It is a pleasure to see Ennio Morricone remember with surprising memory and get emotional, despite the chaos of formats that Tornatore introduces. It is a necessary documentary to place the Maestro in the orbit of his relevance in the contemporary music, but many interviewees are underused. Curiously, those who contribute the least are the other soundtrack composers (Hans Zimmer, Mychael Danna, John Williams...), with the exception of Nicola Piovani, always correct in his thoughts. Too much praise and lack of depth, but moving.
Shout by Miguel A. ReinaBlockedParent2022-09-12T07:03:32Z
It is a pleasure to see Ennio Morricone remember with surprising memory and get emotional, despite the chaos of formats that Tornatore introduces. It is a necessary documentary to place the Maestro in the orbit of his relevance in the contemporary music, but many interviewees are underused. Curiously, those who contribute the least are the other soundtrack composers (Hans Zimmer, Mychael Danna, John Williams...), with the exception of Nicola Piovani, always correct in his thoughts. Too much praise and lack of depth, but moving.