Prompted by the recent growing of the neo-nazi nationalistic party Golden-Dawn in the greece of crisis, i decided to make this list. Today the leading members of the party got arrested for leading a criminal group by the goverment.Although I think this is good I think that fascism does not die like that, the whole community and the people must fight fascism idiologically and isolate it. I think that these movies can provide (not by themselves of curse) a better understanding for how these groups work and grow.
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Create your own by customizing this list: https://mdblist.com/?list=20709053
Updated at 2021-06-20 04:21:53
1001 Movies You Must See Before You Die is a film reference book edited by Steven Jay Schneider with original essays on each film contributed by over 70 film critics.
Source: http://en.wikipedia.org/wiki/1001_Movies_You_Must_See_Before_You_Die
List of Nominees & Winners:
BRADLEY COOPER "Maestro"
COLMAN DOMINGO "Rustin"
PAUL GIAMATTI "The Holdovers"
CILLIAN MURPHY "Oppenheimer" - WINNER
JEFFREY WRIGHT "American Fiction"
STERLING K. BROWN "American Fiction"
ROBERT DE NIRO "Killers of the Flower Moon"
ROBERT DOWNEY JR. "Oppenheimer" - WINNER
RYAN GOSLING "Barbie"
MARK RUFFALO "Poor Things"
ANNETTE BENING "Nyad"
LILY GLADSTONE "Killers of the Flower Moon"
SANDRA HÜLLER "Anatomy of a Fall"
CAREY MULLIGAN "Maestro"
EMMA STONE "Poor Things" - WINNER
EMILY BLUNT "Oppenheimer"
DANIELLE BROOKS "The Color Purple"
AMERICA FERRERA "Barbie"
JODIE FOSTER "Nyad"
DA'VINE JOY RANDOLPH "The Holdovers" - WINNER
"THE BOY AND THE HERON" Hayao Miyazaki and Toshio Suzuki - WINNER
"ELEMENTAL" Peter Sohn and Denise Ream
"NIMONA" Nick Bruno, Troy Quane, Karen Ryan and Julie Zackary
"ROBOT DREAMS" Pablo Berger, Ibon Cormenzana, Ignasi Estapé and Sandra Tapia Díaz
"SPIDER-MAN: ACROSS THE SPIDER-VERSE" Kemp Powers, Justin K. Thompson, Phil Lord, Christopher Miller and Amy Pascal
"EL CONDE" Edward Lachman
"KILLERS OF THE FLOWER MOON" Rodrigo Prieto
"MAESTRO" Matthew Libatique
"OPPENHEIMER" Hoyte van Hoytema - WINNER
"POOR THINGS" Robbie Ryan
"BARBIE" Jacqueline Durran
"KILLERS OF THE FLOWER MOON" Jacqueline West
"NAPOLEON" Janty Yates and Dave Crossman
"OPPENHEIMER" Ellen Mirojnick
"POOR THINGS" Holly Waddington - WINNER
"ANATOMY OF A FALL" Justine Triet
"KILLERS OF THE FLOWER MOON" Martin Scorsese
"OPPENHEIMER" Christopher Nolan - WINNER
"POOR THINGS" Yorgos Lanthimos
"THE ZONE OF INTEREST" Jonathan Glazer
"BOBI WINE: THE PEOPLE'S PRESIDENT" Moses Bwayo, Christopher Sharp and John Battsek
"THE ETERNAL MEMORY"
"FOUR DAUGHTERS" Kaouther Ben Hania and Nadim Cheikhrouha
"TO KILL A TIGER" Nisha Pahuja, Cornelia Principe and David Oppenheim
"20 DAYS IN MARIUPOL" Mstyslav Chernov, Michelle Mizner and Raney Aronson-Rath - WINNER
"THE ABCS OF BOOK BANNING" Sheila Nevins and Trish Adlesic
"THE BARBER OF LITTLE ROCK" John Hoffman and Christine Turner
"ISLAND IN BETWEEN" S. Leo Chiang and Jean Tsien
"THE LAST REPAIR SHOP" Ben Proudfoot and Kris Bowers - WINNER
"NǍI NAI & WÀI PÓ" Sean Wang and Sam Davis
"ANATOMY OF A FALL" Laurent Sénéchal
