Shout by Miguel A. Reina

The Beasts 2022

The film practices the exercise of increasing tension in which the director feels comfortable, but makes a brave turn in which the point of view is broken, causing less physical but more suffocating anguish. There are great moments in sequence shots that allow the actors to demonstrate their commitment to their characters, and an intelligent reflection on utopias and realities, on empty Spain and irrational hatred. Which places it along with "Speak no evil" as the two most disturbing representations about the human being that have been made this year.

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