Battleground 1949

This list contains all movies that have won the Best Cinematography prize in the Academy Awards.

Source: https://en.wikipedia.org/wiki/Academy_Award_for_Best_Cinematography

This is a list of all winners of the Golden Globe Award for Best Movie Screenplay since 1947.

This is a list of all winners of the Golden Globe Award for Best Supporting Actor in a Movie since 1943.

This is a list of all winners of the Academy Award for Best Cinematography since 1927.

This is a list of all winners of the Academy Award for Best Original Screenplay since 1940.

Updated with 2024 winners.

Notes:
- 1948 best original screenplay was consildated together with best adapted screenplay into one category. The winner was "The Treasure of Sierra Madre", adopted from the novel of the same name.

Updated with 2024 winners.

Notes:
- From 1936 until 1939 two oscars were awarded, one additional for color movies.

https://letterboxd.com/david_crdza/list/sean-price-williams-legendary-top-1000-films/

Source:
Years 1931-2018 come from:
The New York Times: Book of Movies
the essential 1,000 films to see
2019 ed

Years after 2018 come from NYT website.

work in progress
There are discrepancies between the website and the book, particular for years after 2003. Please leave a comment for any errors you find.

List created and maintained by https://listrr.pro

all the academy awards nominees for best picture since 1927

The best movies of the 1940's decade.

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List of Nominees and Winners

• ACTOR

BRODERICK CRAWFORD "All the King's Men" - WINNER
KIRK DOUGLAS "Champion"
GREGORY PECK "Twelve O'Clock High"
RICHARD TODD "The Hasty Heart"
JOHN WAYNE "Sands of Iwo Jima"

• ACTOR IN A SUPPORTING ROLE

DEAN JAGGER "Twelve O'Clock High" - WINNER
JOHN IRELAND "All the King's Men"
ARTHUR KENNEDY "Champion"
RALPH RICHARDSON "The Heiress"
JAMES WHITMORE "Battleground"

• ACTRESS

OLIVIA DE HAVILLAND "The Heiress"
JEANNE CRAIN "Pinky"
SUSAN HAYWARD "My Foolish Heart"
DEBORAH KERR "Edward, My Son"
LORETTA YOUNG "Come to the Stable"

• ACTRESS IN A SUPPORTING ROLE

MERCEDES MCCAMBRIDGE "All the King's Men"
ETHEL BARRYMORE "Pinky"
CELESTE HOLM "Come to the Stable"
ELSA LANCHESTER "Come to the Stable"
ETHEL WATERS "Pinky"

• ART DIRECTION (BLACK-AND-WHITE)

"THE HEIRESS" Art Direction: Harry Horner, John Meehan; Set Decoration: Emile Kuri - WINNER
"COME TO THE STABLE" Art Direction: Lyle Wheeler, Joseph C. Wright; Set Decoration: Thomas Little, Paul S. Fox
"MADAME BOVARY" Art Direction: Cedric Gibbons, Jack Martin Smith; Set Decoration: Edwin B. Willis, Richard A. Pefferle

• ART DIRECTION (COLOR)

"LITTLE WOMEN" Art Direction: Cedric Gibbons, Paul Groesse; Set Decoration: Edwin B. Willis, Jack D. Moore - WINNER
"THE ADVENTURES OF DON JUAN" Art Direction: Edward Carrere; Set Decoration: Lyle Reifsnider
"SARABAND" Art Direction: Jim Morahan, William Kellner, Michael Relph

• CINEMATOGRAPHY (BLACK-AND-WHITE)

"BATTLEGROUND" Paul C. Vogel - WINNER
"CHAMPION" Frank Planer
"COME TO THE STABLE" Joseph LaShelle
"THE HEIRESS" Leo Tover
"PRINCE OF FOXES" Leon Shamroy

• CINEMATOGRAPHY (COLOR)

"SHE WORE A YELLOW RIBBON" Winton Hoch - WINNER
"THE BARKLEYS OF BROADWAY" Harry Stradling
"JOLSON SINGS AGAIN" William Snyder
"LITTLE WOMEN" Robert Planck, Charles Schoenbaum
"SAND" Charles G. Clarke

