Personal Lists featuring...

The Man Who Left His Will on Film 1970

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Surrealism in cinema refers to the use of dreamlike and irrational elements in films to create a unique visual style that challenges conventional notions of reality. It originated from the artistic movement of surrealism in the 1920s and 30s, which sought to tap into the subconscious mind through the use of irrational imagery and symbolism. In film, surrealism often employs techniques such as discontinuous editing, unexpected imagery, and the use of special effects to create a dream-like atmosphere and to challenge the viewer's perception of reality. The aim of surrealist films is to provoke an emotional and intellectual response from the audience, and to blur the boundaries between the conscious and the unconscious mind.

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Thanks to all who’ve made this a very popular list, in spite of glitches causing dozens of fans to suddenly disappear :(

A big welcome to the land of cinematic wonders!

I’ve aimed for a rounded overview to include not only personal favourites but popular hits and international award winners, animé landmarks, avant-
garde films, the New Wave, erotic “pink films” and the great classics that are still the glory of world cinema.

Much of silent cinema before the 1930s has been lost, its Benshi narrators displaced but good finally to have the landmark film Souls on the Road on Mubi. In the 20s directors were able to learn their trade through prolific practice, aware of and encorporating developments in both the Soviet Union and the West… and then, what a wealth of wonders! Older masters: the unequalled aesthetic refinement of Mizoguchi, the charm of Shimizu, the quiet observational wisdom of Ozu, the tragically curtailed promise of Yamanaka, the balanced restraint of Naruse, the muscular humanism of Kurosawa… Then, a new generation from the late 50s, in full swing in the sexually freer 60s: the idealism of Kobayashi, the political bite of Oshima, the earthy subversion of Imamura, the cool of Suzuki and Masumura. the avant-garde Terayama.. So many to explore: Yoshida, Ichikawa Kon, Teshigahara, Shinoda, Wakamatsu, Kumai, the documentaries of Ogawa and Hara, the stop motion master Kawamoto, the blood soaked Fukasaku.. the rise of animé, with the international success of Studio Ghibli and Miyazaki’s beautiful flights of fancy, the spiky Tsukamoto, the popular appeal of Kitano, the prolific shocker Miike.. up to the present with Koreeda, Naomi Kawase, Sono, Kurosawa Kiyoshi… oh and i almost went without mentioning Samurai and Godzilla.

Source: http://mubi.com/lists/kenjis-japanese-canon

Missing on TMDB as of now:
ID: tt0242845, Title: Narita: The Peasants of the Second Fortress, Year: -

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Building on and bringing up to date the material presented in the first installment of Directory of World Cinema: Japan, this volume continues the exploration of the enduring classics, cult favorites, and contemporary blockbusters of Japanese cinema with new contributions from leading critics and film scholars. Among the additions to this volume are in-depth treatments of two previously unexplored genres—youth cinema and films depicting lower-class settings—considered alongside discussions of popular narrative forms, including J-Horror, samurai cinema, anime, and the Japanese New Wave.

Accompanying the critical essays in this volume are more than 150 new film reviews, complemented by full-color film stills, and significantly expanded references for further study. From the Golden Age to the film festival favorites of today, Directory of World Cinema: Japan 2 completes this comprehensive treatment of a consistently fascinating national cinema.

The list is based on the contents of the Book, sorted by chapters:

  • Film of the Year
  • Alternative Japan
  • Anime / Animation
  • Chambara / Samurai Cinema
  • Contemporary Blockbusters
  • J-Horror / Japanese Horror
  • Jidai-geki / Period Drama
  • Nuberu Bagu / The Japanese New Wave
  • Seishun eiga / Japanese Youth Cinema
  • Shomin-geki / Lower Class Life
  • Yakuza / Gangster

More information on this is also aviable on http://worldcinemadirectory.co.uk/!

List for the 1st edition: http://trakt.tv/users/sp1ti/lists/directory-of-world-cinema-japan

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Building on and bringing up to date the material presented in the first installment of Directory of World Cinema: Japan, this volume continues the exploration of the enduring classics, cult favorites, and contemporary blockbusters of Japanese cinema with new contributions from leading critics and film scholars. Among the additions to this volume are in-depth treatments of two previously unexplored genres—youth cinema and films depicting lower-class settings—considered alongside discussions of popular narrative forms, including J-Horror, samurai cinema, anime, and the Japanese New Wave.

Accompanying the critical essays in this volume are more than 150 new film reviews, complemented by full-color film stills, and significantly expanded references for further study. From the Golden Age to the film festival favorites of today, Directory of World Cinema: Japan 2 completes this comprehensive treatment of a consistently fascinating national cinema.

-

The list is based on the contents of the Book, sorted by chapters:
Film of the Year
Alternative Japan
Anime / Animation
Chambara / Samurai Cinema
Contemporary Blockbusters
J-Horror / Japanese Horror
Jidai-geki / Period Drama
Nuberu Bagu / The Japanese New Wave
Seishun eiga / Japanese Youth Cinema
Shomin-geki / Lower Class Life
Yakuza / Gangster

More information on this is also aviable on http://worldcinemadirectory.co.uk/!

List for the 1st edition: http://trakt.tv/user/sp1ti/lists/directory-of-world-cinema-japan

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