"THE HOLDOVERS" Kevin Tent
"KILLERS OF THE FLOWER MOON" Thelma Schoonmaker
"OPPENHEIMER" Jennifer Lame - WINNER
"POOR THINGS" Yorgos Mavropsaridis
"IO CAPITANO" Italy
"PERFECT DAYS" Japan
"SOCIETY OF THE SNOW" Spain
"THE TEACHERS' LOUNGE" Germany
"THE ZONE OF INTEREST" United Kingdom - WINNER
"GOLDA" Karen Hartley Thomas, Suzi Battersby and Ashra Kelly-Blue
"MAESTRO" Kazu Hiro, Kay Georgiou and Lori McCoy-Bell
"OPPENHEIMER" Luisa Abel
"POOR THINGS" Nadia Stacey, Mark Coulier and Josh Weston - WINNER
"SOCIETY OF THE SNOW" Ana López-Puigcerver, David Martí and Montse Ribé
"AMERICAN FICTION" Laura Karpman
"INDIANA JONES AND THE DIAL OF DESTINY" John Williams
"KILLERS OF THE FLOWER MOON" Robbie Robertson
"OPPENHEIMER" Ludwig Göransson - WINNER
"POOR THINGS" Jerskin Fendrix
"THE FIRE INSIDE" from Flamin' Hot; Music and Lyric by Diane Warren
"I'M JUST KEN" from Barbie; Music and Lyric by Mark Ronson and Andrew Wyatt
"IT NEVER WENT AWAY" from American Symphony; Music and Lyric by Jon Batiste and Dan Wilson
"WAHZHAZHE (A SONG FOR MY PEOPLE)" from Killers of the Flower Moon; Music and Lyric by Scott George
"WHAT WAS I MADE FOR?" from Barbie; Music and Lyric by Billie Eilish and Finneas O'Connell - WINNER
"AMERICAN FICTION" Ben LeClair, Nikos Karamigios, Cord Jefferson and Jermaine Johnson, Producers
"ANATOMY OF A FALL" Marie-Ange Luciani and David Thion, Producers
"BARBIE" David Heyman, Margot Robbie, Tom Ackerley and Robbie Brenner, Producers
"THE HOLDOVERS" Mark Johnson, Producer
"KILLERS OF THE FLOWER MOON" Dan Friedkin, Bradley Thomas, Martin Scorsese and Daniel Lupi, Producers
"MAESTRO" Bradley Cooper, Steven Spielberg, Fred Berner, Amy Durning and Kristie Macosko Krieger, Producers
"OPPENHEIMER" Emma Thomas, Charles Roven and Christopher Nolan, Producers - WINNER
"PAST LIVES" David Hinojosa, Christine Vachon and Pamela Koffler, Producers
"POOR THINGS" Ed Guiney, Andrew Lowe, Yorgos Lanthimos and Emma Stone, Producers
"THE ZONE OF INTEREST" James Wilson, Producer
"BARBIE" Production Design: Sarah Greenwood; Set Decoration: Katie Spencer
"KILLERS OF THE FLOWER MOON" Production Design: Jack Fisk; Set Decoration: Adam Willis
"NAPOLEON" Production Design: Arthur Max; Set Decoration: Elli Griff
"OPPENHEIMER" Production Design: Ruth De Jong; Set Decoration: Claire Kaufman
"POOR THINGS" Production Design: James Price and Shona Heath; Set Decoration: Zsuzsa Mihalek - WINNER
"LETTER TO A PIG" Tal Kantor and Amit R. Gicelter
"NINETY-FIVE SENSES" Jerusha Hess and Jared Hess
"OUR UNIFORM" Yegane Moghaddam
"PACHYDERME" Stéphanie Clément and Marc Rius
"WAR IS OVER! INSPIRED BY THE MUSIC OF JOHN & YOKO" Dave Mullins and Brad Booker - WINNER
"THE AFTER" Misan Harriman and Nicky Bentham
"INVINCIBLE" Vincent René-Lortie and Samuel Caron
"KNIGHT OF FORTUNE" Lasse Lyskjær Noer and Christian Norlyk
"RED, WHITE AND BLUE" Nazrin Choudhury and Sara McFarlane
"THE WONDERFUL STORY OF HENRY SUGAR" Wes Anderson and Steven Rales - WINNER
"THE CREATOR" Ian Voigt, Erik Aadahl, Ethan Van der Ryn, Tom Ozanich and Dean Zupancic
"MAESTRO" Steven A. Morrow, Richard King, Jason Ruder, Tom Ozanich and Dean Zupancic