• COSTUME DESIGN (BLACK-AND-WHITE)

"THE HEIRESS" Edith Head, Gile Steele - WINNER
"PRINCE OF FOXES" Vittorio Nino Novarese

• COSTUME DESIGN (COLOR)

"THE ADVENTURES OF DON JUAN" Leah Rhodes, Travilla, Marjorie Best - WINNER
"MOTHER IS A FRESHMAN" Kay Nelson

• DIRECTING

"A LETTER TO THREE WIVES" Joseph L. Mankiewicz - WINNER
"ALL THE KING'S MEN" Robert Rossen
"BATTLEGROUND" William A. Wellman
"THE FALLEN IDOL" Carol Reed
"THE HEIRESS" William Wyler

• DOCUMENTARY (FEATURE)

"DAYBREAK IN UDI" Crown Film Unit - WINNER
"KENJI COMES HOME" Paul F. Heard, Producer

• DOCUMENTARY (SHORT SUBJECT)

"A CHANCE TO LIVE" Richard de Rochemont, Producer - WINNER
"SO MUCH FOR SO LITTLE" Edward Selzer, Producer - WINNER
"1848" French Cinema General Cooperative
"THE RISING TIDE" St. Francis-Xavier University, Antigonish, Nova Scotia

• FILM EDITING

"CHAMPION" Harry Gerstad - WINNER
"ALL THE KING'S MEN" Robert Parrish, Al Clark
"BATTLEGROUND" John Dunning
"SANDS OF IWO JIMA" Richard L. Van Enger
"THE WINDOW" Frederic Knudtson

• MUSIC (MUSIC SCORE OF A DRAMATIC OR COMEDY PICTURE)

"THE HEIRESS" Aaron Copland - WINNER
"BEYOND THE FOREST" Max Steiner
"CHAMPION" Dimitri Tiomkin

• MUSIC (SCORING OF A MUSICAL PICTURE)

"ON THE TOWN" Roger Edens, Lennie Hayton - WINNER
"JOLSON SINGS AGAIN" Morris Stoloff, George Duning
"LOOK FOR THE SILVER LINING" Ray Heindorf

• MUSIC (SONG)

"Baby, It's Cold Outside" in "Neptune's Daughter" Music and Lyrics by Frank Loesser - WINNER
"It's A Great Feeling" in "It's a Great Feeling" Music by Jule Styne; Lyrics by Sammy Cahn
"Lavender Blue" in "So Dear to My Heart" Music by Eliot Daniel; Lyrics by Larry Morey
"My Foolish Heart" in "My Foolish Heart" Music by Victor Young; Lyrics by Ned Washington
"Through A Long And Sleepless Night" in "Come to the Stable" Music by Alfred Newman; Lyrics by Mack Gordon

• BEST MOTION PICTURE

"ALL THE KING'S MEN" Robert Rossen Productions - WINNER
"BATTLEGROUND" Metro-Goldwyn-Mayer
"THE HEIRESS" Paramount
"A LETTER TO THREE WIVES" 20th Century-Fox
"TWELVE O'CLOCK HIGH" 20th Century-Fox

• SHORT SUBJECT (CARTOON)

"FOR SCENT-IMENTAL REASONS" Edward Selzer, Producer - WINNER
"HATCH UP YOUR TROUBLES" Fred Quimby, Producer
"THE MAGIC FLUKE" Stephen Bosustow, Producer
"TOY TINKERS" Walt Disney, Producer

• SHORT SUBJECT (ONE-REEL)

"AQUATIC HOUSE-PARTY" Jack Eaton, Producer - WINNER
"ROLLER DERBY GIRL" Justin Herman, Producer
"SO YOU THINK YOU'RE NOT GUILTY" Gordon Hollingshead, Producer
"SPILLS AND CHILLS" Walton C. Ament, Producer
"WATER TRIX" Pete Smith, Producer

• SHORT SUBJECT (TWO-REEL)

"VAN GOGH" Gaston Diehl and Robert Haessens, Producers - WINNER
"THE BOY AND THE EAGLE" William Lasky, Producer
"CHASE OF DEATH" Irving Allen, Producer
"THE GRASS IS ALWAYS GREENER" Gordon Hollingshead, Producer
"SNOW CARNIVAL" Gordon Hollingshead, Producer

