Based on TMC limited series: FOLLOW THE THREAD June/July 2022
Inspired by The Met Exhibition (2022) — IN AMERICA: AN ANTHOLOGY OF FASHION
— June 4, 2022 - The Stars and Their Designers (mini documentary)
* 01. Love in the Afternoon / fet: Hubert de Givenchy
* 02. Belle de Jour / fet: Yves Saint Laurent
* 03. …And God Created Woman / fet: Pierre Balmain
* 04. Stage Fright / fet: Christian Dior
* 05. Bonnie and Clyde / fet: Theadora Van Runkle
* 06. Sabrina (1954) / fet: Hubert de Givenchy
* 07. Funny Face / fet: Hubert de Givenchy
* 08. Breakfast at Tiffany's / fet: Hubert de Givenchy
* 09. Tell Me That You Love Me, Junie Moon / fet: Halston
* 10. Cabaret / fet: Halston
* 11. The Hunger / fet: Yves Saint Laurent
* 12. Bay of Angels fet: Pierre Cardin
* 13. Tonight or Never / fet: Coco Chanel
— June 11, 2022 - Turning Points: Character Transformation Through Clothing (mini documentary)
* 14. Pygmalion (1938)
* 15. Now Voyager / featuring: Orry-Kelly
* 16. My Fair Lady
* 17. Crazy Rich Asians
* 18. Tootsie
* 19. The Joker
* 20. The Wizard of Oz
* 21. My Big Fat Greek Wedding
* 22 Wonder Woman 1984 (2020)
— June 18, 2022 - Fashion Rule-Breakers (mini documentary)
* 23. Morocco
* 24. When Harry Met Sally
* 25. Victor/Victoria
* 26. Grand Hotel (1932)
* 27. The Aviator (2004)
* 28. Annie Hall
* 29. Sex and the City 2 (2010)
* 30. Jackie Brown
* 31. Woman of the Year
* 32. The Single Standard
* 33. A Woman of Affairs
* 34. Queen Christina
* 35. Christopher Strong
* 36. Sylvia Scarlett
* 37. The Philadelphia Story
* 38. Paris is Burning
* 39. Grace Jones: Bloodlight and Bami
— June 25, 2022 - 70's Styles
* 40. Mahogany
* 41. Taxi Driver
— July 2, 2022 - When Costume and Fashion Collide (mini documentary)
* 42. Sex and the City (2008)
* 43. Klute
* 22 Wonder Woman 1984 (2020)
* 44 The Women (1939)
* 13 Tonight or Never / fet: Coco Chanel
* 02. Belle de Jour / fet: Yves Saint Laurent
* 23. Morocco
* 08. Breakfast at Tiffany's / fet: Hubert de Givenchy
* 04. Stage Fright / fet: Christian Dior
* 45. Mildred Pierce (1945)
* 46. Yankee Doodle Dandy
* 47. The Ambassador’s Daughter
* 48. Indiscretion of an American Wife
* 49. Roman Holiday
* 06. Sabrina (1954) / fet: Hubert de Givenchy
* 07. Funny Face / fet: Hubert de Givenchy
* 50. Paris When it Sizzles
* 51. American Gigolo / fet: Giorgio Armani
* 52. The Great Gatsby (2013)
* 53. Babette’s Feast / fet: Karl Lagerfeld
* 54. The Haunting / fet: Mary Quant
— July 9, 2022 - Dressed to Kill: Film, Crime and Fashion (mini documentary)
* 55. Double Indemnity (1944)
* 56. The Lady Eve
* 05. Bonnie and Clyde / fet: Theadora Van Runkle
* 57. The Thomas Crown Affair (1968)
* 58. The Arrangement
* 59. The Godfather Part II
* 60. Peggy Sue Got Married
* 61. Blow-Up
* 62. Morgan!
* 63. Mademoiselle
* 64. The Postman Always Rings Twice (1946)
* 19. The Joker
* 65. Pulp Fiction
* 66. GoodFellas
* 67. The Public Enemy
* 68. A Clockwork Orange
* 30. Jackie Brown
* 69. Chinatown
* 70. Kill Bill
* 71. The Untouchables
* 72. Fatal Attraction
* 73. American Psycho
* 74. North by Northwest
* 45. Mildred Pierce
* 75. The Maltese Falcon
* 76. The Big Sleep
* 77. The Letter
* 78. Badlands
* 79. Ocean's Eleven (2001)
* 80. Nightmare Alley
* 43. Klute
* 81. Out of the Past
* 82. Dressed to Kill
— July 16, 2022 - Fashion and Interior Design
* 83. The Fountainhead
* 84. Dangerous Liaisons
— July 23, 2022 - Films that Changed Everything (mini documentary)
* 85. Rebel Without a Cause
* 86. The Wild One
* 87. Breathless (1960)
* 88. Bonjour Tristesse
* 89. The Harder They Fall (1956)
* 90. Grey Gardens
* 05. Bonnie and Clyde / fet: Theadora Van Runkle
* 68. A Clockwork Orange
* 91. Risky Business
* 61. Blow-Up
* 92. Flash Dance
* 93. Blade Runner (1982)
* 94. Out of Arica
* 44 The Women (1939)
* 45. Mildred Pierce
* 37. The Philadelphia Story
* 77. The Letter
* 04. Stage Fright / fet: Christian Dior
* 95. Dinner At Eight (1933)
* 96. Streetcar Named Desire (1951)
* 78. Badlands
* 97. Singing In The Rain
* 98. Thriller
* 99. Gone With The Wind
* 100. The Red Shoes (1948)
* 19. The Joker
* 101. Urban Cowboy
* 102. La La Land
* 52. The Great Gatsby (2013)
* 103. Broadcast News
* 104. Black Magic
* 105. Marie Antoinette (1938)
* 106. Marie Antoinette (2006)
— July 30, 2022 - Obsessions Of An Artist
* 107. Phantom Thread
* 108. Falbalas
— July 31, 2022 - Bonus Evening | The Truth About Fashion
* 109. Bill Cunningham New York
* 38. Paris is Burning
A personal introduction to 1000 movies by the provocative contemporary film critic and historian David Thomson.
