Strangely paced, unflinchingly crazy and brow-furrowingly confusing, this is a tough movie to get a handle on. It's pseudo-documentary in the same style as the work of Christopher Guest, but with less obvious comedic timing, more humble, unassuming characters and a hefty injection of pure, unabashed Japanese absurdity.
The camera's focal point is Masaru, a soft spoken middle-aged loser with a going-nowhere life and zero self confidence, who nonchalantly moonlights as the fifteen-story tall, nearly naked hero "Big Japanese Man." Despite saving the city from a series of rampaging monsters, public interest in his work is waning and he's beginning to find it difficult to make ends meet. Excruciatingly slow at points, it has a few interesting things to say about the longevity of the superheroic profession and the notoriously fickle nature of public favor, but much of that is lost beneath the burden of such a painfully dull lead character.
Its dry, bizarre sense of humor hits the mark more often than not, and the CGI fight scenes make for quite the spectacle, but this really didn't need to be half as long as it is. Fans of the eccentricities of Japanese culture will have a ball with it, although they'll have to wade through some arid terrain to get to the good stuff. I'm still trying to figure out what exactly happened in the last scene.
Review by drqshadowBlockedParent2020-02-06T19:11:30Z
Strangely paced, unflinchingly crazy and brow-furrowingly confusing, this is a tough movie to get a handle on. It's pseudo-documentary in the same style as the work of Christopher Guest, but with less obvious comedic timing, more humble, unassuming characters and a hefty injection of pure, unabashed Japanese absurdity.
The camera's focal point is Masaru, a soft spoken middle-aged loser with a going-nowhere life and zero self confidence, who nonchalantly moonlights as the fifteen-story tall, nearly naked hero "Big Japanese Man." Despite saving the city from a series of rampaging monsters, public interest in his work is waning and he's beginning to find it difficult to make ends meet. Excruciatingly slow at points, it has a few interesting things to say about the longevity of the superheroic profession and the notoriously fickle nature of public favor, but much of that is lost beneath the burden of such a painfully dull lead character.
Its dry, bizarre sense of humor hits the mark more often than not, and the CGI fight scenes make for quite the spectacle, but this really didn't need to be half as long as it is. Fans of the eccentricities of Japanese culture will have a ball with it, although they'll have to wade through some arid terrain to get to the good stuff. I'm still trying to figure out what exactly happened in the last scene.