• SOUND RECORDING

"TWELVE O'CLOCK HIGH" 20th Century-Fox Studio Sound Department, Thomas T. Moulton, Sound Director - WINNER
"ONCE MORE, MY DARLING" Universal-International Studio Sound Department, Leslie I. Carey, Sound Director
"SANDS OF IWO JIMA" Republic Studio Sound Department, Daniel J. Bloomberg, Sound Director

• SPECIAL EFFECTS

"MIGHTY JOE YOUNG" ARKO Productions - WINNER
"TULSA" Walter Wanger Pictures

• SPECIAL FOREIGN LANGUAGE FILM AWARD

"THE BICYCLE THIEF" Special Award - WINNER

• WRITING (MOTION PICTURE STORY)

"THE STRATTON STORY" Douglas Morrow - WINNER
"COME TO THE STABLE" Clare Boothe Luce
"IT HAPPENS EVERY SPRING" Shirley W. Smith, Valentine Davies
"SANDS OF IWO JIMA" Harry Brown
"WHITE HEAT" Virginia Kellogg

• WRITING (SCREENPLAY)

"A LETTER TO THREE WIVES" Joseph L. Mankiewicz - WINNER
"ALL THE KING'S MEN" Robert Rossen
"THE BICYCLE THIEF" Cesare Zavattini
"CHAMPION" Carl Foreman
"THE FALLEN IDOL" Graham Greene

• WRITING (STORY AND SCREENPLAY)

"BATTLEGROUND" Robert Pirosh - WINNER
"JOLSON SINGS AGAIN" Sidney Buchman
"PAISAN" Alfred Hayes, Federico Fellini, Sergio Amidei, Marcello Pagliero, Roberto Rossellini
"PASSPORT TO PIMLICO" T. E. B. Clarke
"THE QUIET ONE" Helen Levitt, Janice Loeb, Sidney Meyers

Straight from the book of the same title, an essential list for film buffs and more casual movie lovers alike. Titles are ranked here based on when they appear in the book, which is divided by the genres Action/Adventure, Comedy, Drama, Horror, Musical, Romance, Science Fiction & Fantasy, Mystery & Thriller, War and Western, then further organized by year released.

Library for Kodi import

In its first film season, 1927–28, this award (like others such as the acting awards) was not tied to a specific film; all of the work by the nominated cinematographers during the qualifying period was listed after their names. The problem with this system became obvious the first year, since Karl Struss and Charles Rosher were nominated for their work together on Sunrise but three other films shot individually by either Rosher or Struss were also listed as part of the nomination. The second year, 1929, there were no nominations at all, although the Academy has a list of unofficial titles which were under consideration by the Board of Judges. In the third year, 1930, films, not cinematographers, were nominated, and the final award did not show the cinematographer's name.

Finally, for the 1931 awards, the modern system in which individuals are nominated for a single film each was adopted in all profession-related categories. From 1939 to 1967 with the exception of 1957, there were also separate awards for color and for black-and-white cinematography. Since then, the only black-and-white film to win is Schindler's List (1993).

Floyd Crosby won the award for Tabu in 1931, which was the last silent film to win in this category. Hal Mohr won the only write-in Academy Award ever, in 1935 for A Midsummer Night's Dream. Mohr was also the first person to win for both black-and-white and color cinematography.

No winners are lost, although some of the earliest nominees (and of the unofficial nominees of 1928–29) are lost, including The Devil Dancer (1927), The Magic Flame (1927), and Four Devils (1928). The Right to Love (1930) is incomplete, and Sadie Thompson (1927) is incomplete and partially reconstructed with stills.

The first nominees shot primarily on digital video were The Curious Case of Benjamin Button and Slumdog Millionaire in 2009, with Slumdog Millionaire the first winner.[1] The following year Avatar was the first nominee and winner to be shot entirely on digital video.[2]

In 2018, Rachel Morrison became the first woman to receive a nomination. Prior to that it had been the last Academy Award category to never nominate a woman.[3][4]

https://en.wikipedia.org/wiki/Academy_Award_for_Best_Cinematography#Winners_and_nominees