Source: https://www.amazon.co.uk/Have-You-Seen-Introduction-masterpieces/dp/014102075X
The Films in My Life (Les Films de ma Vie) is Truffaut’s own selection of more than one hundred essays that range widely over the history of film and pay tribute to Truffaut’s particular heroes, among them Hitchcock, Welles, Chaplin, Renoir, Cocteau, Bergman, and Buñuel.
Source: https://www.amazon.com/The-Films-Life-Fran%C3%A7ois-Truffaut/dp/0306805995
:popcorn::earth_africa:
Updated Jan 2022
Cahiers du Cinéma, (Notebooks on Cinema) is a French film magazine founded in 1951. Top 10 films chosen annually by the critics of Cahiers du Cinéma.
The history of the Cahiers is related to the Cinéma history, in particular because of a generation of enthusiasts who gave birth to the Nouvelle Vague. Jean-Luc Godard, François Truffaut, Éric Rohmer, Jacques Rivette, Claude Chabrol and many others wrote their first reviews before becoming filmmakers.
A guide to films featured on You Must Remember This and/or recommended for classic movie lovers.
Collection of additional "must-see" Danny Perry's movies, presented in the back of his "Guide for the Film Fanatic"
546 movies missing. Imported from external source.
In response to the American Film Institute’s list of the 100 greatest American movies, film scholar Jonathan Rosenbaum took the AFI to task for what he saw as a product "symptomatic of an increasingly dumbed-down film culture that continues to outflank our shrinking expectations." Of course, any list of this kind (including Sight and Sound’s decennial roster and the Village Voice Film Critic’s Poll from a few years back) is not without its blind spots. Participants are often forced to pick a select group of favorites and make a number of concessions ("Well, if I want Antonioni to make it into the collective top 10, I’d better hedge my bets with L’Avventura instead of my personal favorite Zabriskie Point."). Consequently, underdogs and obscure gems have little chance of being represented on a composite list that’s typically unveiled with little-to-no "justification for any of its titles" (to borrow again from Rosenbaum). Rather than present a list that looks like everyone else’s, Slant Magazine has decided to do something a little different. While you will find many popular classics and critical favorites on our list of 100 Essential Films, our goal was to mix things up a bit. This list should not be construed as a definitive "greatest films" package, but as an alternative compiled by a group of kinky film-lovers wanting to give serious critical thought to neglected, forgotten and misunderstood gems. We aimed for the kind of list where post-Cahiers Orson Welles could stand shoulder-to-shoulder with a pre-pastiche Brian De Palma; where it’s understood that Hitchcock, Dreyer, Ford, and Ozu created masterpieces besides film school staples like Vertigo, The Passion of Joan of Arc, The Searchers, and Tokyo Story; and where the postmodern irony of Douglas Sirk’s Imitation of Life is allowed space next to its modern-day equivalent: Paul Verhoeven’s Showgirls (gasp!). Because space was tight, documentaries, shorts and animated films were not eligible. Additionally, we limited directors to no more than one spot on the list.
