I'm weirdly obsessed with this show, I'm shocked I never heard about it until now, being the older millennial and all.
Loved that last take about "Lonely Boy in New York", kuddos to our OAD brothers/sisters in arms. But it's obviously going to be a conflict for Dawn and Scott.
I'm just going to say this - Crowley offering Jim hot chocolate justified the watch of the whole season for me.
Really loved this, all of this, all the characters, all the plot lines and all the gags. Every line is brilliant. Love the sexual tension between Selina and Tom, and I just love me some hotness in the fifties, makes me hopeful for the future, haha.
Feels like this series is going to go out with a bang, unlike many others. That's so refreshing.
This was so wonderful, mainly thanks to the actors, they were truly magnificent, and they are so young! Indeed, it makes me want to watch the whole series again, and even read the books, though it's not my cup of tea usually (the regency stories). So touching. I only wonder what happened to Reynolds, whether the king doesn't have his man now?
Also, I wonder if the older version of King Geroge was played by the same actor as in the brief appearance he had in the series? As I said, it really warrants a re-watch, to see the Queen from a new perspective and have deeper understanding of her motives.
This episode was soooo amazing. Brimsley's devotion, Charlotte bravery and the ability to stand for herself and her king. And the surprising twist that Lady Dunbary was in love with Violet's father is so touching. I wonder if it'll be revealed to Violet in the next last episode and how would she react to that. It took me a while to get into the series and now I'm sad there's only one episode left. This saga is deliciously done peace of TV history, and I'm already excited for season 3 and waiting for a Benedict season.
"Flesh Tone" joke really got me. I love how this show addresses the topics, Abishola is amazing, Bob is so cute, seems like the ultimate "feel good" series, and I really need that now. Also happy it didn't get canceled after a season or two, so I'll have some fun with it.
Young Brimsley reminds me George's character in "Grey's Anatomy", feels like some kind of "making things right" by Shonda (not that he needs it, the actor, I mean), but that's a thought I couldn't let go of this entire episode.
I wonder what's wrong with George - panic attacks, or something worse, is this the sickness he has in the main series that make him absent? This is the new intrigue now.
Him being not that interested in marriage and being with his wife seems plausible, some just don't the libido. Plus, he got more interested in her when she showed appreciation of his interest and activities. A bit archaic despite the overall empowering stance of the series (as much as possible, given the setting). Anyhow, quite enjoyable and a nice way to spend time in between seasons.
I loved this episode, made it worth the whole watch, to be honest. Loved the relationship between the "Rabbi" and Satchel, and the pace was thoughtful, but not boring like most of the episodes. The hurricane scene made me go WTF and it was a good one, the b\w made it look even more horrifying, and this effect seemed However, with 2 episodes left and 0.40 speed... I can make till the end. I just hope Satchel gets back home.
This goes slowly and predictably. Thanks god for the speed-up option, saves some time. I decided to catch for season 5, since it seems to be great (and I want to see John Hamm in a new role), but this is really annoying. Chris Rock isn't the worst thing about it though. The lazy writing and lack of spark - that's what takes it out.
I was surprised by how cute young Brimsley is, I even had a thought that perhaps he were more than her confidant? The king is sweet, but I didn't like this double-edge-sword of his attitude - nice at first and rejecting later. Bit I guess it'll resolve in the next episodes.
Claire is so dissatisfied with life, that her bitching is kinda understandable. I can also imagine that she's baffled by the fact that Fleabags' café is doing well now, perhaps that's what made her to start being so itchy, because being the "successful one" is her thing.
Loved Belinda's speech, this idea of menopause being a point of liberation is very exciting to me, I think I heard it first from something having to do with Simone de Beauvoir, except that she saw the lack of desirability a liberation as well. I love how this series feel like reading a good book, stimulating.
The priest storyline is gold, of course. I love the second season more than the first for now, but that might be because the characters grew up on me.
I love all the man dramas Selina has now with Jaffar and Tom Jones. Hugh Laurie is enchanting as ever in this episode.
I really enjoyed this. I agree with some commenters in the previous episodes that the rhythm is a little bit off, but I feel that's their way to revamp the sitcom genre to modern day and pace, and I think it works out, and it is funny enough, sad enough and "woke" enough without being too force. I also loved seeing Ted McGinley, who's forever will be the hot neighbor from "Married with Children" for me (THAT old I am, yep), so his bits were fantastic for me and I hope we'll see more of his retirement adventures in Season 2 (please make it be a season 2). Loved the cliffhanger (pan intended) in the end too. Also, every bit of TV or Film that puts "Modern Love" in the soundtrack always gets bonus points from me for the goosebumps this song gives me.
What a great ride it was, a bit like a good therapy session, just hurtful and crack-opening enough to be healthy.
I imagine this episode was more interesting to fans, seeing the process of creating the songs, and the footage with Jeri. Luckily, I'm a fan apparently, cause I somehow knew many of the songs.
I actually like how it is presented, RW in his bedroom talking as if to us the watchers, but feeling too shy to look straight in the eyes. The bit where the daughter came in was touching as well. I haven't watch a lot of documentaries in recent years, but the genre has obviously evolved and became engaging. Probably gonna watch Bechkhem as well for the experience.
Also, I love how things from my childhood ("She's the one" was one of my favorite songs and music videos as a pre-teen, seems so romantic to me back then) are now the materials of semi-historic documentaries.
