There isn't a more beautiful list than this one tbh:heart:
The biggest selection of movies and tv shows featuring LGBT characters, Ranked Release Date. All languages
Lesbian Movies & TV Shows,
Gay Movies & TV Shows,
Bisexual Movies & TV Shows,
Transgender Movies & TV Shows
Top 250 TV shows, as rated by IMDB members. List updated daily.
This is a list based on movies found in the following subreddits:
r/iwatchedanoldmovie
r/flicks
r/moviesclub
r/MoviePosterPorn
Original Edition (2003) + additions (2004-2021) in that order. http://1001films.wikia.com/wiki/The_List
2021 Edition Additions:
The Vast of Night (2019)
The Assistant (2019)
Rocks (2019)
Saint Maud (2019)
Tenet (2020)
Ma Rainey's Black Bottom (2020)
Soul (2020)
Never Rarely Sometimes Always (2020)
Lovers Rock (2020)
Nomadland (2020)
In its first film season, 1927–28, this award (like others such as the acting awards) was not tied to a specific film; all of the work by the nominated cinematographers during the qualifying period was listed after their names. The problem with this system became obvious the first year, since Karl Struss and Charles Rosher were nominated for their work together on Sunrise but three other films shot individually by either Rosher or Struss were also listed as part of the nomination. The second year, 1929, there were no nominations at all, although the Academy has a list of unofficial titles which were under consideration by the Board of Judges. In the third year, 1930, films, not cinematographers, were nominated, and the final award did not show the cinematographer's name.
Finally, for the 1931 awards, the modern system in which individuals are nominated for a single film each was adopted in all profession-related categories. From 1939 to 1967 with the exception of 1957, there were also separate awards for color and for black-and-white cinematography. Since then, the only black-and-white film to win is Schindler's List (1993).
Floyd Crosby won the award for Tabu in 1931, which was the last silent film to win in this category. Hal Mohr won the only write-in Academy Award ever, in 1935 for A Midsummer Night's Dream. Mohr was also the first person to win for both black-and-white and color cinematography.
No winners are lost, although some of the earliest nominees (and of the unofficial nominees of 1928–29) are lost, including The Devil Dancer (1927), The Magic Flame (1927), and Four Devils (1928). The Right to Love (1930) is incomplete, and Sadie Thompson (1927) is incomplete and partially reconstructed with stills.
The first nominees shot primarily on digital video were The Curious Case of Benjamin Button and Slumdog Millionaire in 2009, with Slumdog Millionaire the first winner.[1] The following year Avatar was the first nominee and winner to be shot entirely on digital video.[2]
In 2018, Rachel Morrison became the first woman to receive a nomination. Prior to that it had been the last Academy Award category to never nominate a woman.[3][4]
https://en.wikipedia.org/wiki/Academy_Award_for_Best_Cinematography#Winners_and_nominees
/u/StopReadinMyUsername on reddit combined the average ratings (Critic's & Users) from IMDb, Rotten Tomatoes, Metacritic and Letterboxd, and then weighted and tweaked the results with general film data from iCheckMovies and IMDb to reveal the 1001 Greatest Movies of All Time.
source: http://redd.it/3hbiio
1001 Movies You Must See Before You Die is a film reference book edited by Steven Jay Schneider with original essays on each film contributed by over 70 film critics.
Source: http://en.wikipedia.org/wiki/1001_Movies_You_Must_See_Before_You_Die
From: http://ew.com/gallery/50-best-movies-youve-never-seen/
Missing something?
Rolling Stone magazine issued a list ranking what they call the 100 greatest TV shows of all time. The list was compiled after the pop culture magazine sent out ballots to entertainment inudustry professionals.
http://www.rollingstone.com/tv/lists/100-greatest-tv-shows-of-all-time-w439520
http://www.nhk.or.jp/anime/anime100/ani_report/
Missing (not on Trakt):
38 - 星の子ポロン (Hoshi no Ko Poron)
99 - ガンとゴン (Gan to Gon)
In 2015 THR asked more than 2,800 industry people — including 779 actors, 365 producers and 268 directors, among others — to choose their favorite series of all time (excluding talk shows and news programs).
In response to the American Film Institute’s list of the 100 greatest American movies, film scholar Jonathan Rosenbaum took the AFI to task for what he saw as a product "symptomatic of an increasingly dumbed-down film culture that continues to outflank our shrinking expectations." Of course, any list of this kind (including Sight and Sound’s decennial roster and the Village Voice Film Critic’s Poll from a few years back) is not without its blind spots. Participants are often forced to pick a select group of favorites and make a number of concessions ("Well, if I want Antonioni to make it into the collective top 10, I’d better hedge my bets with L’Avventura instead of my personal favorite Zabriskie Point."). Consequently, underdogs and obscure gems have little chance of being represented on a composite list that’s typically unveiled with little-to-no "justification for any of its titles" (to borrow again from Rosenbaum). Rather than present a list that looks like everyone else’s, Slant Magazine has decided to do something a little different. While you will find many popular classics and critical favorites on our list of 100 Essential Films, our goal was to mix things up a bit. This list should not be construed as a definitive "greatest films" package, but as an alternative compiled by a group of kinky film-lovers wanting to give serious critical thought to neglected, forgotten and misunderstood gems. We aimed for the kind of list where post-Cahiers Orson Welles could stand shoulder-to-shoulder with a pre-pastiche Brian De Palma; where it’s understood that Hitchcock, Dreyer, Ford, and Ozu created masterpieces besides film school staples like Vertigo, The Passion of Joan of Arc, The Searchers, and Tokyo Story; and where the postmodern irony of Douglas Sirk’s Imitation of Life is allowed space next to its modern-day equivalent: Paul Verhoeven’s Showgirls (gasp!). Because space was tight, documentaries, shorts and animated films were not eligible. Additionally, we limited directors to no more than one spot on the list.
Source: http://www.slantmagazine.com/features/article/100-essential-films
General documentary series and informational TV shows.
The Criterion Collection is a video distribution company which specializes in licensing and selling "important classic and contemporary films" in "editions that offer the highest technical quality and award-winning, original supplements."
This is a list of all films (main feature, extra featurette, making of, box-set meta entry, etc if it has a separate entry on trakt) released under Criterion Collection catalog, Essential Art House, Eclipse, Merchant Ivory collections etc. as DVD/BluRay. So far LaserDisc releases have not been included.
Notes to self:
Reviewed/cross-checked entries till Criterion Collection #200.
Last entry: Criterion Collection Spine #845 / Eclipse Series #44.
