Personal Lists featuring...

Battle Royale 2000

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Movies covered by Scott Tobias for the AV Club's New Cult Canon (2008-2013).

The introduction can be read at http://www.avclub.com/articles/the-new-cult-canon-an-introduction,9808/.

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Selection of the best movies from Japan, Korea, China, Hong Kong, Taiwan, India.

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I started off by gathering ratings from IMDB (User/Critic Average), Rotten Tomatoes (Tomatometer, Critic Average, Audience Score, User Average), Metacritic (Critic Average, User Average) and Letterboxd (User Average). I was then able to determine a rating (out of 10) for each individual rating and therefore come up with an average rating for each site. Each site’s average rating was then weighted fairly so that no site’s ratings were favored above the rest.

The next step was to make sure that each film was treated fairly. Other top movie list’s like IMDb’s Top 1000 removes films that have under a certain viewing number (25,000 I think), but rather than ruling out films that may have been overlooked by the general audience (especially older films), I opted to alter these films score by carefully deducting points depending on how many people have seen it, and therefore voted on it. I also thought it was needed to make sure that recent films (released within the past 36 months) were also not favored, as it usually takes 3 years for the average rating to settle down. So I also added a deduction to these films that fell under this rule.

Taken from here: https://www.reddit.com/r/movies/comments/3hbiio/update_1001_greatest_movies_of_all_time_plus/

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From the revered classics of Akira Kurosawa, to the modern marvels of Takeshi Kitano, the films that have emerged from Japan represent a national cinema that has gained worldwide admiration and appreciation. The Directory of World Cinema: Japan provides an insight into the cinema of Japan through reviews of significant titles and case studies of leading directors, alongside explorations of the cultural and industrial origins of key genres. The directory aims to play a part in the distribution of academic output by building a forum for the study of film from a disciplined theoretical base.

This is in the form of an A-Z of reviews, longer essays and research resources. The cinematic lineage of samurai warriors, yakuza enforcers and atomic monsters are discussed in addition to the politically charged works of the Japanese New Wave, making this a truly comprehensive volume.

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The list is based on the contents of the Book, sorted by chapters:
Film of the Year
Alternative Japan
Anime / Animation
Chambara / Samurai Cinema
Contemporary Blockbusters
Jidaigeki & Gendaigeki / Period & Contemporary
J-Horror / Japanese Horror
Kaiju Eiga / Monster Movies
Nuberu Bagu / The Japanese New Wave
Pinku Eiga / Pink Films
Yakuza / Gangster

More information on this is also aviable on http://worldcinemadirectory.co.uk/!

List for the 2nd edition: http://trakt.tv/user/sp1ti/lists/directory-of-world-cinema-japan-2

[Missing Virus (1980), has the same year+name as another movie (TMDB:41972)]

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The most popular 720p and 1080p movies that are available at the moment. Usually updates within 1-2 hours when a new release is available. NEWEST IS LAST IN THE LIST!

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Source: https://editorial.rottentomatoes.com/guide/best-netflix-horror-movies-to-watch-right-now/

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Shaenon K. Garrity's list. One horror movie (plus a few double- and triple-features) for every day of the year. Check the source for sketches and descriptions of each day.

Source:
http://www.horrormovie.today/

Tags:
#theme #list_order #complete

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New millennium, new technology. Film cameras were the standard way to shoot a movie for over a century, and now they to had to make space for upstart digital. Without digital cameras, zombies would’ve stayed dead; 28 Days Later was only possible with how quick and easy it is to set up with them. Sofia Coppola (Lost in Translation) and Neill Blomkamp (District 9) certainly benefited from the new technology.

Movies were also used to absorb our collective trauma. We escaped into magic and wonder in the months after 9/11 with Harry Potter and The Lord of the Rings, while we celebrated the end of the Great Recession by getting the hell off this planet with Avatar. And speaking of those series, we didn’t want their installments taking up all the spots on this list, so one movie representing the whole franchise was chosen for those worthy.

And your vast comic-book trivia knowledge became a social asset, not a bullseye for beatings. Iron Man, The Dark Knight, and Spider-Man 2 opened up new ways of connected storytelling (and money making). And it wasn’t just superheroes making the leap to the mainstream. Fanboy culture, the internet, and sites like the one you’re reading now helped bring “genre” movies to the cultural forefront: zombies (28 Days Later, Shaun of the Dead), sci-fi (Avatar, Serenity), horror (The Descent, Saw), and fantasy (Pan’s Labyrinth).

Meanwhile, under-served voices started to make some noise in the mainstream with films led by females (Mean Girls, Whale Rider, Bend It Like Beckham, Twilight), made African-American filmmakers (Love & Basketball, Barbershop), and featuring Asian-American stars (Harold & Kumar Go to White Castle, Better Luck Tomorrow). And that’s not including the increasingly easy access to international material like City of God and Let the Right One In.

And we still haven’t touched upon Pixar’s golden age (WALL-E, Finding Nemo), Hollywood finding the formula for comedies perfectly balanced between smart and dumb (The Hangover, The 40-Year Old Virgin), or that the Fast & Furious series got its humble beginnings here. A lot happened in this decade: Discover it all with the 140 Essential Movies of the 2000s!

Source: https://editorial.rottentomatoes.com/guide/essential-2000s-movies/

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30 Films Quentin Tarantino wants you to see according to IndieWire

https://www.indiewire.com/gallery/quentin-tarantino-favorite-movies/screen-shot-2019-05-16-at-9-02-27-am/

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