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Abraham's Valley 1993

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They Shoot Pictures, Don't They? (TSPDT) is a modest but growing film resource dedicated to the art of motion picture filmmaking and most specifically to that one particular individual calling the shots from behind the camera - the film director.

This list is based on TSPDT's 1,000 Greatest Films, a list compilated by Bill Georgaris using thousands of best-of/all-time lists.

www.theyshootpictures.com

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The top films in the 2012 Sight and Sound Poll from the combined votes of 846 critics and 359 directors. Contains films with 3 or more votes. In order by number of votes.

The following is a list of positions and the number of corresponding votes. 21-22 (66 votes), 27-28 (55 votes), 29-30 (54 votes), 36-37 (46 votes), 39-42 (44 votes), 43-46 (43 votes), 47-50 (41 votes), 51-52 (40 votes), 53-55 (39 votes), 56-57 (38 votes), 59-60 (35 votes), 62-74 (33 votes), 75-77 (32 votes), 78-79 (31 votes), 82-88 (28 votes), 89-90 (27 votes), 91-93 (26 votes), 94-99 (25 votes), 100-103 (24 votes), 104-106 (23 votes), 107-110 (22 votes), 111-118 (21 votes), 119-127 (20 votes), 128-139 (19 votes), 140-146 (18 votes), 147-153 (17 votes), 154-166 (16 votes), 167-182 (15 votes), 183-193 (14 votes), 194-206 (13 votes), 207-228 (12 votes), 229-243 (11 votes), 244-271 (10 votes), 272-302 (9 votes), 303-330 (8 votes), 331-375 (7 votes), 376-423 (6 votes), 424-497 (5 votes), 498-624 (4 votes), 625-817 (3 votes)

Source: http://www.bfi.org.uk/films-tv-people/sightandsoundpoll2012

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10 important Portuguese personalities chose their top 10 Portuguese films to be shown in schools. Among them were directors, poets, writers, a philosopher, an art curator, an architect and a film critic. The lists were published by the newspaper Público in April 2012.

Here are all films nominated from Portugal, ordered by number of nominations (and alphabetically).
1 = 8 votes; 2 and 3 = 6 votes; 4 and 5 = 4 votes; 6-10 = 3 votes; 11-18 = 2 votes; 19-58 = 1 vote.

Source: https://www.publico.pt/2012/04/23/culturaipsilon/noticia/filmes-que-deveriam-ser-mostrados-nas-escolas-303881

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The magazine has picked its top ten films of the year, most years. Top ten films were not picked in the years 1952-1954, 1969-1980, and in the year 2003. Rankings can be viewed in my source list URL, or via the link provided in the comments section. In some cases, films tie for a certain spot in the yearly top 10; for example, 2012's #4 spot is tied between three films (consequently, there is no #5 or #6). Some directors definitely appear to be heavily preferred by those responsible for selecting the list.

This list does not include the special "best of 1990s" and "best of 2000s" decade lists, though most of those twenty films are included here. (The exceptions are David Lynch's TV show Twin Peaks on the 1990s list, and Gus Van Sant's Elephant, Abdellatif Kechiche's The Secret of the Grain, and Steven Spielberg's War of the Worlds on the 2000s decade list.)

Other anomalies:
The TV show "24" tied for the #10 spot in 2002, along with Gus Van Sant's Gerry. Gerry also tied for #6 on the 2004 list.

A TV episode "Travolta et moi" (dir. Patricia Mazuy) from the show "Tous les garçons et les filles de leur âge..." was selected as #6 in 1994. Claire Denis' episode "US Go Home" from the same series rated #9 in 1994.

Raul Ruiz's Les trois couronnes du matelot (Three Crowns of the Sailor) tied for #7 in 1983 and tied for #8 in 1982.

1968's #4 spot for Histoires extraordinaires is specifically for Federico Fellini's segment "Toby Damnit."

1965's #4 spot for Paris vu par... is specifically for the Jean Rouch episode.

1959's #3 spot was claimed by Eisenstein's Ivan the Terrible. Since Part II was released in 1958, it is possible that the award was for Part II, but since my sources didn't specify a part and both parts may have been shown together, I have included Parts I & II in the list.

Love it or hate it, here it is...

Source: https://en.wikipedia.org/wiki/Cahiers_du_cin%C3%A9ma

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A cinematic history mixed with contemporary art.
Cinema is full of neurotic personalities, but few things are more transfixing than a woman losing her mind onscreen. Horror as a genre provides the most welcoming platform for these histrionics: crippling paranoia, desperate loneliness, masochistic death-wishes, dangerous obsessiveness, apocalyptic hysteria. Unlike her male counterpart - ‘the eccentric’ - the female neurotic lives a shamed existence, making these films those rare places where her destructive emotions get to play.
www.g03.org/stillframe

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19

TSPDT's The 1,000 Greatest Films
13th Edition (January 2018)

List curated by Bill Georgaris on They Shoot Pictures, Don't They?

Notes: Olympia (#750/751) is a single entry on TSPDT, but as two entries on Trakt.

Source: https://www.theyshootpictures.com/gf1000.htm

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They Shoot Pictures, Don't They? (TSPDT) is a modest but growing film resource dedicated to the art of motion picture filmmaking and most specifically to that one particular individual calling the shots from behind the camera - the film director.

This list is based on TSPDT's 1,000 Greatest Films, a list compilated by Bill Georgaris using thousands of best-of/all-time lists.

www.theyshootpictures.com

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