[7.6/10] To quote an equally regal television program, Agents of Shield, it turns out that the former King Edward is a “big fat friggin’ Nazi.”
Frankly, the episode works better as almost a news program or a recitation of historical events more than a drama. I knew through cultural osmosis that Edward and Wallis had cozied up to the Germans in some form or fashion over the years. I did not know that they fed intel to the Nazis, that Edward wanted to be reinstalled on the throne as a puppet king, that they’d seen concentration camps and continued to sidle up to Hitler and company, and that he encouraged the Germans to keep blitzing his home country to soften them up for “peace.”
Fuck him.
If I haven't made it clear in these write-ups, I think it’s important to separate these historical figures as they appear in a television show that needs tidy stories and drama from their real life equivalents. I’m sure many of the events that The Crown depicts don’t align with reality, but take advantage of poetic license or the usual excesses of adaptation to make things more palatable and interesting. So when I gripe about Philip’s attitude or chuckle at Tommy Lascelles’ stuffiness or the like, I do so as though they’re fictional characters, in full acceptance of my general ignorance about the real folks.
But not with Edward. I’m no historian, but there’s credible information in the public record to support this. And even if the worst isn’t true, enough is damn the man. So fuck him.
Honestly, that's the most compelling part of “Vergangenheit”. This is bombshell information to ignorant Americans like me more than half a century later. The history comes alive from seeing the aghast reaction of the Queen Mother, or the events illustrated with Tommy’s voice over. Reaction shots and camera angles and haunting music help sell the magnitude of the reveal. But by god, the information itself is plenty.
The show does a good job of selling the magnitude of the information through the grammar of television long before we know the details. The Germany flashback is unique enough to catch the audience’s attention. And the urgency with which the details are raced from desk clerk to supervisor to the highest levels of government tell you this is some big deal stuff. Hell, the simple fact that they brought back John Lithgow and Jared Harris to reprise the roles of Churchill and King George is a sign. The way it’s talked about with wide eyes and hushed tones sacross the government really leaves you salivating to learn the facts, however horrid they may be.
But truthfully, the character drama doesn’t do much for me here. On paper, I think there’s something intriguing about Elizabeth being a devoted Christsian who wants to practice Christlike forgiveness and struggles to do so given what she learns. You can see her noble devotion to ideas of grace and second chances, and the comfort she finds in religion as a place where she doesn’t have to be The Crown, but can just be “another humble Christsian.”
I have a couple problems with it though. For one, her catalysts for all of this is Billy Graham, whom I mostly know for his antisemetic comments, and his stances against women’s rights and LGBTQ rights. So him as the humble bastion of piety from North Carolina who moves the heart of the Queen doesn't do much for me, and if anything, makes his counsel seem like snake oil. Now maybe that's the point. Maybe Elizabeth is swayed by this man’s decent words without knowing the dark parts of his heart the same way she was with Edward, but you don’t get many hints of that in the text.
More to the point, the dilemma doesn't resonate with me once we find out what she finds out about Edward. I believe in forgiveness and second chances. And still, maybe I’m simply not as pious as Elizabeth is, but it seems like an ethical slam dunk to basically excommunicate him given his crimes. I completely buy that Elizabeth would wrestle with it given her mentality, but it’s hard to feel that in the same way when I’m mainly just aghast at Edwarad’s sins. Hell, the second most I’ve liked Philip (after his penitent Xmas address from overseas) is him telling his wife that she 100% did the right thing, (and the Queen Mother and Tommy agreed over drinks, no less!)
The show does suggest a little divine retribution for Edward. Just when he’s positioning himself for a return to public life, just when he thinks he’ll be able to live a life of purpose again, this damning revelation spills out and dashes it all. I don't really feel for him, since my sympathy for those who sympathize with Nazis is pretty slim, but you do feel his ennui living a life of opulent dullery, a bored showpony paraded about in vapid social engagements.
That's the one area of the divine angle here that really works. Elizabeth cannot forgive Edward, but pray’s for him to recognize the error of his ways, that they can forgive themselves. And maybe I’m reading too much into it, but I take his sullen look in the mirror to be a literal reflection of that, a recognition that this is a mess he made himself, that if insipid card games, silly costumes, and dull parties are his personal hell, he punched his own ticket with his sins against country and countrymen. That is a sad fate, even if it’s a deserved one.