"MISSION: IMPOSSIBLE - DEAD RECKONING PART ONE" Chris Munro, James H. Mather, Chris Burdon and Mark Taylor
"OPPENHEIMER" Willie Burton, Richard King, Gary A. Rizzo and Kevin O'Connell
"THE ZONE OF INTEREST" Tarn Willers and Johnnie Burn - WINNER
"THE CREATOR" Jay Cooper, Ian Comley, Andrew Roberts and Neil Corbould
"GODZILLA MINUS ONE" Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi and Tatsuji Nojima - WINNER
"GUARDIANS OF THE GALAXY VOL. 3" Stephane Ceretti, Alexis Wajsbrot, Guy Williams and Theo Bialek
"MISSION: IMPOSSIBLE - DEAD RECKONING PART ONE" Alex Wuttke, Simone Coco, Jeff Sutherland and Neil Corbould
"NAPOLEON" Charley Henley, Luc-Ewen Martin-Fenouillet, Simone Coco and Neil Corbould
"AMERICAN FICTION" Written for the screen by Cord Jefferson - WINNER
"BARBIE" Written by Greta Gerwig & Noah Baumbach
"OPPENHEIMER" Written for the screen by Christopher Nolan
"POOR THINGS" Screenplay by Tony McNamara
"THE ZONE OF INTEREST" Written by Jonathan Glazer
"ANATOMY OF A FALL" Screenplay - Justine Triet and Arthur Harari - WINNER
"THE HOLDOVERS" Written by David Hemingson
"MAESTRO" Written by Bradley Cooper & Josh Singer
"MAY DECEMBER" Screenplay by Samy Burch; Story by Samy Burch & Alex Mechanik
"PAST LIVES" Written by Celine Song
TSPDT is building a list of 1000 Noir films to expand on its previous 250 Quintessential Noirs. Following the initial collection of 100 noirs, a further 900 noir films (or films with prominent noir elements) will steadily be added (in a fairly random manner). This list will contain the full 1000 films which are the 1,000 most cited noir films (according to TSPDT's research). Please note that this list has not been and will not be ranked.
Source: http://www.theyshootpictures.com/noir1000.htm
The title here should be "The Big Film Noir-ish List" but I leave it as is for easy searching.
Film Noir is not a genre, rather it was a movement. The last true film in that movement was "Touch of Evil" in 1958. This list includes Film Noir, Neo-Noir, Post-Modernist Neo-Noir, and other films that were informed - either in theme or form - by the Film Noir movement.
If your favorite didn't make the list, feel free to comment so I can add them to the list.
Movies from all Hallmark: 44
Christmas in July: 2
Countdown to Christmas (Hallmark Channel): 31
Miracles of Christmas (Hallmark Movies & Mysteries): 9
Hallmark Movies Now: 2
For the non-Christmas movies of Hallmark in 2023: https://trakt.tv/users/crossoverdeseries/lists/hallmark-2023
For the Christmas movies of Lifetime in 2023: https://trakt.tv/users/crossoverdeseries/lists/lifetime-christmas-2023
Everything Scooby-Doo related, sorted by premiere date.
-Updated 04/26/24 with Velma S2 and the Jellystone Episode
Campy horror. Updated weekly.
Christmas/ winter horror movies worth checking out; not in any order
The ultimate viewing order for Battlestar Galactica!
With so many off-shoots, extended episodes, webisodes, one-off movies and weird bits and pieces it's very hard for a new Battlestar Galactica fan to know exactly what order to watch everything in.
