There is no point in turning a story that already had racial components into a silly representation of BLM. Candyman killed to avoid being forgotten, but now kills for racial revenge, which simplifies the depth of the proposal. Nia Dacosta's forceful directing and Robert Aiki's extraordinary electroacoustic soundtrack elevate the quality of a film that sacrifices the horror in favor of a simplistic racial view.
Shout by Miguel A. ReinaBlockedParent2021-09-18T10:17:53Z
There is no point in turning a story that already had racial components into a silly representation of BLM. Candyman killed to avoid being forgotten, but now kills for racial revenge, which simplifies the depth of the proposal. Nia Dacosta's forceful directing and Robert Aiki's extraordinary electroacoustic soundtrack elevate the quality of a film that sacrifices the horror in favor of a simplistic racial view.