Review by Andrew BloomVIP 9BlockedParentSpoilers2023-08-11T03:54:40Z
[7.6/10] To quote an equally regal television program, Agents of Shield, it turns out that the former King Edward is a “big fat friggin’ Nazi.”
Frankly, the episode works better as almost a news program or a recitation of historical events more than a drama. I knew through cultural osmosis that Edward and Wallis had cozied up to the Germans in some form or fashion over the years. I did not know that they fed intel to the Nazis, that Edward wanted to be reinstalled on the throne as a puppet king, that they’d seen concentration camps and continued to sidle up to Hitler and company, and that he encouraged the Germans to keep blitzing his home country to soften them up for “peace.”
Fuck him.
If I haven't made it clear in these write-ups, I think it’s important to separate these historical figures as they appear in a television show that needs tidy stories and drama from their real life equivalents. I’m sure many of the events that The Crown depicts don’t align with reality, but take advantage of poetic license or the usual excesses of adaptation to make things more palatable and interesting. So when I gripe about Philip’s attitude or chuckle at Tommy Lascelles’ stuffiness or the like, I do so as though they’re fictional characters, in full acceptance of my general ignorance about the real folks.
But not with Edward. I’m no historian, but there’s credible information in the public record to support this. And even if the worst isn’t true, enough is damn the man. So fuck him.
Honestly, that's the most compelling part of “Vergangenheit”. This is bombshell information to ignorant Americans like me more than half a century later. The history comes alive from seeing the aghast reaction of the Queen Mother, or the events illustrated with Tommy’s voice over. Reaction shots and camera angles and haunting music help sell the magnitude of the reveal. But by god, the information itself is plenty.
The show does a good job of selling the magnitude of the information through the grammar of television long before we know the details. The Germany flashback is unique enough to catch the audience’s attention. And the urgency with which the details are raced from desk clerk to supervisor to the highest levels of government tell you this is some big deal stuff. Hell, the simple fact that they brought back John Lithgow and Jared Harris to reprise the roles of Churchill and King George is a sign. The way it’s talked about with wide eyes and hushed tones sacross the government really leaves you salivating to learn the facts, however horrid they may be.
But truthfully, the character drama doesn’t do much for me here. On paper, I think there’s something intriguing about Elizabeth being a devoted Christsian who wants to practice Christlike forgiveness and struggles to do so given what she learns. You can see her noble devotion to ideas of grace and second chances, and the comfort she finds in religion as a place where she doesn’t have to be The Crown, but can just be “another humble Christsian.”
I have a couple problems with it though. For one, her catalysts for all of this is Billy Graham, whom I mostly know for his antisemetic comments, and his stances against women’s rights and LGBTQ rights. So him as the humble bastion of piety from North Carolina who moves the heart of the Queen doesn't do much for me, and if anything, makes his counsel seem like snake oil. Now maybe that's the point. Maybe Elizabeth is swayed by this man’s decent words without knowing the dark parts of his heart the same way she was with Edward, but you don’t get many hints of that in the text.
More to the point, the dilemma doesn't resonate with me once we find out what she finds out about Edward. I believe in forgiveness and second chances. And still, maybe I’m simply not as pious as Elizabeth is, but it seems like an ethical slam dunk to basically excommunicate him given his crimes. I completely buy that Elizabeth would wrestle with it given her mentality, but it’s hard to feel that in the same way when I’m mainly just aghast at Edwarad’s sins. Hell, the second most I’ve liked Philip (after his penitent Xmas address from overseas) is him telling his wife that she 100% did the right thing, (and the Queen Mother and Tommy agreed over drinks, no less!)
The show does suggest a little divine retribution for Edward. Just when he’s positioning himself for a return to public life, just when he thinks he’ll be able to live a life of purpose again, this damning revelation spills out and dashes it all. I don't really feel for him, since my sympathy for those who sympathize with Nazis is pretty slim, but you do feel his ennui living a life of opulent dullery, a bored showpony paraded about in vapid social engagements.
That's the one area of the divine angle here that really works. Elizabeth cannot forgive Edward, but pray’s for him to recognize the error of his ways, that they can forgive themselves. And maybe I’m reading too much into it, but I take his sullen look in the mirror to be a literal reflection of that, a recognition that this is a mess he made himself, that if insipid card games, silly costumes, and dull parties are his personal hell, he punched his own ticket with his sins against country and countrymen. That is a sad fate, even if it’s a deserved one.
Anyway, fuck him.