I just wonder how he dove into "Take That" so quickly, with one line about being a bad student. No family? No background in arts? Seems kinda weird, usually we get at least something from childhood, a photo of the family or as a child... I don't know, perhaps he's estranged from his family or something.
Loved Schmidt's growth in this episode.
All the rest, as skewed as it is, can be overlooked as a reflection of an era, and obviously, there's always two sides to things.
I didn't really like Jackson's behavior in this episode. It's very childish not to see that his mother achieved and blazed a trail not any less than people in all the rallies and marches. Perhaps it's not really about that, but a need to feel connected to something, so I guess he's going to his dad now? Whatever, I hope he'll find a balance between being an ideologist (with no grasp in reality) and a very wealthy and influential man through heritage.
Also, watching this at the end of 2023, It's very ironic to see their struggles, knowing it only got worse from that point on all around the world. Very sad. I just hope that it really is the most dark before the sunrise (but you can never be sure it won't get even darker).
Amelia and Link are the best thing on GA right now, I hope the writers won't ruin it.
I loved the resolution of the newlyweds stories from Station 19, it felt right. This woman really is extremely annoying and toxic, and it's nice to see that men can be victims and vulnerable too. Good for Shane, it's better to be alone than with someone who makes you feel insignificant.
Decided to check out a series I adored as a tween. Glad to see it still looks good.
Funny though, my husband passed by while I was watching, and said "that dude looks like the guy from 'Young Sheldon'" :joy::laughing:
The professor is so sharp. I love this, the 90's humor was so great. I wonder if I make it through the whole series. So if anyone's reading this, wish me luck and persistence!
I'm very sad for Koracick in this episode. He's not perfect, but he deserves something that is totally HIS to feel secure (and therefore - more kind and less defensive, which is the ultimate source of all his aggressions).
I don't like the situation with him and Teddy, it's like they're all floating around with no purpose, and the COVID line is just a mean to make it less apparent. So yeah, real drop in quality, but what can I say, we've been at this so long, so I'd see it through.
The conversation between Mer and George is probably the highlight of this episode.
The Jo-Jackson thing feels forced, It could be more logical if she and Delucca got close again, since they have a shared history, and It'd be a nice exit from his relationship with Meredith.
It's not gonna be the same without Pruitt :( But I'm glad they didn't make him abusive as the last episode of the previous episodes suggested.
I'll be totally ok if for the next season we'd have no Sheldon and Mary but only the rest of the family who stayed in Texas. We already had Chuck Lorre productions going on without one of the titular characters at "Mom".
The whole George situation, wondering when he's going to die reminds me of a similar plotting in "This is is", and I'm even more fond of this particular dad :see_no_evil:
I think this episode shows the importance of a support system for any child, even a genius one. Paige, although not being as asocial as Sheldon, but she shares a lot with and feel extremely lonely and can't see the purpose in her natural talents.
Sheldon never really cares about what people think of him because it's a default for him that he has his parents, Meemaw, Missy. Having mostly healthy family environment also helped him to re-create some similar relationships in TBBT as an adult, while Paige felt lost and unwanted after he parents fallout. Perhaps I put too much thought in a sitcom, but I really grew to love that family :sparkling_heart:
Also, I like Mary more now that she's out of church :see_no_evil: It's like she's finally remembering who she is and who she was before, and Mandy kinda reminds her of herself, so she gets a little territorial with her.
I liked Marion breaking down in this episode (it's probably not easy being the sibling of an entertainer, and I could really feel his bittersweet moment in this episode, having some advantage "in the real world"), and the bond between Phil and the granddaughters.
The pronouns stuff feels kinda outdated to me already.
I don't know if that's funny or sad, but right now I feel invested in all the characters - except Sheldon. But perhaps that was always the point of the show :))
Loved everything about this episode except one little thing... I'd prefer if Mandy appreciated Georgie that much BEFORE she found out about the lucrative-though-not-so-legal business he runs with Connie.
My God, having Sheldon so grown isn't as fun anymore :sweat_smile: I understand it's to be expected, but still a bummer. All the rest are interesting, and loved to see the President of the University again, love her.
While I enjoyed most of the ride of the season, I feel the last episode didn't delivered the heights it built up to. And yes, seeing a man shit didn't have any point imo. However, I'm late to this party and I heard the second season is better than the first, so I'll roll with it.
I liked the overall message that everyone ends up where they belong, whether they like it or not. Probably not such a bad message after many years of toxic positivity that was crushed in the face of reality.
I feel really different from all the commenters here. The show feels like a vacation to me, with all the pretty shots of the ocean, palm trees etc., with just enough pointless drama and intrigues to keep the adrenaline pumping.
And yeah, the mystery of who's gonna end up in a casket still lingers and makes me want to binge it to the end. Also, it's rare for me not to get annoyed by 60 minutes long episodes, so this means that the series are done well.
Jeniffer Coolidge character isn't a thrill for me, she basically plays the same character in different circumstances, but it aligns well with the plot.
Great ending, I'm really glad I watched it. It was refreshing to see people my age (close to 40) living these kinds of emotions, while delivering a truly "and they lived happily ever after" ending, and the narration was great.
Love the new characters! So different from our main group, should be exciting to see them mix, I think Sonya will surprise us. The painter girl is as toxic as Taras, I hope Jenya will not fall under her spell eventually. I love Jenya, this actor fits perfectly in catastrophic settings, his other role in the series "Inseparables" about Chernobyl haunted me for a long time, that series were chilling and amazing.
