[8.2/10] Definitely the best episode of the season so far. I appreciate how both stories in this one dealt with parental legacy, and how each did a double-twist for maximum emotional punch, with plenty of room for great humor.
The A-story, which featured Eleanor and Michael meeting Eleanor’s mom, Donna, in the midst of her new life, worked well. I liked the idea that Eleanor, forever jaded by her mom’s behavior, didn’t buy this new suburban backdrop for her mom, and so she was set to figure out what the scam was. The way the episode went back in forth -- having Eleanor accept that her mom wasn’t conning these people, then finding the money and being convinced that she was right original, and then harmonizing those views and realizing that while her mom can’t fully let go of her old life, she’s hesitantly comfortable in this one -- was really strong. It played the emotions of those scenes well, made for a compelling series of mini-twists, and elucidated a lot about the relationship between Eleanor and her mom.
I’ll admit, the episode did lean into an unfortunate Good Place tendency in my eyes, which is to write the emotional conflict on the screen. I feel like the audience could get that Eleanor was so psychologically against Donna being a good mom now because it meant that she could have been the mom Eleanor wanted and needed before, without Eleanor declaring it. And there’s a couple other moments where the characters announce their emotional states in a way that was less-than-natural. But the setup worked, and the way the episode took Eleanor from suspicion to resignation to vindication to genuine acceptance was well done. Plus, the episode not-so-subtly did some solid work about how Michael is becoming a parental figure in Eleanor’s life.
I also really liked the B-story, with Tahani going to apologize to her sister. It too did the double twist, with Tahani finally mustering up the humility to say she’s sorry despite her resentments, Kamilah rejecting the apology and starting a whole new round of resentment, only for Tahani to recognize the source of their rivalry and apologize honestly and truly regardless of whether Kamilah accepts it. It’s a strong story, that again, does well to go back and forth with the main character’s emotional state in a way that mirror’s Eleanor’s journey.
I also loved the setup, reveal, and epiphany, that the piece of abstract art the gang was puzzling over in the beginning turned out to be a representation of the way that Tahani and Kamila’s parents would set them against one another. This is probably a bit of a reach, but I’d go so far as to call it Vonnegut-esque in its ability to make emotional hay from a piece of non-representational art. Tahani realizing that it’s her parents, not her sister, who’s the source of her frustrations, and that Kamila labored under them too, is again, a strong theme to play with, and it makes their reconciliation feel completely earned.
This is also a thoroughly funny episode, potentially the funniest of the season. One nice thing about the pairing here is we finally got a little adorable Jason/Janet time, and watching them wander around and appraise the art was very amusing. Chidi being mesmerized by Kamilah and then chipperly lamenting his future in a Hungarian prison was a big laugh, as was Kamilah’s adoring coterie. On the Eleanor side, lines about Keyser Soze and running gags about Eleanor’s mom not washing her bras landed superbly, and the absolute winner was Michael and the adorably square Dave bonding over architecture, with milquetoast excitement and designs with a lack of bathrooms.
Overall, this one was a real winner, that hopefully portends great things for the season!
I feel like I've seen the "Main Character thinks that Side-character is faking being reformed and insists they're still awful, but is proved wrong" plot so many times, but this was a good execution of it. Eleanor's monologue where she admits that she can't handle the idea that her mom became good for someone else was a bit "this is a TV show so i need to explain my feelings without subtext" but it was still quite sad. I loved the dude who Eleanor's mom is dating, he was hilarious, and my favourite line was probably when Michael said "we lived in the same wink neighbourhood" and the dude said "wow what a funny way to say a totally normal thing". Tahani's plot was really sweet, and there was great work from the writers to have Jason talk about the boob art since it was going to become very relevant later. The climax where they hugged was really sweet and I loved the use of the word "wankers" to show that they were being less "uptight" than usual.
I love every opportunity I get to see Leslie Grossman on screen, but cast her as Kristen Bell's mom? She's just 9 years older! It's almost as crazy as Mary Cherry from Popular giving birth to Veronica Mars.
For the people who've read some of my reviews on AHS they know what's coming... Leslie Grossman! I'm always soooo excited to see Leslie Grossman in any role in any show.
A touching episode about the hardships of a suburban mom.
Jason's expertise on paintings left me deeply impressed. And just like Michael, I also love to sit on the thing and shoot one out; he's definitely better at faking his humanity than he thinks he is. Speaking of Michael, is anyone else also disappointed that we never got to know if he does have a penis?
I cant believe this episode made me cry, an amazing episode of the third season.
it's so interesting to see the different direction that the writers are taking this show in
Shout by Arelis GuerreroBlockedParentSpoilers2018-11-02T03:02:09Z
We did what now? ... #fork