody else didn’t do this, Gregory is gone.
Except he isn’t Maggie may have ended his life, but the dirt he kicked up at The Hilltop is still around, and whether she wants to admit it or not, filtered down to Maggie herself. When Rick asks her for more to help keep The Sanctuary going, she agrees, but demands more in return. She doesn't want to be seen by her people as someone who always sacrifices their needs for the needs of others. The charter that Michonne wants to create may be on rocky ground, as each of these places start to mark their own territory even in the absence of Negan’s bootheel.
“A New Beginning”, true to its name, moves The Walking Dead forward. It asks what the world looks like when an authoritarian regime is toppled and people have to pick up the pieces. For as many wins as the show gives our heroes here, little bits of happiness they deserve, as Michonne puts it, after all they lost, it doesn't pretend that the process will be easy. The idea this episode sets up for this season -- of the difficulty of constructing a humane civilization out of what’s left of the old regime -- is poised to be a strong one, but also one that threatens to put our heroes at odds with one another, even when the old thorns in their sides have been subdued, or eliminated.
RIP SCOTT WILSON a.k.a. HERSCHEL GREENE :(
The Politics of Post-Apocalyptic Democracy in the Former United States of America.
Boring.
Guess we're at a point in the story now where our heroes became too strong for external enemys, so they start to turn on each other... yay... Who's excited for that...?
Absolute snooze fest until the last 5 minutes.
Maggie is finally cleaning house, that was due for a long time.... Nice premiere! Can't wait to see Negan!
Loved the new opening.
Two things that didn’t make sense for me (except to develop the plot/tension):
* the scene where they go over a glass floor that’s supposed to hold so much more weight than that... then, why are they going with the heavier stuff first... then, why are they using ropes (a lot of them) but some people still need to put their life on the line by walking on the glass while it’s obviously cracking???
* after, they are on the road with the stuff they got almost killing themselves to get. Some walkers are coming. We have the 4 more badass walker killer of the show and they decide to leave everything there. One guy decide to go back to free the horse and is bitten and knocked out in the process. So everyone comes back and they finally decide to face the small number of walkers and it takes 5 seconds to bring them down. But hey, they couldn’t do it before, right?
Otherwise, pretty solid episode. Was a bit afraid of the previous season’s finale. Going for the internal Game of Thrones political struggle but in a more subtle way than it was suggested.
We’ll see how the next couple of episodes will unwrap. Hope they will keep the pace. Not ready to drop this show... like... ever!
When they say they don't want this to be "the beginning of something", it's always "the beginning of something".
I'm one of those people that has Walking Dead-fatigue (mind you: TWD, not Fear The Walking Dead) and I applaud this apparent new direction they're going at. Also... crows... Crows are awesome right.
They finally also explained to us why they always made these stupid decisions: they're just dumb. Apparently no-one in the whole group knows how to make a plow, or a cart, or a canoe... Well gosh-dolly, now we can make them copies of 'm ya hear?
All in all I have hopes for this new season but Ive had these before. It's amazing how the show reflects the viewer's feelings on the show (or at least mine) it being a long overdue undead corpse, a grotesque parody of it's former self but there's flowers now and long eulogies for people we don't give a damn about. There was a lot in this episiode I've seen before in this show and I just hope that wandering zombie doesn't trample that pretty flower we're all seeing.
I’m giving this show another chance
so glad that gregory is dead because i hated that conniving son of a bitch. P.S i LOVE maggie she is so badass. One of my favourite characters
Nothing happened. Boring and very bad. 4.5/10
Same old boring show it's been for the past few years. I had to skip through most of it as I just couldn't take it.
It has at best 10 minutes of decent action.
It's not as good as I hoped for...
The "soft reboot" of the show with its jump in time about 1,5-2 years ahead doesn't really take you with it on the journey. For me it felt dull and more of the same old. New ideas are rearely spread. Horses? Well ok but Darrell's still riding his motorcycle and Zombies are still more of a side quest except for the one incident that was written poorly. Tensions and therefore conflicts within the group(s) are rising again and someone is mad about someone and someone else wants something in return for their help. So as you can see, there are no fundamental new ideas to the show. For me personally this is frustrating and demotivating. Whilst the media reported positively ahead of the new season I have my doubts that this will safe the show. If Season 9 progresses as it does right now I can only hope the end is near...