EXTENDED episodes to watch:
- 2x10 Pegasus (DVD)
- Razor (DVD/Bluray)
- 3x09 Unfinished Business (Bluray)
- 4x12 A Disquiet Follows My Soul (Bluray)
- 4x18 Islanded In a Stream of Stars (Bluray - R1 DVD)
- 4x19 Daybreak (Bluray - R1 DVD)
- Caprica 1x01 Pilot (Bluray - DVD)
Taken from thunderpeel2001.blogspot.be/2010/02/battlestar-galactica-viewing-order.html
Television shows starring a solo female detective, an all-female detective team, a m/f romantic detective couple, or where the senior/lead detective of a pair or team is a woman.
The World Wrestling Federation (Now known as World Wrestling Entertainment) made it's way into the Pay-per-view market back in 1985 with the very first Wrestlemania and have been very successful ever since. Here is a list of every such event in accordance with the WWE Network.
Includes WWF, WWE, ECW (WWE branded events only), NXT, NXT UK and various network exclusive events.
Does not include WCW, ECW (non-WWE branded events), Kick-offs/Pre-Shows, Hall of fame ceremonies, Evolve (or other indie companies represented on the WWE Network) or duplicate events.
Rolling Stone magazine issued a list ranking what they call the 100 greatest TV shows of all time. The list was compiled after the pop culture magazine sent out ballots to entertainment inudustry professionals.
http://www.rollingstone.com/tv/lists/100-greatest-tv-shows-of-all-time-w439520
All Pixar Animation Studios shorts, including Disney+'s SparkShorts and Home media releases.
Not Including shorts series, like Forky Asks a Question, Toy Story Toons, Mater's Tall Tales & Tales from Radiator Springs.
Based on the list by Jo Blo: https://www.joblo.com/tag/the-best-movie-you-never-saw
The Criterion Collection is a continuing series of important classic and contemporary films on home video. Releases often include restored film transfers along with commentary tracks and other kinds of supplemental features, which were pioneered with the release of the company's first laserdiscs, Citizen Kane and King Kong, in 1984. Ever since, Criterion has been working closely with filmmakers and scholars to ensure that each film is presented as its maker would want it seen and published in an edition that will deepen the viewer’s understanding and appreciation of the art of cinema.
Source: https://www.criterion.com/shop/browse/list?sort=spine_number
Last Update: Farewell My Concubine (#1228)
Date: 05-01-24
In response to the American Film Institute’s list of the 100 greatest American movies, film scholar Jonathan Rosenbaum took the AFI to task for what he saw as a product "symptomatic of an increasingly dumbed-down film culture that continues to outflank our shrinking expectations." Of course, any list of this kind (including Sight and Sound’s decennial roster and the Village Voice Film Critic’s Poll from a few years back) is not without its blind spots. Participants are often forced to pick a select group of favorites and make a number of concessions ("Well, if I want Antonioni to make it into the collective top 10, I’d better hedge my bets with L’Avventura instead of my personal favorite Zabriskie Point."). Consequently, underdogs and obscure gems have little chance of being represented on a composite list that’s typically unveiled with little-to-no "justification for any of its titles" (to borrow again from Rosenbaum). Rather than present a list that looks like everyone else’s, Slant Magazine has decided to do something a little different. While you will find many popular classics and critical favorites on our list of 100 Essential Films, our goal was to mix things up a bit. This list should not be construed as a definitive "greatest films" package, but as an alternative compiled by a group of kinky film-lovers wanting to give serious critical thought to neglected, forgotten and misunderstood gems. We aimed for the kind of list where post-Cahiers Orson Welles could stand shoulder-to-shoulder with a pre-pastiche Brian De Palma; where it’s understood that Hitchcock, Dreyer, Ford, and Ozu created masterpieces besides film school staples like Vertigo, The Passion of Joan of Arc, The Searchers, and Tokyo Story; and where the postmodern irony of Douglas Sirk’s Imitation of Life is allowed space next to its modern-day equivalent: Paul Verhoeven’s Showgirls (gasp!). Because space was tight, documentaries, shorts and animated films were not eligible. Additionally, we limited directors to no more than one spot on the list.
Source: http://www.slantmagazine.com/features/article/100-essential-films
The best-reviewed lists we normally publish involve thousands of movies sorted by Adjusted Tomatometer to best distill the professional critics’ consensus, a soothing balm of agreement in the internet age.
