[Filmin] Cinema has these grandeurs. Now praised by Sight and Sound magazine, it provokes an incomplete but necessary retrospective on streaming platforms of a director who avoided the "feminist label" that was awarded to her. Her cinema is more than that, it's a humanist cinema that observes what the surface shows to investigate what happens inside. Even different from the rest of her filmography, the representation of daily actions causes memories and identification to emerge. Those "Jeanne moments" that appear in certain daily actions and that bring back scenes that you didn't know had remained so impregnated in your memory.

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