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Picnic 1955

47

The BAFTA Award for Best Film is given annually by the British Academy of Film and Television Arts and presented at the British Academy Film Awards. It has been given since the 1st BAFTA Awards, representing the best films of 1947, but until 1969 it was called the BAFTA Award for Best Film From Any Source.

2

Winners and nominees (Winners first)

1927/28: 1, 2, 3

1928/29: 4, 5, 6, 7, 8

1929/30: 9, 10, 11, 12, 13

1930/31: 14, 15, 16, 17, 18

1931/32: 19, 20, 21, 22, 23, 24, 25, 26

1932/33: 27, 28, 29, 30, 31, 32, 33, 34, 35, 36

1934: 37, 38, 39, 40, 41, 42, 43, 44, 45, 46, 47, 48
1935: 49, 50, 51, 52, 53, 54, 55, 56, 57, 58, 59, 60

1936: 61, 62, 63, 64, 65, 66, 67, 68, 69, 70

1937: 71 ,72, 73, 74, 75, 76, 77, 78, 79, 80

1938:
 81, 82, 83, 84, 85, 86, 87, 88, 89, 90
1939:
 91, 92, 93, 94, 95, 96, 97, 98, 99, 100
1940:
 101, 102, 103, 104, 105, 106, 107, 108, 109, 110
1941:
 111, 112, 113, 114, 115, 116, 117, 118, 119, 120
1942:
 121, 122, 123, 124, 125, 126, 127, 128, 129, 130
1943:
 131, 132, 133, 134, 135, 136, 137, 138, 139, 140
1944:
 141, 142, 143, 144, 145
1945:
 146, 147, 148, 149, 150
1946:
151, 152, 153, 154, 155
1947:
 156, 157, 158, 159, 160
1948:
 161, 162, 163, 164, 165
1949:
 166, 167, 168, 169, 170
1950:
 171, 172, 173, 174, 175
1951:
 176, 177, 178, 179, 180
1952:
 181, 182, 183, 184, 185
1953:
 186, 187, 188, 189, 190
1954:
 191, 192, 193, 194, 195
1955:
 196, 197, 198, 199, 200
1956: 201, 202, 203, 204, 205
1957:
 206, 207, 208, 209, 210
1958:
 211, 212, 213, 214, 215
1959:
 216, 217, 218, 219, 220
1960:
 221, 222, 223, 224, 225
1961:
 226, 227, 228, 229, 230
1962:
 231, 232, 233 ,234, 235
1963:
 236, 237, 238, 239, 240
1964:
 241, 242, 243, 244, 245
1965:
 246, 247, 248, 249, 250
1966:
 251, 252, 253, 254, 255
1967:
 256, 257, 258, 259, 260
1968:
 261, 262, 263, 264, 265
1969:
 266, 267, 268, 269, 270
1970:
 271, 272, 273, 274, 275
1971:
 276, 277, 278, 279, 280
1972:
 281, 282, 283, 284, 285
1973:
 286, 287, 288, 289, 290
1974:
 291, 292, 293, 294, 295
1975:
 296, 297, 298, 299, 300
1976:
 301, 302, 303, 304, 305
1977:
 306 ,307, 308, 309, 310
1978:
 311, 312, 313, 314, 315
1979:
 316, 317, 318, 319, 320
1980:
 321, 322, 323, 324, 325
1981:
 326, 327, 328, 329, 330
1982:
 331, 332, 333, 334, 335
1983:
 336, 337, 338, 339, 340
1984:
 341, 342, 343, 344, 345
1985:
 346, 347, 348, 349, 350
1986:
 351, 352, 353, 354, 355
1987:
 356, 357, 358, 359, 360
1988:
 361, 362, 363, 364, 365
1989:
 366, 367, 368, 369, 370
1990:
 371, 372, 373, 374, 375
1991:
 376, 377, 378, 379, 380
1992:
 381, 382, 383, 384, 385
1993:
 386, 387, 388, 389, 390
1994:
 391, 392, 393, 394, 395
1995:
 396, 397, 398, 399, 400
1996:
 401, 402, 403, 404, 405
1997:
 406, 407, 408, 409, 410
1998:
 411, 412, 413, 414, 415
1999:
 416, 417, 418, 419, 420
2000:
 421, 422, 423, 424, 425

