You either enjoy the family drama or this series isn't for you.
This episode painted out the depth of Luke so well.
Again and again, what a show!
[7.6/10] Let’s be frank, addict stories are pretty common, or maybe it’s just to people who cut their T.V. drama teeth watching House M.D.. But I enjoyed Luke’s spotlight episode here, where he runs away from his rehab facility in order to chase after a friend he doesn't want to let relapse, and remembers his childhood experiences with his (unbenknownst to him) dead sister.
What I really liked about this episode was the way it blended its supernatural and humanistic elements in a better way than the show’s managed to do thus far. While there’s been a certain amount of metaphor in all of the hauntings and abilities we’ve seen thus far, the use of the floating, Gentlemen-esque ghoul who haunts Luke at every corner works very well as a corporeal manifestation of both his anxiety and his addiction. It’s more atmospheric than outright scary, in an It Follows sort of way, which works better for this show than some of its more explicit attempts to be scary. And at the same time, Luke’s little rituals to ward off the spectre feel real and familiar and endearing.
The story does lean on a lot of tropes. The way it plays on your sympathies for Luke, showing siblings and caseworkers being harsh when he wants help and everyone assumes the worst of him, elides the way he probably earned a good amount of that with past chances he burned. But like Better Call Saul, it makes you sympathize with someone who’s screwed up a lot, but has genuinely gotten better and is looking to turn the corner with the help of those closest to him, who are reasonably but also inaccurately suspicious of him.
I also really appreciated the use of the titular “Twin Thing” in this episode. The sense that there’s a connection between Luke and Nell, to where he experiences the sensations of her death secondhand, are very compelling. As much as this episode explores the depths of addiction, the creeping realization that he feels Nell’s demise, and that it feels like withdrawal to him, adds to the severity of his situation.
I also appreciated the way that he is on the receiving end of an addict’s issues and not just the deliverer of them here. The story with Joey is heartbreaking, both because you can see how hard Luke is trying to do right by someone who did right by him, with hardly any help whatsoever, and you just know that Joey is going to burn him in the end, because that’s what addiction does to people. The end of that is predictable, but it works.
While the flashbacks are less heavy-handed in this episode, they still explicate Luke’s childhood fears, the sense that something has been following him all his life, in a way that is less highlighted but superior by being baked in. Hell, even his big 90 days clean speech, the chance for the show to go big, is more affecting than eye-roll-worthy thanks to a heartfelt confession about the struggles Luke took to get here, the sense of waiting for his dead mother to come home, of knowing the opportunities he lost, all bolstered by a lived-in central performance.
Overall, there were some cliche or oft-done moments in this one that kept it from feeling novel or as compelling as it might be, but the tropes here were done well, and the central performance and integration of the supernatural buoyed it a lot.
I'm a wuss as one can possibly get while watching horror movies: I turn the volume down to keep it low, I cover my eyes with my hands, I keep checking my phone instead of looking at the screen during the more disturbing scenes... But I actually fell asleep during this episode.
I'm really not understanding the positive comments people have been making about this show. It started strong (I enjoyed the premiere very much), but it's been a bore-fest ever since, without a hint of that chilling psychological horror and claustrophobic feeling that shined throughout the pilot episode.
First episode of this show I actually fully enjoyed.
Luke's episode. Let's skip on the addict part, it's been done and redone, nothing original, but like the others, the interaction with his siblings is quite well developed, with an accent on the twin thing with Nell.I'm not sure it was said before that they were twins,but it makes Shirley kicking him off Nell's wedding so much worse.
The floating thin man sequence is excellent. Like with the crawling zombie that attacked him in the basement, it's more monsters than ghosts here, he seems really too tall to be human.He doesn't seem aggressive though, just peacefully looking for his hat. However it's too bad we never see what happens when he finds Luke. Does he become aggressive ? Does he just disappears when Luke screams and other people wake up ? That would have been interesting to know.
In the same way, the how Luke became an addict would probably have been more interesting, but it's totally out of scope.
Since it's not clear that the ghosts would appear outside the house, and given the way it behaves, being visible only to him, even in daylight, the one that he sees following him as an adult is probably only in his head and not a real ghost, but that's pretty cool.
Guessing the next one is Nell and we'll see what happened to her.
From the perspective of writing in and of itself, of recovery, of general insight, of poetic view. This, in and of itself, as well as part of the series, is a good work. WAY beyond being part of a horror show. I loved the original HOHH, back in the day. But this, this is something else again.
That fuck!!!! The mother is going to drive them crazy!!
So, what happened to Nell if she didn't commit suicide then??
Poor Luke, that giant man was so creepy.
Wow ok, this was the moment I was HOOKED! What a fantastic, superbly produced show. Kudos.
I'm very much not a fan of shows featuring drug abuse and drug addicts, so the fact that I was able to have some sympathy for adult Luke says something about the actor and the directing here. Still, while I can appreciate it from a technical perspective, it wasn't entertaining or appealing to me in any other way, and it was decidedly un-scary. Sad and pathetic in many ways, but not scary. And that's not a good thing when the genre is horror.
8/10
Great now we're taking
Best episode by far
Lukes story was so
Well written and definitely
the most interesting
and the way They tied it
all in was some quality
writing right there.
Wow and what Luke was
seeing Holy-Shit.
poor Luke I definitely
feel for the guy he deserves better much better.
If the previous episodes
were as awesome as this
Was this show would have
been amazing and would
have had me hooked from
the beginning.
Hopefully the rest of
the season is as fantastic
as this episode,
(I didn't realise we had a
Twin Thing
going on either).
First episode to get
my Attention, now I
pray it keeps on delivering
on the good stuff.
This episode was really sad.
Excellent episode. Both for depicting so well Luke’s character and for scaring the sh:asterisk_symbol::asterisk_symbol: out of me in so many scenes...
I was wondering why an actor just from a supporting role from Faster was cast as the Invisible Man. Then I finally got the nerve to watch this series.
Oliver Jackson-Cohen is solid as older Luke in this and now I know he started getting bigger parts.
i am confused with the timeline in this episode.
This dedicating a chapter to a brother and seeing how he got to where he was seen before, is fine.
A complete masterpiece!
I like the director's work on the show, and how the cut scenes were implanted within each episode like one moment in the present, the next in the past, really EPIC!
Here's a quick message from me to this little kid who's acting "Luke".. I WILL MARRY YOU WHEN YOU GROW UP.. Period.
Shout by Pascal HartigBlockedParentSpoilers2018-10-14T16:08:56Z— updated 2018-11-02T14:28:44Z
Normally when comenting on shows or movies like this you need to preface it with
"given that this is a horror flick, ..." For this episode, that qualification is
unnecessary. It stands completely on its own. This isn't just a good hour of
scary entertainment, it's one of the best hours of television I've watched this
year.
The episode doesn't just completely recontextualise a story arch we've seen
before and changes the view we have on a character, but paints a really deep and
complex picture of a man dealing with grief and addiction. The horror elements
serve a greater purpose than just spooking the audience. They are a fundamental
part of our character's journey and affort us with a way to understand his inner
daemons in a very real way.
All of this coupled with the brilliant smooth and deliberate camera work that
keeps you at the edge of seat throughout makes this one of the most affecting
episodes of television I've seen this year.