In response to the American Film Institute’s list of the 100 greatest American movies, film scholar Jonathan Rosenbaum took the AFI to task for what he saw as a product "symptomatic of an increasingly dumbed-down film culture that continues to outflank our shrinking expectations." Of course, any list of this kind (including Sight and Sound’s decennial roster and the Village Voice Film Critic’s Poll from a few years back) is not without its blind spots. Participants are often forced to pick a select group of favorites and make a number of concessions ("Well, if I want Antonioni to make it into the collective top 10, I’d better hedge my bets with L’Avventura instead of my personal favorite Zabriskie Point."). Consequently, underdogs and obscure gems have little chance of being represented on a composite list that’s typically unveiled with little-to-no "justification for any of its titles" (to borrow again from Rosenbaum). Rather than present a list that looks like everyone else’s, Slant Magazine has decided to do something a little different. While you will find many popular classics and critical favorites on our list of 100 Essential Films, our goal was to mix things up a bit. This list should not be construed as a definitive "greatest films" package, but as an alternative compiled by a group of kinky film-lovers wanting to give serious critical thought to neglected, forgotten and misunderstood gems. We aimed for the kind of list where post-Cahiers Orson Welles could stand shoulder-to-shoulder with a pre-pastiche Brian De Palma; where it’s understood that Hitchcock, Dreyer, Ford, and Ozu created masterpieces besides film school staples like Vertigo, The Passion of Joan of Arc, The Searchers, and Tokyo Story; and where the postmodern irony of Douglas Sirk’s Imitation of Life is allowed space next to its modern-day equivalent: Paul Verhoeven’s Showgirls (gasp!). Because space was tight, documentaries, shorts and animated films were not eligible. Additionally, we limited directors to no more than one spot on the list.
Source: http://www.slantmagazine.com/features/article/100-essential-films
The magazine has picked its top ten films of the year, most years. Top ten films were not picked in the years 1952-1954, 1969-1980, and in the year 2003. Rankings can be viewed in my source list URL, or via the link provided in the comments section. In some cases, films tie for a certain spot in the yearly top 10; for example, 2012's #4 spot is tied between three films (consequently, there is no #5 or #6). Some directors definitely appear to be heavily preferred by those responsible for selecting the list.
This list does not include the special "best of 1990s" and "best of 2000s" decade lists, though most of those twenty films are included here. (The exceptions are David Lynch's TV show Twin Peaks on the 1990s list, and Gus Van Sant's Elephant, Abdellatif Kechiche's The Secret of the Grain, and Steven Spielberg's War of the Worlds on the 2000s decade list.)
Other anomalies:
The TV show "24" tied for the #10 spot in 2002, along with Gus Van Sant's Gerry. Gerry also tied for #6 on the 2004 list.
A TV episode "Travolta et moi" (dir. Patricia Mazuy) from the show "Tous les garçons et les filles de leur âge..." was selected as #6 in 1994. Claire Denis' episode "US Go Home" from the same series rated #9 in 1994.
Raul Ruiz's Les trois couronnes du matelot (Three Crowns of the Sailor) tied for #7 in 1983 and tied for #8 in 1982.
1968's #4 spot for Histoires extraordinaires is specifically for Federico Fellini's segment "Toby Damnit."
1965's #4 spot for Paris vu par... is specifically for the Jean Rouch episode.
1959's #3 spot was claimed by Eisenstein's Ivan the Terrible. Since Part II was released in 1958, it is possible that the award was for Part II, but since my sources didn't specify a part and both parts may have been shown together, I have included Parts I & II in the list.
Love it or hate it, here it is...
Source: https://en.wikipedia.org/wiki/Cahiers_du_cin%C3%A9ma
thefilmlings.com
A complete list of movies discussed on The Filmlings Podcast.
The Filmlings Podcast is an exploration of effective film rhetoric. Long-time friends Alex Geringer and Jonathan Satchell sit down each month and analyze the intersections of cinema to find out what makes great films great.
This list is organized in the order that the films were covered on the podcast. You can find links to each associated podcast episode here: https://thefilmlings.com/films/
columbia movies
Movies I need to see
"While you will find many popular classics and critical favorites on our list of 100 Essential Films, our goal was to mix things up a bit. This list should not be construed as a definitive “greatest films” package, but as an alternative compiled by a group of kinky film-lovers wanting to give serious critical thought to neglected, forgotten and misunderstood gems."
Source: http://www.slantmagazine.com/features/article/100-essential-films
The Criterion Channel removed all 6 Jackie Chan films and Bless Their Little Hearts from, and added Gallipoli and Bonjour tristesse to, the Leaving carousel by October 6, 2020.
Blog: https://www.criterion.com/current/posts/7123-the-criterion-channel-s-october-2020-lineup
Tags: #service #criterion_channel #collection-order #complete
The Criterion Channel removed all 4 Khalik Allah films from the Leaving carousel by June 22, 2020.
Blog: https://www.criterion.com/current/posts/6963-the-criterion-channel-s-june-2020-lineup
Tags: #service #criterion_channel #collection-order #complete
Filmes assistidos e reassistidos em 2020.
The Fabulous Fifties: An era of identical pink pressboard suburban houses filled with smiling, apron-clad housewives. All the men wear slippers and fedoras and smoke pipes, all the girls are teenaged and wear poodle skirts, and all the boys are cute, freckle faced scamps with slingshots in their pockets. Parents sleep in separate beds and only kiss each other on the cheek.
Anyone who isn't any of these characters are either greasers, Beatniks, gas station attendants, or Elvis (who, in this era, wouldn't be caught dead in a rhinestone jumpsuit). With the possible exception of the gas station attendants, everyone on that list is a direct threat to the upright morals and values of the era and will not be afforded a spot in the basement bomb shelter
LIGHTS. CAMERA. FASHION. by TCM
by MazalVIP 4