Other than knowing it was directed by and starred Bradley Cooper, I went into this completely blind, to the point that I wasn't even aware that it was biopic until 20 minutes before the showtime and I certainly had no preexisting knowledge about Leonard Bernstein. But having quite enjoyed Cooper's first directorial effort (A Star is Born (2018)), I was still quite excited to see his second. Luckily, it lived up to that excitement.
Recently I've complained about slice-of-life movies where the slices are too thin to draw me in, or don't provide enough connective tissue for a cohesive narrative, but this movie avoids that completely. It not only delivers perfectly sized slices of the Bernsteins' life, but also perfectly chosen slices, with each helping to capture the nuance and complexities of their relationship. I can't speak to the accuracy of the portrayals, but I thought the performances were brilliant. I'd also credit the writing, as the dialogue was consistently thought provoking, but not unrealistically so. It's still rare for emotional beats to really land with me, but this film's final act certainly did, getting me watery-eyed in the theater.
With all of this said, I do think I'm somewhat predisposed to the subject matter. Not the world of classical music and conducting, which actually doesn't do anything for me at all (I definitely would have trimmed the extended conducting performance near the end), but the broader exploration of the troubled creative-type. As an aspiring screenwriter who is still crossing my fingers for a call up to the metaphorical Carnegie Hall, I certainly found elements of the story relatable.
Review by SkinnyFilmBuffVIP 8BlockedParent2023-12-24T01:18:49Z— updated 2023-12-31T04:23:25Z
Other than knowing it was directed by and starred Bradley Cooper, I went into this completely blind, to the point that I wasn't even aware that it was biopic until 20 minutes before the showtime and I certainly had no preexisting knowledge about Leonard Bernstein. But having quite enjoyed Cooper's first directorial effort (A Star is Born (2018)), I was still quite excited to see his second. Luckily, it lived up to that excitement.
Recently I've complained about slice-of-life movies where the slices are too thin to draw me in, or don't provide enough connective tissue for a cohesive narrative, but this movie avoids that completely. It not only delivers perfectly sized slices of the Bernsteins' life, but also perfectly chosen slices, with each helping to capture the nuance and complexities of their relationship. I can't speak to the accuracy of the portrayals, but I thought the performances were brilliant. I'd also credit the writing, as the dialogue was consistently thought provoking, but not unrealistically so. It's still rare for emotional beats to really land with me, but this film's final act certainly did, getting me watery-eyed in the theater.
With all of this said, I do think I'm somewhat predisposed to the subject matter. Not the world of classical music and conducting, which actually doesn't do anything for me at all (I definitely would have trimmed the extended conducting performance near the end), but the broader exploration of the troubled creative-type. As an aspiring screenwriter who is still crossing my fingers for a call up to the metaphorical Carnegie Hall, I certainly found elements of the story relatable.