In 1999, the King of Bhutan made a landmark proclamation approving the use of television and the internet. The film begins at the end of this process as Laya, the last remaining village tucked away within the Himalayan kingdom, becomes enmeshed in roads, electricity and cable television. Through the eyes of Peyangki, an eight-year-old monk impatient with prayer and eager to acquire a TV set, the film documents the seeds of this seismic shift sprouting.
