masterclass in acting from Cate Blanchett
this episode really says “hot people also have feelings too” huh
the pacing and the plot is good, but the lighting is horrible. can directors learn how to light a night scene decently again?
everytime connell’s mom speaks, i feel can feel heaven inside me
maybe it’s time for us to normalize stalking our parents whenever they go on a date
emotionally, I'm not sure how to feel. but aesthetically, this special is well shot, well-directed, and the production design is simple yet fascinating
so i get to see paul mescal’s dick
the funniest thing about Don’t Look Up is the fact that Adam McKay is the man who directed Succession pilot and help greenlit the series yet he can’t learn anything from Jessie Armstrong so now he’s making this bland, boring movie
a cheesy ending (just like a hallmark movie) for an otherwise ok show
Andrew Garfield is SUPERB. We are lucky to have him in this movie.
they should rename it death to comedy perhaps.
it is great. got a sense of mystery. the tone, cinematography, acting, and direction is just right
god they are all terrible people
a great movie, but it has the potential to be greater. it feels like Green chooses to portray mainly the feel-good moments, and I would want more of the emotional, raw, messy stuff. superb peformances all around here — Anunjanue Ellis, Saniyya Sidney, Will Smith, Jon Bernthal are all excellent
a sweet little story with a simple (and a bit cliché) plot, yet a strong message about immigration and imperalism. great cinematography and art direction too!
Jane Campion makes me guess what’s happening the whole time - I don’t like it that much, but I respect it. This may not be my best picture of 2021, but if it receives the honor, I respect it, because the cinematography, the acting, the art direction is solid here.
A solid start for Abbott Elementary - I sincerely hope it will evolve to an urgent call for better funding for public schools too!
better action sequence than Matrix 4 fr
They are growing! And I love it!
this is too complicated for my simple mind, so I would say there are two possibilities - either I am stupid, or this movie is stupid
i’m really debating whether i should switch my 9 to a 10
they should have done the courageous thing: either hire actors who speak Russian, or just let the actors talk with a British or American accent
an episode with a much different aesthetics, yet this could be one of the best Ted Lasso episodes by far
as a software engineer, i can confidently say there is no fucking way Neo can see that code (or any code) in 1 second and say: “oh she’s on the bridge”
marianne, you can always do better than that coward, girl!
paul mescal’s gorgeous blue eyes make up for a strong start from normal people
damn this is definitely a good episode. it reinforces the theme of fame/death of the show while being funny, witty and having some good drama. love the invisible POV
i like the movie. it is a beautiful film. i am touched by it. this is a story about grief, about being yourself, about moving on, and about the departed.
BUT, after i learned more about the book that the film adapted, my feeling is more conflicted. Zhao has definitely choose not to portray politics, or the negatives of capitalism, like in the book. idk, isn’t the film supposed to be an adapted work? however, i do agree that the angle that Zhao has chosen for her film feels like exactly what we need in 2020. it has a sense of escapism during this pandemic - we all know that there are capitalist problems, but sometimes, having a more positive angle towards the human behind the story can be soothing too.
Park Chan-wook did it again!!! that camerawork is just insane
most of the film is honestly whip-smart, witty, and hilarious. and the cast just rules! it’s just sad that the ending feels a bit rushed and cliché.