2001:
 426, 427, 428, 429, 430
2002: 431, 432, 433, 434, 435
2003:
 436, 437, 438, 439, 440
2004:
 442, 442, 443, 444, 445
2005: 446, 447, 448, 449, 450
2006:
 451, 452, 453, 454, 455
2007:
 456, 457, 458, 459, 460
2008:
 461, 462, 463, 464, 465
2009:
 466, 467, 468, 469, 470, 471, 472, 473, 474, 475
2010:
 476, 477, 478, 479, 480, 481, 482, 483, 484, 485
2011:
 486, 487, 488, 489, 490, 491, 492, 493, 494
2012:
 495, 496, 497, 498, 499, 500, 501, 502, 503
2013:
 504, 505, 506, 507, 508, 509, 510, 511, 512
2014:
 513, 514, 515, 516, 517, 518, 519, 520
2015: 521, 522, 523, 524, 525, 526, 527, 528
2016:
 529, 530, 531, 532, 533, 534, 535, 536, 537
2017:
 538, 539, 540, 541, 542, 543, 544, 545, 546
2018:
 547, 548, 549, 550, 551, 552, 553, 554
2019:
 555, 556, 557, 558, 559, 560, 561, 562, 563
2020/21: 564, 565, 566, 567, 568, 569, 570, 571
2022: 573, 572, 574, 575, 576, 577, 578, 579, 580, 581
2023: 586, 582, 583, 584, 585, 587, 588, 589, 590, 591
2024: 598, 592, 593, 594, 595, 596, 597, 599, 600, 601

6

Movies released during the 1950s to watch

2

Classic movies of the 40s, 50s and 60s

84

Movies that caught my attention

258

A personal introduction to 1000 movies by the provocative contemporary film critic and historian David Thomson.

Source: https://www.amazon.co.uk/Have-You-Seen-Introduction-masterpieces/dp/014102075X

283

Trading on its impeccable reputation, Halliwell’s now presents it’s Top 1,000 favorite films. Starting at number 1,000, each entry includes a plot summary, cast and crew, awards, key critical comments, DVD and soundtrack availability, and a wealth of other interesting details. To supplement the countdown, there is commentary from film stars, show business personalities, well-known critics, and the movers and shakers in the film industry, each naming their favorite films or weighing in on Halliwell’s selection. Illustrated throughout with classic and modern film stills and posters, this is a book that every cinema fan will want to own. John Walker is one of Britain’s leading film critics.

The list has 42 extra films, because trilogies, or series, are counted as one entry (The Godfather, The Apu Trilogy, The Lord of the Rings, Antoine Doinel, Laurel and Hardy shorts, etc...)

Source: https://www.amazon.com/Halliwells-Top-1000-Ultimate-Countdown/dp/0007181655

272

The Films in My Life (Les Films de ma Vie) is Truffaut’s own selection of more than one hundred essays that range widely over the history of film and pay tribute to Truffaut’s particular heroes, among them Hitchcock, Welles, Chaplin, Renoir, Cocteau, Bergman, and Buñuel.

Source: https://www.amazon.com/The-Films-Life-Fran%C3%A7ois-Truffaut/dp/0306805995

2

all the academy awards nominees for best picture since 1927

33

Todo el mejor cine de la historia

99

List of Nominees and Winners

  • ACTOR

ERNEST BORGNINE "Marty" - WINNER
JAMES CAGNEY "Love Me or Leave Me"
JAMES DEAN "East of Eden"
FRANK SINATRA "The Man with the Golden Arm"
SPENCER TRACY "Bad Day at Black Rock"

  • ACTOR IN A SUPPORTING ROLE

JACK LEMMON "Mister Roberts" - WINNER
ARTHUR KENNEDY "Trial"
JOE MANTELL "Marty"
SAL MINEO "Rebel without a Cause"
ARTHUR O'CONNELL "Picnic"

