Rotten Tomatoes list of best 70s Movies as listed here; https://editorial.rottentomatoes.com/guide/essential-1970s-movies/
Welcome to the days of disco and dirty deeds as we plunge into a new wave of movies: raw and renewed, unfiltered, while laying the groundwork for blockbuster era to come. Welcome to the 140 essential movies of the ’70s.
The two moods we aimed to capture in this countdown: The wilting of ’60s flower power optimism under the harsh light of urban reality and decay; meanwhile the destruction of the musty Hays Code — a musty ruleset that dictated what could be depicted on-screen for decades — suddenly allowing directors to pursue more personal expressions in film, often violent and sexual. You’ll find stories of lone men (Taxi Driver, Dog Day Afternoon) and women (Wanda, Norma Rae) against the system, and paranoid political thrillers (All the President’s Men, Three Days of the Condor). There are the horror hallmarks (Alien, Halloween) including international (Suspiria, Deep Red), and box office game changers (Star Wars, Jaws). Low-budget exploitation (The Last House on the Left, Mad Max), and a few things a willing warped mind can get off on (The Man Who Fell to Earth, The Holy Mountain). All movies considered for this list needed to have a Tomatometer (after 5 reviews) and have been made during the decade, even if it didn’t get a major release until later, e.g. Hausu or Killer of Sheep.
Now, let’s strut them mean streets, let’s do the time warp again, let’s have ourselves a close encounter with 140 essential 70s movies!
Liste Proposé par le magazine Studio CinéLive Hors Série N°20 (2012)
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In response to the American Film Institute’s list of the 100 greatest American movies, film scholar Jonathan Rosenbaum took the AFI to task for what he saw as a product "symptomatic of an increasingly dumbed-down film culture that continues to outflank our shrinking expectations." Of course, any list of this kind (including Sight and Sound’s decennial roster and the Village Voice Film Critic’s Poll from a few years back) is not without its blind spots. Participants are often forced to pick a select group of favorites and make a number of concessions ("Well, if I want Antonioni to make it into the collective top 10, I’d better hedge my bets with L’Avventura instead of my personal favorite Zabriskie Point."). Consequently, underdogs and obscure gems have little chance of being represented on a composite list that’s typically unveiled with little-to-no "justification for any of its titles" (to borrow again from Rosenbaum). Rather than present a list that looks like everyone else’s, Slant Magazine has decided to do something a little different. While you will find many popular classics and critical favorites on our list of 100 Essential Films, our goal was to mix things up a bit. This list should not be construed as a definitive "greatest films" package, but as an alternative compiled by a group of kinky film-lovers wanting to give serious critical thought to neglected, forgotten and misunderstood gems. We aimed for the kind of list where post-Cahiers Orson Welles could stand shoulder-to-shoulder with a pre-pastiche Brian De Palma; where it’s understood that Hitchcock, Dreyer, Ford, and Ozu created masterpieces besides film school staples like Vertigo, The Passion of Joan of Arc, The Searchers, and Tokyo Story; and where the postmodern irony of Douglas Sirk’s Imitation of Life is allowed space next to its modern-day equivalent: Paul Verhoeven’s Showgirls (gasp!). Because space was tight, documentaries, shorts and animated films were not eligible. Additionally, we limited directors to no more than one spot on the list.
Source: http://www.slantmagazine.com/features/article/100-essential-films
Movies of the 70's, Jürgen Müller (ed.) Taschen.
Todo el mejor cine de la historia
TCM Underground is a weekly late-night cult film showcase airing on Turner Classic Movies. Developed by former TCM marketing director Eric Weber, it was originally hosted by industrial rock/heavy metal musician and independent filmmaker Rob Zombie. The movies were programmed by Eric Weber until 2007, when TCM programmer Millie De Chirico took over the role.
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