Old schooling execution hahaha awesome :heart_eyes:
Maggie was super cool in this episode, and so was everyone! A new chapter has begun! Let's fix the bridge though first.
What in the Scooby-Doo was that lol
The museum scenes don't make sense. The heaviest item over the glass floor first. Why? Make people walk over the same glass floor while they can walk around. Why?
After that: getting the wagon stuck in the mud. Okay shit happens. Running away from a couple of walkers. Why? And dear Ken, You have been in a zombie apocalypse for a couple of years now. Why do you still don't know how NOT to get bit by one? What the actual f*ck.
Hope they did not cut Gregory loose before he chocked to death. Was sick of that f*cker. Might be the only good thing about yet another dissapointing episode.
I have come so far and I will finish this show. Just to know what happens at the end. But it would have been a lot more enjoyable if they stopped making stupid things happen every single episode. Just hope the rest of this season - and the seasons to come - will be acceptable.
I have no idea why I still watch this show.
at the end, it was necessary, the man was a piece of shit okay.
A New Beginning feels like any season premiere for the Walking Dead. Watch them work strongly together against walkers. As they get used their living arrangements that obviously won’t last.
While someone we barely knows dies violently but we’re supposed to be moved by it.
should have stopped at season 8, getting boring now
About goddamn time Gregory died
Ten mins of real content / action. Rest is nonsense talking. Let’s hope episode 2 is better. Nice ending though.
Better than fear , second worst show of 2018
this one was actually a pretty decent episode. After the terrible season 8, when the show looked as dead ad the zombies, it seems season 9 can at least bring back a little of the old good days. Maggie was the real MVP here.
Finally a new visual opening theme. Who is [spoiler] the red figure that is seen just before the camera pans around the Walker?[\spoiler]
Even though I see the show/story as a way to mirror human psychologycal, moral and social dilemmas where the walkers are just the trigger for thing to evolve, I liked the return to the horror gener roots zombies. As weird as it may sound, the walkers became somewhat 'casual' characters even for the survivors (like "hey guys, there's another one", "come-on man, it's just a Walker. Why you have to be such a needy" casual). Even if they are there just for the motivation for characters to decide if they are humans or animals, I still think that in this world if you see a rotting corpse walking your way your pants should smell a little like pee.
I always liked the show, but was one of the good season premiere they've made.
Yeah... I don't know yet. I think the show needs a new bad guy ASAP because this is just too plain. I'm glad Maggie finally got rid of Gregory even though I will miss Xander Berkeley because that guy is amazing. .
Ezekiel en Carol - YES PLEASE! I'm so glad they made that happen, the chemistry was off the charts in the previous season and they make a really good couple, they balance each other out.
I love that Jadis is with the gang, I hope we get to see more of her and not just as a side character.
I think Rick is being unrealistic if he thinks this new world is going to last very long.
looks like another boring season is coming..
This show constantly tries to create intensity and drama with the dumbest choices. Really why the glass floor? Everyone knew it was going to happen. Why would you think that this would work? "Kid" goes back to free the horse, well I know what is going to happen here. Well, what do you know, he got bit. To create drama or intensity you need to do things that are not expected and are not telegraphed.
Wait a minute, hating the Saviors eating your food, but one sings at your sons funeral?
The glass floor scene is just dumb.
The new opening credits is just what this show needs for a fresh start. Following the war against Negan and the Saviors, all the communities continue to work in harmony to rebuild and prepare for the future by savaging for supplies as far as Washington. Everyone seems to be doing well but when Gregory finally pushes Maggie to the limit, she decides she won't stand for it and hangs in publicly in front of others at the Hilltop.
** RIP Scott Wilson, you were amazing as Hershel. **
Shout by onlimeBlockedParent2018-10-07T23:38:58Z
Oh, after two wasted seasons the plot might actually become interesting again!
Instead of havong yet another external threat it seems to be about consolidating powers and fighting internal resistance. Seems like a wise plot choice. On the other hand... we can be sure the show will mess it up again, just like they always do.