"in this terrifying world, all we have is the connections that we make".
Where is season two, I am Jonesing!!!!
If you are looking for a great show to watch with your kids, this is one to check out. You can never go wrong with a show that features a image of "Bat Boy" in the opening credits.
holy cow I love this show!
Started watching this on Saturday with my wife. went in with no expecations and it blew us away!!
A must see!! Dont see a lot of shows so well written these days.
They always say “read the book first” but sometimes it is fascinating watching a film version without any knowledge of the text it is based on. Book fans can get quite agitated at seeing their vision or interpretation of the book trampled on in some way but at the same time if the film doesn’t capture the essence of the book in some way, then what’s the point ? Looking at this purely as a film, it is enjoyable to watch, but what is a little disappointing is Luhrmann seems to be trying to recapture much of what made Moulin Rouge so great and repeating himself, sometimes successfully and sometimes less so. The fast paced editing, visual style, music and direction captures the decadence, glamour and excess of Gatsby’s world in much the same way, though equally this heightened anachronistic interpretation of the 1920s will no doubt delight or irritate in much the same way too. Both DiCaprio and Maguire are excellent as Gatsby and Carroway and the strongest moments of the film are their scenes together. Indeed, the exploration of the character of Gatsby himself, his motivations, hopes and backstory and importantly Carroway’s interpretation of him form much of what works well within the film and it was no surprise to learn that these two were cast well before others. Luhrmann evokes a great sense of mystery and intrigue over Gatsby's character initially, gradually revealing elements over the course of the film and DiCaprio's presence and charisma serve the character well. The overarching narration that served Moulin Rouge so well is also present, however here it feels heavy handed and ultimately unnecessary (despite some clever visual trickery with words from the book), with Luhrmann seemingly unwilling to let the audience take their own interpretation of the story from what is presented. Furthermore, whilst Mulligan is fine as the central female character, it is difficult to care about her other than through Gatsby’s motivation and Edgerton’s performance veers towards pantomime on occasion, another stylistic conceit seemingly lifted from Moulin Rouge. These two characters may well serve to underline one of the film’s themes at the end but it makes it very difficult to accept Gatsby’s motivation other than through DiCaprio’s admittedly great performance. A partial return to form then for Luhrmann after Australia, but not wholly successful either.
So, it turns out that the man in the high castle is... well, I won't spoil it for those who have not seen it. But we saw just one guy who lived in a high castle and collected films.
Again, without spoiling, I think the ending was superb. I think the show out-Dicked Philip K. Dick. Dick suffered from schizophrenia, and so his feeling that the world was not real is a constant theme in his books. The changes the TV show made relative to the book actually improved the portrayal of an unreal reality, in my opinion.
For those who were left confused by the ending, consult the I Ching.
Fairly average pilot.. a bit far-fetched. None of the actors speak German or Japanese, which kind of kills the realism (some of the soldiers are supposed to be American Nazi's, which is fair enough).
I might come back to it eventually.
Something very interesting happened between the time I did stream this pilot from Amazon Prime for the first time, and eight months later, that I'm checking it out again. In the weeks following the premiere, writer Agness Kaku complained about that many of the japanese signs in the show were utter non-sense, like the word "Respect" written all over the place, an ad for "Viper Pharmacy" hanging in a place of honor in the Aikido dojo, the fact that naming San Francisco's International Airport as "Hiroito" and the bus station as "Imperial" violates Japanese naming customs and Joel de la Fuente delivering a line that was apparently written using Google Translate ("Yes, let us go then, you and I, when the evening is spread out against the sky. Ta, my good suspect!"). Well, the producers made a different cut, that's the one available for streaming now: the scene with the badly translated line was cut entirely, and several signs on the street (and the one in the dojo) were digitally changed for something more realistic. The Hiroito International Airport and bus station stayed, oddly. Also the Blade Runner homage in the Sunrise Cafe was cut short, and the pilot now has a different narrative, adding more bits here and there, and a whole different ending, with more scenes mashed up to add exposition and increase the story's relationship with the I Ching (as in the source material). Isn't a bad cut at all, and it feels different, probably better than the original.
Incredible episode! Can't stop thinking about it all.
3 great episodes, 9 ranging from utter shit to acceptable. Easily the worst season since the reboot. the plots were incredibly predictable this time around. This is the first time a season of Doctor Who really felt like a kids' show to me, the writing was just so weak and generic, this season only manages to impress if you're familiar with a...limited amount of other media.
I cannot believe this... I actually cried. She was my favorite character
I guess I can never watch Game of Thrones again without hating Aria...
What the hell is up with all the Clara hate in the comments? She was an amazing character and I will miss her badly.
It forced me to buy a Twinkie, and I it was disgusting :D The movie was funny, though.
Interstellar was alright.
