There's a subtle construction that is sustained in two long sequences during the first part: the interview and the class. They are the two springs that raise the main themes of the film, and for this reason the structure proposed by Todd Field is exquisite and intelligent. The secrets are the inner demons, the symbolic representation of a persecution that is more psychological. Supported by a superb Cate Blanchett, the film has that Kubrickian film planning that at times can be too obvious, but feels comfortable in the construction of spaces that suffocate and imprison, despite their breadth.
Shout by Miguel A. ReinaBlockedParent2022-12-24T11:54:29Z
There's a subtle construction that is sustained in two long sequences during the first part: the interview and the class. They are the two springs that raise the main themes of the film, and for this reason the structure proposed by Todd Field is exquisite and intelligent. The secrets are the inner demons, the symbolic representation of a persecution that is more psychological. Supported by a superb Cate Blanchett, the film has that Kubrickian film planning that at times can be too obvious, but feels comfortable in the construction of spaces that suffocate and imprison, despite their breadth.