A documentary that aims to show, but ends up more interested in showing itself. The rearrangement of Juana Bignozzi's work invites us to reflect on poetry and how to show it in the cinema. The answer is not found here. The elaboration of a cinema structure within the cinema is fictitious. The film crew is an intruder who annoys more than helping or contributing something interesting. The directors seem more interested in themselves than in their protagonist. The artifice is revealed as the enemy of the documentary.

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