Shout by nadenrhys

Jam 2000

Morris attempts to synthesise a trademark British 'nonsensical' sketch schema with a hyper-modern grotesque, yet neither works individually or in conjunction with one another. Rather than unveiling a turn-of-the-century horror that had been glossed over by Blairite managerialism, it simply acts as yet another means for a British comic writer to suck themselves off.

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