  • ACTRESS

ANNA MAGNANI "The Rose Tattoo" - WINNER
SUSAN HAYWARD "I'll Cry Tomorrow"
KATHARINE HEPBURN "Summertime"
JENNIFER JONES "Love Is a Many-Splendored Thing"
ELEANOR PARKER "Interrupted Melody"

  • ACTRESS IN A SUPPORTING ROLE

JO VAN FLEET "East of Eden" - WINNER
BETSY BLAIR "Marty"
PEGGY LEE "Pete Kelly's Blues"
MARISA PAVAN "The Rose Tattoo"
NATALIE WOOD "Rebel without a Cause"

  • ART DIRECTION (BLACK-AND-WHITE)

"THE ROSE TATTOO" Art Direction: Hal Pereira, Tambi Larsen; Set Decoration: Sam Comer, Arthur Krams - WINNER
"BLACKBOARD JUNGLE" Art Direction: Cedric Gibbons, Randall Duell; Set Decoration: Edwin B. Willis, Henry Grace
"I'LL CRY TOMORROW" Art Direction: Cedric Gibbons, Malcolm Brown; Set Decoration: Edwin B. Willis, Hugh B. Hunt
"THE MAN WITH THE GOLDEN ARM" Art Direction: Joseph C. Wright; Set Decoration: Darrell Silvera
"MARTY" Art Direction: Edward S. Haworth, Walter Simonds; Set Decoration: Robert Priestley

  • ART DIRECTION (COLOR)

"PICNIC" Art Direction: William Flannery, Jo Mielziner; Set Decoration: Robert Priestley - WINNER
"DADDY LONG LEGS" Art Direction: Lyle Wheeler, John DeCuir; Set Decoration: Walter M. Scott, Paul S. Fox
"GUYS AND DOLLS" Art Direction: Oliver Smith, Joseph C. Wright; Set Decoration: Howard Bristol
"LOVE IS A MANY-SPLENDORED THING" Art Direction: Lyle Wheeler, George W. Davis; Set Decoration: Walter M. Scott, Jack Stubbs
"TO CATCH A THIEF" Art Direction: Hal Pereira, Joseph McMillan Johnson; Set Decoration: Sam Comer, Arthur Krams

  • CINEMATOGRAPHY (BLACK-AND-WHITE)

"THE ROSE TATTOO" James Wong Howe - WINNER
"BLACKBOARD JUNGLE" Russell Harlan
"I'LL CRY TOMORROW" Arthur E. Arling
"MARTY" Joseph LaShelle
"QUEEN BEE" Charles Lang

  • CINEMATOGRAPHY (COLOR)

"TO CATCH A THIEF" Robert Burks - WINNER
"GUYS AND DOLLS" Harry Stradling
"LOVE IS A MANY-SPLENDORED THING" Leon Shamroy
"A MAN CALLED PETER" Harold Lipstein
"OKLAHOMA!" Robert Surtees

  • COSTUME DESIGN (BLACK-AND-WHITE)

"I'LL CRY TOMORROW" Helen Rose - WINNER
"THE PICKWICK PAPERS" Beatrice Dawson
"QUEEN BEE" Jean Louis
"THE ROSE TATTOO" Edith Head
"UGETSU" Tadaoto Kainoscho

  • COSTUME DESIGN (COLOR)

"LOVE IS A MANY-SPLENDORED THING" Charles LeMaire -WINNER
"GUYS AND DOLLS" Irene Sharaff
"INTERRUPTED MELODY" Helen Rose
"TO CATCH A THIEF" Edith Head
"THE VIRGIN QUEEN" Charles LeMaire, Mary Wills

  • DIRECTING

"MARTY" Delbert Mann - WINNER
"BAD DAY AT BLACK ROCK" John Sturges
"EAST OF EDEN" Elia Kazan
"PICNIC" Joshua Logan
"SUMMERTIME" David Lean

  • DOCUMENTARY (FEATURE)

"HELEN KELLER IN HER STORY" Nancy Hamilton, Producer - WINNER
"HEARTBREAK RIDGE" Rene Risacher, Producer

