Personal Lists featuring...

Demonlover 2002

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...the sexuality that cinema left us.

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Not for those with heart conditions. You might get dirty looks if you mention these films. Welcome aboard fellow traveller. Remember it's only a movie...

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http://en.wikipedia.org/wiki/List_of_cult_films

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The 100 best French Films as chosen by The Times(UK), chosen in groups of ten films: Modern Classics, Modern Cults, Dramas, Romances, Thrillers, Comedies, Nouvelle Vague, Landmarks, Shorts, and Icons.

Source: http://web.archive.org/web/20051029151003/http://e-paper.timesonline.co.uk:80/frenchfilm/1/articles/artikel_TMXA_1XA_20050409_1_39.html

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Movies about labor movements, civil rights struggles, anti-war efforts, or community organizing. These movies often blend strong narrative storytelling with a deep exploration of social and political themes, providing viewers with not just a compelling story, but also a thought-provoking examination of the human condition and the power of collective action.

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films that are elevated or sophisticated in their themes, style, and execution, often blurring the lines between traditional genre conventions and arthouse or experimental cinema. These movies are often considered to be a combination of commercial appeal and artistic merit, combining elements of popular genres such as crime, science fiction, or horror, with more serious and thought-provoking themes, innovative cinematography, and a focus on character development. High art genre movies are often more character-driven and less reliant on conventional plot structures, and they challenge the audience's expectations while providing a unique and engaging viewing experience.

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The work of art, by definition, is a stuffed crocodile. Alfred Jarry

When a person is aroused, he loves his own excitement, gets excited with it, and everything else is no longer life for him. Witold Gombrowicz, pornography

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Art is the principal way in which the human mind has tried to remake the world in a way that makes sense. The carefully edited, slow-motion, action replay of a rugby tackle, a car crash or a sex act has more significance than the original event. Thanks to virtual reality, we will soon be moving into a world where a heightened super-reality will consist entirely of action replays, and reality will therefore be all the more rich and meaningful.

JG Ballard: Theatre of Cruelty

I might be a nihilist except that I don’t believe in anything.
― Mitchell Heisman

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The 21st Century's Most Acclaimed Films list serves as a companion to the They Shoot Pictures, Don't They? 1,000 Greatest Films of all time list which, - by its nature - tends to have very few films from the 21st century in it. The 21st Century's Most Acclaimed Films list attempts to highlight and honour this century's most critically revered films and act as a sort of 'resting bay' for many great films that are likely to be included in the 1,000 Greatest Films list sooner or later.

Source: http://www.theyshootpictures.com/21stcentury.htm

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Movies covered by Scott Tobias for the AV Club's New Cult Canon (2008-2013).

The introduction can be read at http://www.avclub.com/articles/the-new-cult-canon-an-introduction,9808/.

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"Toronto – Beginning January 21, 2010, TIFF Cinematheque presents The Best of the Decade: An Alternative View, a curated series based on a poll conducted by TIFF Cinematheque’s Senior Programmer James Quandt. An esteemed panel of over sixty film curators, historians, archivists and programmers from festivals, cinematheques and similar organizations around the world participated and were asked to pick the films they thought were the most important of the past decade. The poll’s participants are connected by their leadership in the field of historical film curation, with most having published books, essays and polemics on cinema, bringing perspectives that distinguish this poll from other end-of-the-decade polls.

“Their perspective,” says Quandt, “should give us a longer view of the films made in this decade, the films that should stand the test of time and be acknowledged as historically influential works in the decades to come.” The poll includes works by venerable masters such as Abbas Kiarostami, Agnès Varda, Ingmar Bergman, Jean-Luc Godard and Pedro Almodóvar; directors who broke onto the international scene in the past 10 years, including Apichatpong Weerasethakul, Carlos Reygadas, Cristi Puiu, Jean-Pierre and Luc Dardenne, Jia Zhang-ke and David Cronenberg; and indie renegades like Gus Van Sant, Pedro Costa and Lucrecia Martel. It also features many pleasant surprises, from the inclusion of a largely unknown film, Valeska Grisebach’s Longing (2006), which was highlighted during TIFF Cinematheque’s Berlin School series last Winter, to the strong showings for films that were not necessarily well received on their initial outings, such as Gus Van Sant’s Gerry (2003) and Claire Denis’s L’Intrus (2004)."

Full article: http://tiff.net/press/pressreleases/2009/tiff-cinematheques-best-of-the-decade-poll-presents-the-classics-of-today

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The list here is ranked but given that some of the ranks have multiple films there are no ranking numbers displayed here.

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The 21st Century's Most Acclaimed Films serves as an ongoing companion to our listing of the 1,000 Greatest Films of all time.

The 1,000 Greatest Films list, by nature of the sources used and formulas applied - and we believe quite rightly so - leans towards films that have so far stood the so-called ‘test of time'. This listing therefore attempts to highlight and honour this century's most critically revered films and act as a sort of 'resting bay' for many great films that will, no doubt, eventually find a spot within the 1,000 Greatest Films part of our website.

This is our seventh 21st Century listing, and despite calls from followers to increase it to 300-and-beyond, for now it once again encompasses 250 films. It is primarily based on critics' year-end lists (from 2000 to 2011), plus it also takes into account mentions given to any films from 2000 onwards that show up in critics' all-time-best-of lists (that are also used for the compilation of our 1,000 Greatest Films list). Additionally, it also incorporates many best-of-the-decade lists from 2010.

List source...
http://www.theyshootpictures.com/21stcentury.htm

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Toronto – Beginning January 21, 2010, TIFF Cinematheque presents The Best of the Decade: An Alternative View, a curated series based on a poll conducted by TIFF Cinematheque’s Senior Programmer James Quandt. An esteemed panel of over sixty film curators, historians, archivists and programmers from festivals, cinematheques and similar organizations around the world participated and were asked to pick the films they thought were the most important of the past decade. The poll’s participants are connected by their leadership in the field of historical film curation, with most having published books, essays and polemics on cinema, bringing perspectives that distinguish this poll from other end-of-the-decade polls.

“Their perspective,” says Quandt, “should give us a longer view of the films made in this decade, the films that should stand the test of time and be acknowledged as historically influential works in the decades to come.” The poll includes works by venerable masters such as Abbas Kiarostami, Agnès Varda, Ingmar Bergman, Jean-Luc Godard and Pedro Almodóvar; directors who broke onto the international scene in the past 10 years, including Apichatpong Weerasethakul, Carlos Reygadas, Cristi Puiu, Jean-Pierre and Luc Dardenne, Jia Zhang-ke and David Cronenberg; and indie renegades like Gus Van Sant, Pedro Costa and Lucrecia Martel. It also features many pleasant surprises, from the inclusion of a largely unknown film, Valeska Grisebach’s Longing (2006), which was highlighted during TIFF Cinematheque’s Berlin School series last Winter, to the strong showings for films that were not necessarily well received on their initial outings, such as Gus Van Sant’s Gerry (2003) and Claire Denis’s L’Intrus (2004).

Source: http://tiff.net/press/pressreleases/2009/tiff-cinematheques-best-of-the-decade-poll-presents-the-classics-of-today

The list here is ranked but given that some of the ranks have multiple films there are no ranking numbers displayed here.

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