To start with, the opening was very clunky. Obviously some exposition was necessary but it wasn't done naturally at all. Here, meet Cooper, just your average, every day engineer-scientist-quantum-physicist-drone-programmer-explorer-pioneer-farmer-pilot. Avoiding information dumps isn't really either Nolan's strong suit and while later on, especially on the space ship, expository dialogue is definitely necessary considering the subject matter, it still comes across as awkward. Cooper is occasionally an expert on things that should be beyond him (which, of course, he conveniently explains for you), while at other times he's completely clueless about things that he should really know about in his position (which, of course, somebody else conveniently explains for you). Cooper isn't the only one guilty of this though, everybody else on the spaceship likewise seem very ill-prepared for such a trip.
Speaking of characters who aren't Cooper, everybody else's characterisation is terrible. You don't know anything at all about two members of the crew, and somehow you're meant to care about one of their completely avoidable deaths (come on, he got to the ship first, he could have easily gotten in without getting in the way of TARS)? Somehow you're also meant to care about My Cocaine's death (which I'll get to in a moment) because he's a father of somebody? They're not even shown to have a close relationship or anything, it seemed more just an excuse to make a big reveal (which I'll also get to in a moment). His daughter, Anne Hathaway's character, also doesn't seem to have much of a personality until it turns out that hey, she's actually in love with this person you've never met. Even this "aspect" of her otherwise bland character seems to just have been added in as a lazy way to flesh her out and add unnecessary conflict. On the subject of unnecessary conflict, both the children, Murph and Tom, make really irrational decisions. When Murph tells Tom that he should move to save his family, he gets really upset because... who knows? And then even though he's given up hope on his dad, it's magically all okay later on when, after burning his crops, Murph tells him some nonsense about "hey, it was him all along, it was him, our father sob". Prior to that of course, Murph's been holding a grudge against Cooper for like three decades, even though she knew for a large chunk of that what he was up to, after she began work at NASA. This relationship gets all sorted out when she has her magical realisation that the ghost was Cooper all along even though that's just a huge leap of faith and there's nothing to indicate that might be the case, unless, of course, it was ~love~ (which, yes, I'll get to in a moment too).
Back to the death bed scene. It had terrible sound mixing as you struggled to understand what My Cocaine was saying at all, but even worse it lacked any emotional significance as mentioned above, instead serving to make the reveal that he never wanted to go with Plan A all along. Of course, like all final words, it also ends with a very convenient moment where, instead of letting Murph know that her father didn't know anything about this, he decides to recite a poem because you gotta have that pointless ambiguity and conflict. This big reveal about it ends up removing any tension that might have happened when you get told the same twist later by Matt Damon; there's no emotional impact as you were just told that ten minutes ago and you've had that whole time to let it sink in. Instead, you're just sitting there for a couple of minutes waiting for the characters on screen to come to terms with it.
Now to the script. The script was terrible. The expository dialogue was really bad, as mentioned above, and there were just so many cheesy lines in it. All the idealistic things that were being spouted out just made me roll my eyes, with all the "we're pioneers, humanity was born here, but we weren't meant to die here" crap. And of course love transcends time and space and everything. Anne Hathaway knows that one planet is better than the other because of ~love~. The whole reason Cooper can contact Murph and all that is because of ~love~. Love conquers all, man.
For some more minor things, using Morse code to be able to communicate data related to astrophysics and then magically using this to "solve" gravity is just dumb. Messing with time didn't always work out like somebody casually waiting for 23 years and then acting like it's nothing when they see humans for the first time again, or how Jason Bourne can sprint back to the station in five minutes when it clearly took at least an hour to walk from. A lot of the things with planets wouldn't really work: all the waves stuff, how shallow the water is and their drop, solid ice clouds, the fact that they can escape from a planet with 130% gravity just in their spaceship, but whatever, I've tried to avoid criticising the science because it's not really a big deal and even though it's sort of set up as being a realistic film, it's still just a movie. Besides, the science is mostly theoretical and speculation anyway so who knows, they might not be wrong about anything at all (they are). How come nobody cares what Cooper got up to in the 100 years he was gone? Also that's not what Murphy's law is.
Of course, it does a lot right, in particular the visual effects were really good and the score was absolutely outstanding, it definitely added a lot to the atmosphere, as did the use of silence. The docking, the way the takeoff was handled, entering the wormhole and some other scenes were really well-done too. TARS was great.
Now, despite having written all that, I'd still recommend watching it, especially in a cinema. I can definitely admire the film's scope and I'm really glad that somebody's able to attempt something like this while still having it be considered mainstream cinema. However, the people who are saying it's one of the best films of all time are absolutely kidding themselves; I'm yet to see Insomnia, but otherwise Interstellar is Nolan's second worst film, ahead of only TDKR. Of course, the fact that I've written so much about it obviously means I care and it certainly was thought-provoking and visually splendid, so even if I had a lot of issues with it, you should watch it if you haven't already and who knows, maybe you'll love it. At the very least, it's definitely Nolan's most ambitious film to date.