  • DOCUMENTARY (SHORT SUBJECT)

"MEN AGAINST THE ARCTIC" Walt Disney, Producer - WINNER
"THE BATTLE OF GETTYSBURG" Dore Schary, Producer
"THE FACE OF LINCOLN" Wilbur T. Blume, Producer

  • FILM EDITING

"PICNIC" Charles Nelson, William A. Lyon - WINNER
"BLACKBOARD JUNGLE" Ferris Webster
"THE BRIDGES AT TOKO-RI" Alma Macrorie
"OKLAHOMA!" Gene Ruggiero, George Boemler
"THE ROSE TATTOO" Warren Low

  • HONORARY FOREIGN LANGUAGE FILM AWARD

"SAMURAI, THE LEGEND OF MUSASHI" Special Award - WINNER

  • MUSIC (MUSIC SCORE OF A DRAMATIC OR COMEDY PICTURE)

"LOVE IS A MANY-SPLENDORED THING" Alfred Newman - WINNER
"BATTLE CRY" Max Steiner
"THE MAN WITH THE GOLDEN ARM" Elmer Bernstein
"PICNIC" George Duning
"THE ROSE TATTOO" Alex North

  • MUSIC (SCORING OF A MUSICAL PICTURE)

"OKLAHOMA!" Robert Russell Bennett, Jay Blackton, Adolph Deutsch - WINNER
"DADDY LONG LEGS" Alfred Newman
"GUYS AND DOLLS" Jay Blackton, Cyril J. Mockridge
"IT'S ALWAYS FAIR WEATHER" Andre Previn
"LOVE ME OR LEAVE ME" Percy Faith, George Stoll

  • MUSIC (SONG)

"Love Is A Many-Splendored Thing" in "Love Is a Many-Splendored Thing" Music by Sammy Fain; Lyrics by Paul Francis Webster - WINNER
"I'll Never Stop Loving You" in "Love Me or Leave Me" Music by Nicholas Brodszky; Lyrics by Sammy Cahn
"Something's Gotta Give" in "Daddy Long Legs" Music and Lyrics by Johnny Mercer
"(Love Is) The Tender Trap" in "The Tender Trap" Music by James Van Heusen; Lyrics by Sammy Cahn
"Unchained Melody" in "Unchained" Music by Alex North; Lyrics by Hy Zaret

  • BEST MOTION PICTURE

"MARTY" Harold Hecht, Producer - WINNER
"LOVE IS A MANY-SPLENDORED THING" Buddy Adler, Producer
"MISTER ROBERTS" Leland Hayward, Producer
"PICNIC" Fred Kohlmar, Producer
"THE ROSE TATTOO" Hal B. Wallis, Producer

  • SHORT SUBJECT (CARTOON)

"SPEEDY GONZALES" Edward Selzer, Producer - WINNER
"GOOD WILL TO MEN" Fred Quimby, William Hanna and Joseph Barbera, Producers
"THE LEGEND OF ROCK-A-BYE POINT" Walter Lantz, Producer
"NO HUNTING" Walt Disney, Producer

  • SHORT SUBJECT (ONE-REEL)

"SURVIVAL CITY" Edmund Reek, Producer - WINNER
"GADGETS GALORE" Robert Youngson, Producer
"3RD AVE. EL" Carson Davidson, Producer
"THREE KISSES" Justin Herman, Producer

  • SHORT SUBJECT (TWO-REEL)

"THE FACE OF LINCOLN" Wilbur T. Blume, Producer - WINNER
"THE BATTLE OF GETTYSBURG" Dore Schary, Producer
"ON THE TWELFTH DAY..." George K. Arthur, Producer
"SWITZERLAND" Walt Disney, Producer
"24-HOUR ALERT" Cedric Francis, Producer

