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Private Notes
After the premiere chapter you will be able to immerse yourself in the memories that collect the past of the Moroccan War in 'The Post' together with the protagonists of 'Morocco: Love in Times of War'.
Amaia Salamanca has told us how the moment was shot when Julia enters an area of merchants, something dangerous for women at that time. The art team has recreated the port of Melilla in the middle of the field. Not the slightest detail escapes the action in which the leading actress of 'Times of War' ends with a bloody forehead.
The behind the scenes of how Marcel Borrás interprets his loss of vision and the creation of the dungeon on set.
Alicia Borrachero tells us how it was to make the scenes in which Carmen was at risk of death.
One of the fundamental parts of a spotless production such as 'Morroco: Love in Times of War' is the Department of Art. We have gone into the recording of the first chapter to discover some of the best kept secrets of the Art Director, Carlos Bodelón, to recreate the position of Igueriben during Guerra del Rif: "It’s wonderful to realize our ideas, which are often complex".
The filming of the most awaited kiss of, that of Fidel and Julia. Passion has emerged in the midst of war and has overcome reason. A very bucolic scene, says Amaia Salamanca. It was the first kiss of the protagonists of the series. Julia loved that kiss, for Alex it was a strange kiss "it was tinged with Susana and Andrés Pereda".
We live most of the filming of the seventh episode of 'Morocco: Love in Times of War' in the hospital of the Duchess of Victory as she has been quarantined several days for a case of meningitis. We also record outdoors with a large deployment of equipment and extras. But it wasn’t all work, there were also very funny moments and complicity between actors. We told you!
Recreating the field hospital of Fidel Calderón. Knowing that Fidel Pagés' great wish would come true in 'Morocco: Love in Times of War', was news that moved Álex García. In the end, this great step could prevent many of those wounded in the war from dying in the transfers. This is the field hospital of the series and this is how it was built.
The ninth installment of 'Morocco: Love in Times of War' surprised us with a bomb that exploded in the middle of the field hospital and took Pedro's life ahead. We see how David Pinillos conducts his chaos and how Alejandro and Pilar dance to the music of the 1920s. We discover the secrets of Vicente Márquez's office and the most unknown relationship between Anna Moliner and Daniel Lundh.
The season of 'Morocco: Love in Times of War' enters its final stretch with the tenth chapter. A delivery full of curiosities and details that frame it in the Rif war of 1921. The protagonists have been captured by the Riffians, we discovered how the sequence was re-created and how prisoners were treated at that time. We sneak behind the cameras of the filming and discover the most important historical figures.
We enter episode 11 where we live, behind the cameras the confrontation between Fidel and Andrés. We discovered what the most exclusive wardrobe in the series is, we see how the Nurse Ladies lived in the 1920s and we talked with a fighting descendant in the Annual Disaster.
We sneaked into the recording of the penultimate installment of 'Morocco: Love in Times of War' to discover the filming secrets. The plot of the chapter is the living reflection of the hard moments that were lived at that time in Melilla where people tried to flee when they panicked. We spoke with descendants of families dedicated to the militia, we discovered what it is to record with a baby on the set, we told you what was the only way to separate in the 20s and we see how the order of the sequences is not the same as that of recording.
'Morocco: Love in Times of war' has come to an end and the actors of the series have wanted to fire her in style. Discussions, history, explosions ... nothing was missing in the filming of the last chapter, which ended with applause, kisses and smiles for the job well done.
A duchess brings a group of high-classed women from Madrid to Melilla during the Rif War to open a hospital and help the wounded surrounded by rough conditions.
Julia does not leave the bed of her brother Pedro, who is gravely stricken; Pilar and Luis are hobbled behind the ambulance and try to escape the attack of the Rif; Fidel, the chief doctor of the hospital, saves the life of Commander Silva, who reproaches him for having abandoned the soldiers.
Larbi, Julia and Pedro deal with the repercussions of their actions. On a visit to Larbi's home, Magdalena is affected by extreme emotion.
Carmen's ailment worsens and becomes deadly after she finds herself amid an ambush. As he's recuperating in the hospital, Andrés' friend from prison recognizes Julia.
In the hospital there is no news of what happened with the rescue operation. Julia is very concerned not only about Andres, but also about Fidel, though he does not tell anyone about it. Susana is scared when her father tells her that communication with the rescue column has been lost.
Pilar eavesdrops on Raquel confessing something to her father. On a visit to Melilla, the queen seals Carmen's fate. Fidel confesses his passion to Julia.
Fatally wounded Román is discovered on the hospital steps. The hospital goes into quarantine after Ahmed gets meningitis.
Bewildered, Magdalena babbles on to Larbi. Fidel is granted permission to open a battlefront hospital. An odd patient falls for Pilar.
The command receives news of the rebel counterattack and the large number of casualties that have occurred; Andrés asks again to return to the front, but Julia begs him not to do it; at the hospital, Carmen and the rest of the nurses await the arrival of Fidel.
Fidel and Julia spend a night together, acting on their romantic passion. Magdalena chooses to go back to Madrid. Verónica is surprised by an unexpected guest.
Fidel and Julia have difficulty keeping their love a secret. Andrés is skeptical of the army's financial situation. Magdalena reveals her big news in Madrid.
Fidel has to decide between Susana or Julia. Magdalena makes a decision about her future but deals with an unexpected ramification. Raquel gives birth.
Susana's mother tells a lie to keep Fidel in Melilla; pain forces Carmen to undergo a biopsy; postpartum fever leads Raquel to act dangerously.