That this movie, at the time of writing this, holds an 8.8 rating at IMDb is simply beyond my understanding. Needless to say I did not really like this movie. The story is not very good, the science is ludicrous and the visuals not all that impressive. Maybe the latter would be better in a big theater (I watched this on my home cinema system which has a relatively large screen by European standards) but I am not really sure about that either.
Be warned that the rest of this review might contain a spoiler or two.
The movie starts of with the usual “I told you so” wet dream of the green fanatics on a dying Earth so it is off to a depressing start right away. That is an overused concept today as far as I am concerned. Then they pour it on with a school official claiming that he Apollo missions and moon landings never happened. What the f…? If they wanted to depress the audience right from the start they succeeded, at least with this audience.
The story proceeds with our heroes finding these gravity waves in the sand and by a huge stretch of imagination decrypts them to mean coordinates which leads them to the secret NASA base. Once there Cooper is told that he is their best choice of pilot for a “save the human race” mission through a wormhole. Yeah, right! This guy was former NASA. His whereabouts could hardly been unknown to them. If he was their best choice why would they entrust a mission to save the human race to someone else until he stumbled onto their door? Typical Hollywood nonsense!
The movie is full of this kind of rubbish. Romilly wastes 23 years of his life doing pretty much nothing except deciding not to go into the sleep capsule. The supposedly highly trained and vetted professor that they do find turns out to be a psychopath as well as and idiot almost blowing up the ship when trying to proceed with a docking that all the systems tells him have not succeeded. Then they proceed to dock with the main ship and stop its spin as well as bring it out of orbit around a planet with the shuttles engines. That is one hell of a powerful shuttle not to mention the strength of the docking mechanism! This just goes on. When someone is not doing something illogical or stupid (or both) they sit around talking, philosophizing and dragging the movie forward at snails pace. 169 minutes is way too much for this movie.
The movie ends up in one big time travel mess (okay they do not travel in time, just sends messages through time but still…) during a bunch of psychedelic scenes while traveling through the back hole. Science? Not so much. And what about this totally ludicrous massively illogical and inefficient robot design?
The one good thing I can say about this movie is that the performance of most of the actors, especially Matthew McConaughey, are quite good. For the rest, not my cup of tea.
Ugh, another «the Doctor holds a crappy sappy 15 minute speech and all is magically resolved and all issues that had before been raised magically dissipate into thin air» ending. Great, just what the show needed. More plot holes than the episode had frames, too. And don't even get me started on the double Oswin representing peace or some bullshit side-plot and the «President of Earth» thing returning.
Especially disappointing because the first episode of this two-parter, despite all of its flaws, at least seemed somewhat promising. On the bright side, Jenna absolutely nailed playing an «evil» character, and Capaldi made the best out of the mess he was given.
HATS OFF FOR DAVID TENNANT and his incredible performance, here and through the whole series.
Claire Temple showing up was really awesome! Loved the mentions to her other 'special' friend and her interactions with Jess!
Now we're really cooking! Lots went on in this episode. Gonna be some serious ramifications.
Finished binge watching the series and wow, what a great series it was! Very true to the original tone of the comics with some great references to the MCU and Netflix Daredevil series. Can't wait to see more of Jess in the Defenders show and hopefully in future upcoming Marvel Netflix series!
Cant wait this show is gonna be BIG!
An excellent comedy. With the end of Parks and Rec, this and Brooklyn Nine-Nine are my favourite comedies on TV right now.
Thrilling, creative and well acted. There was a lot of doubts about Edge of Tomorrow, but for me it seemed very cool and since I first saw the trailer that I was excited to see it. Today I finally had the chance to catch it and I really enjoyed!
The concept of the story is so cool! Something between Source Code and a mix of many war films. The action sequences of war are absolutely amazing and the special effects so well done! With a fantastic and super original Sci-Fi story you will be intrigued until the very last minute and you can't even predict what is coming next.
What I wasn't expecting was the amount of humour the film has. Those comical parts go very well with the story and are very well delivered. I let go an amount of spontaneous laughs throughout the story and that was great.
Tom Cruise was really great that his role! We already know that through the last few years he is a guy that likes to do this kind of physically difficult roles full of action and he certainly is in shape for that. I confess that I prefer the 80's and 90's Tom Cruise but he was pretty good in this and that is the Tom Cruise that I wanna continue to see! (although last year I also liked to see him in Oblivion which I think is not as bad as many say). Emily Blunt is a good actress, seeing her in this badass role was awesome! The chemistry between Cruise and Blunt was fantastic! I really liked Bill Paxton's character too.
I heard somewhere that this film was "the best video game film that was not based in a video game" and while I was watching it I really felt that! It was so cool to almost feel that I was actually playing a video game something like "Oh sh*t GAME OVER, start all over again!" haha
First was X-Men: Days of Future Past and now Edge of Tomorrow. Two great Blockbusters! Will this Summer continue to be great? I hope so!
I shouldn't have watched the entire season in one day but I regret nothing
best episode all season. this was really emotional. :')
The show is amazing, good dynamic, great characters, seems like we found a new great tv show.
