Stan & Ollie 2018

While the film is an incredible and affectionately made tribute to the boys, there is a fair amount of artistic licence used and the film’s story differs from real life events.

“Zenobia” - The Elephant Film....

In “Stan and Ollie”, the film portrays Stan at Fox Studios ready to sign a contract but Ollie doesn’t turn up because he’s still at Hal Roach Studios, making “the elephant film” ( the actual title was “Zenobia”).

In reality, after leaving Roach Studios in 1940, both Laurel and Hardy made 6 films with Fox Studios and 2 films for MGM between 1941 - 1945. (Therefore Ollie did actually turn up to sign the contracts.)

“Zenobia” was made in 1938, when Stan’s contract with Roach had terminated and he was unwilling to sign a new contract with Roach until Ollie’s had expired too. Therefore they could sign a contract at the same time together. It was the next best thing to having a joint contract.

While the “Stan and Ollie” film portrays them both as remaining bitter about “the elephant film” and eventually having an argument in public about it, the reality was that it was never an issue between them. By all accounts, they always remained friends and never had a falling out.

“Stan and Ollie” doesn’t mention the fact that Ollie appeared in two further films without Stan. “The Fighting Kentuckian” (1949) starring John Wayne and “Riding High” (1950) starring Bing Crosby.
If “the elephant film” was such a big issue between them, it’s doubtful Ollie would have appeared in two more films without Stan.

Nobby Cook.....

In the biopic, when Ollie falls ill, tour manager Bernard Delfont convinces Stan to temporarily join a new comedy partner named Nobby Cook. Due to his loyalty towards Ollie, Stan backs out at last minute, causing them to cancel the show.

Nobby Cook was actually a fictional character created for the “Stan and Ollie” film. There was never any attempt to form a new partnership. In reality, Ollie suffered a mild heart attack in Plymouth in May 1954. He recovered at the Grand Hotel and they both sailed back to the United States on 2 June. Ollie sadly passed away in 1957.

The UK Tours....

Laurel and Hardy toured the UK in 1947, 1952 and 1953-54. They had also arrived in the UK for a holiday back in 1932, however the huge crowds of people that greeted them prevented any relaxation they might have hoped for.

The “Stan and Ollie” film portrayed it as though they’d lost their popularity and that they were initially playing to almost empty theatres. In reality their first tours were highly successful. The crowds that greeted them at each public event can only be compared to Beatlemania.

It was only on their final tour in 1953-54 that audience numbers occasionally dropped but certainly not to the same extent portrayed in the film. Contemporary reviews of this tour were also mixed, most likely due to Ollie’s failing health.

On all of their tours they were part of a package variety show with a number of different acts on the bill.

Hal Roach Studios - The Lot Of Fun.....

Laurel and Hardy’s film producer, Hal Roach was nothing like how he was portrayed in the biopic. All of his actors and crew were extremely well paid.

In 1934, Roach paid himself $2,000 a week, Ollie also received $2,000 a week and Stan was on $3,500 a week. Therefore Roach was paying Stan Laurel more money than he was even paying himself. This was reflective of the many extra hours Stan spent working with the writers before and during the production and then working with editor Bert Jordan after photography was completed.

If certain scenes didn’t play too well in the previews, Roach never objected to spending more time and money to make it a better comedy film.

According to Laurel and Hardy film historian, Randy Skretvedt: “Roach actually lost money by making the three and four-reel films because the agreement was for a set number of two-reelers.”

On making the four-reel Laurel and Hardy film “Beau Hunks” Roach told Skretvedt: “It was already sold as a two-reeler; we couldn’t get any more dough out of all the circuits because they’d already bought it. But it was just one of those things; it was intended to be a two-reel comedy, but it kept getting funnier.”

Roach kept Laurel and Hardy on separate contracts that expired six months apart. This was to encourage them to stay at his studio. While some would say that this was a manipulative arrangement, it is understandable that Hal Roach wanted to keep the biggest comedy stars of the day at his studio. Especially considering the fact that his first major star, Harold Lloyd left his studio in 1923 to produce his own films.

In the Laurel and Hardy Encyclopedia, Glenn Mitchell writes: “Though necessarily ruthless, Roach permitted his employees a mostly free hand with an agreeable environment; most agree that there was no finer boss.”

“There’s been no other studio to date like it. MGM, Fox, Universal - they were nothing but machines. The Roach lot was very individual. And the people there had talent with a wonderful sense of humor. The Roach studio was nicknamed ‘The Lot of Fun’ because it was a comedy studio - and it was a lot of fun”. - Roy Seawright, optical effects department. Quote from “Laurel and Hardy, The Magic Behind The Movies”, Skretvedt.

"Much of the time, you feel like you're beholding the real duo, so thoroughly conceived are the actors' physicality and performances”. - Todd McCarthy, The Hollywood Reporter.

While “Stan and Ollie” is a fictional re-imagining of the events and creative with the facts, it is certainly an excellent tribute to their work and legacy. Many skeptics have been astonished by the skilled performances of Steve Coogan and John C. Reilly and most agree that they couldn’t have chosen anyone better to play the parts.

The costumes and set designs for the film are nothing short of phenomenal. During the re-creation of the famous dance sequence (from their 1937 feature “Way Out West”), they were able to use exactly the same background footage used in the original film. It’s this attention to detail which makes the viewer believe they’re watching the original sequences.

Most importantly, the film has helped put Laurel and Hardy back in the limelight and encouraged parents to show their children the greatest comedy films of all time. Their timeless humour appeals to all ages and this film has helped introduce them to a new generation.

It is a very funny and moving film made with genuine affection for the comedy of Laurel and Hardy.