IT'S A SAD DARK DAY IN
THE MCU WITH THE LOSS OF CHADWICK BOSEMAN
HE WAS THE TRUE KING OF THE MCU AND A TRUE WARRIOR JUST HOW HE WAS IN LIFE. WITH GREAT SADNESS AND A HEAVY HEART
I SAY WE ARE AN AVENGER DOWN. THANK-YOU FOR BRINGING
THE BLACK PANTHER
TO LIFE IN THE MCU
LIKE ONLY YOU COULD.
IT WAS AN HONOUR SIR
YOU INSPIRED THE WORLD.
KING T'CHALLA
REST IN POWER
WAKANDA FOREVER
Very realistic and very sad. I don't think it ends as well as it could have. Everyone though should watch this. I really do love these sparkshorts.
Mostly a very fun movie to watch and the ABBA songs were very catchy of course. Don't watch it if you want a great plot because it's kinda over the top but a lot of fun.
A warm, cozy fairy tale that feels more like a Disney production than the latest entry in Pixar's storybook. It's sweet, quirky and funny, but routinely falls back on familiar motifs and often seems criminally under-explored. Since the vast majority of the action takes place in and around a single locale, there's a claustrophobic quality in the air that never truly dissipates, robbing us of the grand scale that's been present in every one of the animation factory's preceding works.
It's no more than a straightforward telling of a reasonably interesting fable, with only a few short jolts of the unique character and timely laughs I've come to expect from the troupe. Of course, there's no arguing the fact that Pixar knows how to produce gorgeous scenery, and Brave is yet another leap forward in that regard; the surrounding landscapes are unanimously breathtaking, and Princess Merida's hair is constantly bouncy and lifelike, truly a character unto itself. It's an enjoyable fresh ride and a marked improvement over the lifeless Cars 2, but misses the depth and flair that made me fall so deeply in love with the studio's classics.
What I love about these short films from Pixar is how creative and extremely funny slap stick humor, and 'Presto' is nothing short as a brilliant short animated film - with a lot of effort and passion in to it.
I won't say anything else because I want you the viewer to check it out yourself without knowing nothing. Just go in blind just like I did.
Tables turn as a charming young girl bursts through her own closet door and sends shivers through the monsters on the other side. Everything about this is wonderful, from the essentially Pixar concept to the warm, sentimental relationships at its core. Even the animation has held up quite well, which isn't always the case with these early CG efforts: humans still look a bit wonky, but most of the cast seems drawn straight from the pages of a Caldecott winner and that kind of bright, absurd character works beautifully.
John Goodman and Billy Crystal carry most of the heavy-lifting as Mike and Sulley, blue collar creatures with an easy, free-flowing rapport, but three-year-old Mary Gibbs threatens to steal the scene every time she gets the chance with her adorable almost-words and penetrating good cheer.
Exceedingly well-balanced, with the kind of imagination that keeps mouths gaping and so much heart, even the boogeyman might have to fight back a tear or two. One of my favorites of the entire Pixar catalog, it swings hard and connects on every level. Sweet, sad, silly and stupendous, a timeless classic that I was glad to share with my kids.
Fun bit with Rex. I like Rex actually knowing about the history of real dinosaurs, and Forky’s obliviousness is a good comic mode. These already have something of a rhythm which becomes less novel as you go, but they’re short and sweet, so it still works.
I have a very big question ... If they used a gem and only brought back half down their father's body, why if they use another gem, the upper half of the body isn't appear for another whole day yet?
So cute. Incredibly catchy too!
An amazing movie, and a masterclass in storytelling and existentialism without beating you over the head with it.
2020-01-01T00:00:00Z2020-12-31T23:59:59Z