While pitch-black humor has always been a defining element of Lanthimos' films, his approach has typically leaned towards subtlety and wryness, often paired with deadpan delivery. However, in "Poor Things," there is a noticeable shift towards more straightforward comedy, eliciting laughter from the audience with many moments of humor. Even when the jokes are on the silly and juvenile side, the overall impression is that of encountering a sophisticated work, where the context and, notably, the entire visual and expressive dimension play a crucial role. The runtime could have been more compact (it tires a little towards the end), but we are undoubtedly facing a film playing in a league of its own, capable of fascinating a wide audience despite its quirks and exaggerations. It’s a shame the first part is in black and white, which flattens the stunning visuals and colors of the sets and costumes.
Shout by manicureVIP 4BlockedParent2024-02-03T03:41:21Z
While pitch-black humor has always been a defining element of Lanthimos' films, his approach has typically leaned towards subtlety and wryness, often paired with deadpan delivery. However, in "Poor Things," there is a noticeable shift towards more straightforward comedy, eliciting laughter from the audience with many moments of humor. Even when the jokes are on the silly and juvenile side, the overall impression is that of encountering a sophisticated work, where the context and, notably, the entire visual and expressive dimension play a crucial role. The runtime could have been more compact (it tires a little towards the end), but we are undoubtedly facing a film playing in a league of its own, capable of fascinating a wide audience despite its quirks and exaggerations. It’s a shame the first part is in black and white, which flattens the stunning visuals and colors of the sets and costumes.