  • SOUND RECORDING

"OKLAHOMA!" Todd-AO Sound Department, Fred Hynes, Sound Director - WINNER
"LOVE IS A MANY-SPLENDORED THING" 20th Century-Fox Studio Sound Department, Carl W. Faulkner, Sound Director
"LOVE ME OR LEAVE ME" Metro-Goldwyn-Mayer Studio Sound Department, Wesley C. Miller, Sound Director
"MISTER ROBERTS" Warner Bros. Studio Sound Department, William A. Mueller, Sound Director
"NOT AS A STRANGER" Radio Corporation of America Sound Department, Watson Jones, Sound Director

  • SPECIAL EFFECTS

"THE BRIDGES AT TOKO-RI" Paramount Studio - WINNER
"THE DAM BUSTERS" Associated British Picture Corporation, Ltd.
"THE RAINS OF RANCHIPUR" 20th Century-Fox Studio

  • WRITING (MOTION PICTURE STORY)

"LOVE ME OR LEAVE ME" Daniel Fuchs - WINNER
"THE PRIVATE WAR OF MAJOR BENSON" Joe Connelly, Bob Mosher
"REBEL WITHOUT A CAUSE" Nicholas Ray
"THE SHEEP HAS FIVE LEGS" Jean Marsan, Henry Troyat, Jacques Perret, Henri Verneuil, Raoul Ploquin
"STRATEGIC AIR COMMAND" Beirne Lay, Jr.

  • WRITING (SCREENPLAY)

"MARTY" Paddy Chayefsky - WINNER
"BAD DAY AT BLACK ROCK" Millard Kaufman
"BLACKBOARD JUNGLE" Richard Brooks
"EAST OF EDEN" Paul Osborn
"LOVE ME OR LEAVE ME" Daniel Fuchs, Isobel Lennart

  • WRITING (STORY AND SCREENPLAY)

"INTERRUPTED MELODY" William Ludwig, Sonya Levien - WINNER
"THE COURT-MARTIAL OF BILLY MITCHELL" Milton Sperling, Emmet Lavery
"IT'S ALWAYS FAIR WEATHER" Betty Comden, Adolph Green
"MR. HULOT'S HOLIDAY" Jacques Tati, Henri Marquet
"THE SEVEN LITTLE FOYS" Melville Shavelson, Jack Rose

1

Library for Kodi import

1

:popcorn::earth_africa:
Updated Jan 2022

Description

Cahiers du Cinéma, (Notebooks on Cinema) is a French film magazine founded in 1951. Top 10 films chosen annually by the critics of Cahiers du Cinéma.

Background

The history of the Cahiers is related to the Cinéma history, in particular because of a generation of enthusiasts who gave birth to the Nouvelle Vague. Jean-Luc Godard, François Truffaut, Éric Rohmer, Jacques Rivette, Claude Chabrol and many others wrote their first reviews before becoming filmmakers.

Sources:

  • https://www.cahiersducinema.com
  • https://en.wikipedia.org/wiki/Cahiers_du_cinéma
3

AFI's 100 Greatest Love Stories of All Time

Regardless of genre, in these films, a romantic bond between two or more characters, whose actions and/or intentions provide the heart of the film's narrative. These movies possess a "passion" which has enriched America's film and cultural heritage while continuing to inspire contemporary artists and audiences.

The jurors were asked to consider the following criteria while making their selections:

  • Feature-Length Fiction Film: The film must be in narrative format, typically more than 60 minutes in length.
  • American Film: The film must be in the English language with significant creative and/or financial production elements from the United States.
  • Love Story: Regardless of genre, a romantic bond between two or more characters, whose actions and/or intentions provide the heart of the film's narrative.
  • Legacy: Films whose "passion" have enriched America's film and cultural heritage while continuing to inspire contemporary artists and audiences.

Source: http://www.afi.com/100Years/passions.aspx

57

In his Guide for the Film Fanatic (1986), Danny Peary provides short reviews for over 1600 “Must See” films.

104 movies missing. Imported from external source.

96

Part of the AFI 100 Years… series, AFI's 100 Years…100 Passions is a list of the top 100 greatest love stories in American cinema. The list was unveiled by the American Film Institute on June 11, 2002, in a CBS television special hosted by American film and TV actress Candice Bergen.

Source: http://www.afi.com/100years/passions.aspx

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