This is not that kind of list.
This is 100 Essential Comedy Movies, funny flicks hand-picked by Rotten Tomatoes editors to best represent our tastes and, hey, probably yours, too. (We also did an Essential 200 Movies.) The only caveat for our comedies list: Every movie needed to be 60% (Fresh) or higher. That’s it. You’re still here? It’s over! Go read.
Link: https://editorial.rottentomatoes.com/guide/100-essential-comedy-movies/
Like the Joker splitting a billiard stick and throwing it between VHS copies of Invasion U.S.A. and Missing in Action, Rotten Tomatoes staff has emerged from the bloody battle that is choosing the 100 best action movies ever. This is one hand-picked socky-chopped shotgunned list, featuring only movies that are Fresh and Certified Fresh on the Tomatometer. …And ACTION!
Link: https://editorial.rottentomatoes.com/guide/100-best-fresh-action-movies/
It’s been a big few years for lesbian and gay movies and queer-themed films. In 2013, Blue is the Warmest Color won the Palm D’or at Cannes; in 2016, Carol earned six Oscar nominations; just a year later, for the first time in history, an LGBT film took home Best Picture. That movie was Barry Jenkins’ Moonlight, and in 2018 Call Me By Your Name almost made it two in a row for gay-themed movies at the Academy Awards, earning a Best Picture nomination. This March, Twentieth Century Fox put out Love, Simon, the first mainstream, wide-release teenage rom-com to focus on a gay character. And the critics did indeed love it.
All of these films stand on the shoulders of other LGBT films that have come before. Our list of the 150 Best LGBT Movies of All Time stretches back almost 90 years to the pioneering German film, Mädchen in Uniform, which was subsequently banned by the Nazis, and crosses multiple continents, cultures, and genres. There are broad American comedies (The Birdcage), artful Korean crime dramas (The Handmaiden), groundbreaking indies (Tangerine), and landmark documentaries (Paris Is Burning). To be considered for the list, a movie had to prominently feature gay, lesbian, trans, or queer characters; concern itself centrally with LGBT themes; present its LGBT characters in a fair and realistic light; and/or be seen as a touchpoint in the evolution of queer cinema. The final list was culled from a longlist of hundreds, after the films were ranked according to the Adjusted Tomatometer, which acts as a kind of inflation adjustment, taking into consideration the Tomatometer score, as well as the number of reviews a film received relative to the average number of reviews for films in the same year it was released.
We did not include miniseries, which left out seminal works like Angels in America. And we recognize that some of the films in the list will re-ignite healthy debates that have been fixtures of discussion around LGBT films — straight actors playing gay characters, cis actors playing trans characters (an issue that flared up again around the upcoming film, Girl, at this year’s Cannes Film Festival), and the historical dominance of white male perspectives. We’d encourage those debates to continue, respectfully, in the comments section below. (And speaking of comments: yes, we know that But I’m a Cheerleader is missing — we love it too! — but it’s Rotten, at 35%, so… blame the critics.) For now, join us as we celebrate Pride, and the work of hundreds of filmmakers whose talents and risks have opened up the possibilities of cinema.
While we were celebrating Pride 2018, we had the cast of Netflix’s Queer Eye into Rotten Tomatoes HQ to talk about their favorite LGBT movies: check out the Fab Five’s five favorite LGBT movies.
Link: https://editorial.rottentomatoes.com/guide/best-lgbt-movies-of-all-time/
Rotten Tomatoes list of best 70s Movies as listed here; https://editorial.rottentomatoes.com/guide/essential-1970s-movies/
Welcome to the days of disco and dirty deeds as we plunge into a new wave of movies: raw and renewed, unfiltered, while laying the groundwork for blockbuster era to come. Welcome to the 140 essential movies of the ’70s.
