Shout by Mohamed Milanoo

Full Metal Jacket 1987

Although ostensibly following Modine's character, Kubrick's detached style makes it difficult to care about him or any of the principal characters. Instead, the characters exist to serve a series of vignettes detailing the nature of war and the cost to the soldiers that are trained. This could be any war - substitute the jungle for the desert and you could also have the Iraq war. There are some memorable moments in this film which also feel disturbingly horrific and beautiful at the same time - the reveal of an enemy sniper, D'Onofrio's greeting in the bathroom, and the final shots of soldiers walking through a burning city - but then Kubrick certainly knows how to frame a shot. The occasional voiceover from Modine, however, feels completely unnecessary.

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