The two moods we aimed to capture in this countdown: The wilting of ’60s flower power optimism under the harsh light of urban reality and decay; meanwhile the destruction of the musty Hays Code — a musty ruleset that dictated what could be depicted on-screen for decades — suddenly allowing directors to pursue more personal expressions in film, often violent and sexual. You’ll find stories of lone men (Taxi Driver, Dog Day Afternoon) and women (Wanda, Norma Rae) against the system, and paranoid political thrillers (All the President’s Men, Three Days of the Condor). There are the horror hallmarks (Alien, Halloween) including international (Suspiria, Deep Red), and box office game changers (Star Wars, Jaws). Low-budget exploitation (The Last House on the Left, Mad Max), and a few things a willing warped mind can get off on (The Man Who Fell to Earth, The Holy Mountain). All movies considered for this list needed to have a Tomatometer (after 5 reviews) and have been made during the decade, even if it didn’t get a major release until later, e.g. Hausu or Killer of Sheep.
Now, let’s strut them mean streets, let’s do the time warp again, let’s have ourselves a close encounter with 140 essential 70s movies!
Wazzup, home skillet! You must’ve left your pager in your other pair of Zubaz, ‘cuz the 1990s are trying to get in touch: The decade’s back, and it’s brought 140 friends!
Rotten Tomatoes, the Fresh prince of review aggregators, presents our list of the 140 Essential ’90s Movies, ranging from Certified Fresh to Rotten, all reppin’ 10 years of cinema that upended the biz! Our selections cross the era’s cultural checkpoints, including the American independent golden era (Pulp Fiction, Good Will Hunting), animation renaissance (The Lion King, the Toy Story movies), slasher revival (Scream), and the full maturation of auteurs like Scorsese and Spielberg under the studio system…just as the same studios pumped out big, star-driven crass comedies (Happy Gilmore, There’s Something About Mary) and effects-driven blockbusters (Titanic, Independence Day).
So slap on that bracelet and resurrect your Tamagotchi bestie, because these aren’t just the best ’90s movies, dude — they’re totally Essential! Schwing!
Link: https://editorial.rottentomatoes.com/guide/140-essential-90s-movies/
A B-movie is a low-budget commercial motion picture. In its original usage, during the Golden Age of Hollywood, the term more precisely identified films intended for distribution as the less-publicized bottom half of a double feature (akin to B-sides for recorded music).
This list is maintained by mdblist.com
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Since its explosion in the 1950s, science fiction has become one of the most popular film genres, with numerous dedicated fan conventions, academic conferences, websites, magazines, journals, book clubs, memorabilia and collectibles. Once relegated to B budget status, today's science fiction films are often blockbuster productions, featuring major stars.
Despite its high profile, science fiction is notoriously difficult to define. In his introduction to 100 Science Fiction Films, Barry Keith Grant explains the genre's complexities, while also providing an overview of its history, suggesting that the cinema is an ideal medium for conveying the 'sense of wonder' that critics have argued is central to the genre. From Georges Melies's Le Voyage dans la lune (1902), to the blockbusters of the 1970s that dramatically changed Hollywood, to the major releases of the past few years, the films featured in this book represent a range of periods, countries and types (including alien invasion, space travel, time travel, apocalypse, monsters and anime), and cover the key directors and writers.
100 Science Fiction Films provides a lively and illuminating guide to the genre from the beginning of film history to the present, taking the reader on a comprehensive tour through the rich and varied alternate universe of sci-fi cinema.
Source: http://shop.bfi.org.uk/100-science-fiction-films-book.html#.Wg3hHmhSzIU
Taken from TotalSciFiOnline.com
http://totalscifionline.com/features/3809-the-100-greatest-sci-fi-movies
TCM's monumental three-month-long festival, Women Make Film, celebrating female filmmakers with groundbreaking, 14-part documentary from Mark Cousins, Women Make Film: A New Road Movie Through Cinema (2020), and three dozen movies by women directors. Cousins' extensive documentary is a TCM premiere, as are 23 of the 36 films in this installment of the festival. By the time it is completed TCM will have paid tribute to 100 films and 100 filmmakers spanning six continents, 44 countries and 12 decades! // CITATION: TCM. "WOMEN MAKE FILM - TUESDAYS IN SEPTEMBER." Accessd September 13, 2020. http://www.tcm.com/
TCM PREMIERE DATES ††
01—08 SEP 01 2020 — Openings; Tone
09—15 SEP 08 2020 — Believability; Introducing Character; Meet Cute
16—22 SEP 15 2020 — Conversation; Framing; Tracking
23—29 SEP 22 2020 — Staging; Journey; Discovery
30—37 SEP 29 2020 — Adult/Child; Economy; Editing
38—44 OCT 06 2020 — POV; Close-Up; Dream
45—51 OCT 13 2020 — Bodies; Sex
52—58 OCT 20 2020 — Home; Religion; Work
59—65 OCT 27 2020 — Politics; Gear Change; Comedy
66—73 NOV 03 2020 — Melodrama; Sci Fi; Horror and Hell
74—80 NOV 10 2020 — Tension; Status; Leave Out
81—87 NOV 17 2020 — Reveal; Memory; Time
88—94 NOV 24 2020 — Life Inside; Meaning of Life; Love
95—101 DEC 01 2020 — Death; Endings; Song and Dance
† NOTE: This is first of two lists based on Women Make Film: A New Road Movie Through Cinema (2019) by Mark Cousins. This list (with TCM premier dates) is narrower in scope and is a complete showcase of TCM's 2020 Women Make Film Film Festival through DEC 1, 2020. My second list (similar but broader), Women Make Film II, is a compendium of all the films by chapter that appear in Cousins' 14 hour documentary. It's ranked and notated to mirror the documentary's structure. https://trakt.tv/users/lezelmaz/lists/women-make-film-ii
†† NOTE: As I developed my broader Women Make Film II list, I noticed that while most films curated by TCM for their Women Make Film Film festival are culled from Cousins' documentary, several films (along with those female directors) did not originate from his doc, and are not included in that other Women Make Film II list.
Women Make Film II †
https://www.womenmakefilm.net/
Introductions and Chapters††
01 – 05 / Introductions
06 – 29 / Chapter 01 | Openings
30 – 42 / Chapter 02 | Tone
43 – 56 / Chapter 03 | Believability
57 – 66 / Chapter 04 | Introducing Character
67 – 76 / Chapter 05 | Meet Cute
77 – 88 / Chapter 06 | Conversation
89–104 / Chapter 07 | Framing
105–109 / Chapter 08 | Tracking
110–114 / Chapter 09 | Staging
115–126 / Chapter 10 | Journey
127–136 / Chapter 11 | Discovery
137–149 / Chapter 12 | Adult/Child
150–150 / Chapter 13 | Economy
151–154 / Chapter 14 | Editing
155–161 / Chapter 15 | POV
162–166 / Chapter 16 | Close Up
167–173 / Chapter 17 | Surrealism and Dreams
174–180 / Chapter 18 | Bodies
181–191 / Chapter 19 | Sex
192–197 / Chapter 20 | Home
198–199 / Chapter 21 | Religion
200–207 / Chapter 22 | Work
208–219 / Chapter 23 | Politics
220–221 / Chapter 24 | Gear Change
222–228 / Chapter 25 | Comedy
229–232 / Chapter 26 | Melodrama
233–235 / Chapter 27 | SCI-FI
236–241 / Chapter 28 | Horror and Hell
242–245 / Chapter 29 | Tension
246–251 / Chapter 30 | Stasis
252–254 / Chapter 31 | Leave Out
255–259 / Chapter 32 | Reveal
260–264 / Chapter 33 | Memory
265–267 / Chapter 34 | Time
268–270 / Chapter 35 | Life Inside
271–275 / Chapter 36 | The Meaning of Life
276–XXX / Chapter 37 | Love
XXX–XXX / Chapter 38 | Death
XXX–XXX / Chapter 39 | Endings
XXX–XXX / Chapter 40 | Song and Dance
† NOTE: This is my second and broader list based on Women Make Film: A New Road Movie Through Cinema (2019) by Mark Cousins. It's a complete list of all films by chapter that appear in Cousins' 14 hour documentary. It's ranked and notated to mirror the documentary's structure. My other (first) list is similar but more narrow selection of films and their TCM premier dates, based on the same Cousins' documentary which airs in TCM's 2020 Women Make Film Film Festival. https://trakt.tv/users/lezelmaz/lists/women-make-film-tcm-tuesdays-2020
†† NOTE: This list notes the first instance only of a film that may appear in multiple chapters.
